Subtraction
I made a bit of time last night to drop into a studio (where there’s a model doing various poses) and do a bit of drawing to get my hand back in.
She’s a great model who understands her body and uses the light well, so one sees forms quite readily through her work. I decided to try something I’d not tried before, given the strong subject matter. (It is a known technique I’d read about before, but I’d yet to deploy it.) I took a soft pencil and darkened the paper first (rubbing with a tissue to smooth a bit) and then did my sketch on top of that. (In future I’ll use those graphite sticks I have sitting in my desk and never use.) I built the layout as I usually do, needing to use a softer pencil this time to see the lines, leading to a lot more fluidity in my strokes… Then I began to refine shapes and form in two ways…. darkening a bit here and there with a slightly softer pencil and -most importantly- lightening shade by using an eraser (sharpened pink mostly… blue kneaded more rarely).
The point here is that I do a lot of subtraction in the later parts of my sketches anyway, but in the 25 minutes of the pose, especially when I am rusty (as I am now) I […] Click to continue reading this post










