Category Archives: art

Nude

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figure_study_17th_jan_11_smallLast Friday, I went to the luncheon of the Los Angeles Institute for the Humanities, and as usual there was a fascinating short talk to accompany lunch and coffee. (As I mentioned before, the membership of this group is a rather wonderful mixture of people mostly from USC, UCLA, and the city of Los Angeles in general, mostly prominent writers, artists, and other people from the humanities, film, theatre, and… they let one or two dabbler-type scientists like yours truly on the list, bless them.)

The talk was by Bram Dijkstra, and was entitled “The Nude in American Art”. As with most of the talks here (and in many similar venues), it seems to be associated with a book the speaker has out recently, and this one is a sumptuous-looking tome called “Naked: The Nude in America”. It was a nice talk, although he did not get very much into the modern America part because he spent time on the European connections and background and then ran out of time (they try to keep the luncheon talks short and to the point, leaving you wanting more, and leaving time for questions, which is indeed a good thing). However, one of the things that kept coming up was the whole business of an early prudishness or puritanicalism (still persisting in some places today) that meant that the naked physical form should somehow be hidden away. You get examples even today of art galleries’ major donors creating problems for an exhibit that contains nudes, etc., etc. He discussed various changing (and not changing) attitudes to this issue on both sides of the Atlantic through the years, which I found interesting. Aspects of this were not just tied to things like religion, but also the changing status of women in the various societies, to various degrees, since a lot of nudes feature the female form.

This is all very interesting to me in view of The Project for, I hope, obvious reasons. I found myself wondering (and indeed asked a question at the end about it) about […] Click to continue reading this post →

The Project – 4

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So, a huge number of decisions went into getting the work to where I wanted it to be, and I’ve shown you samples in various previous posts, some collected here. But where does it all begin? It starts with the idea or concept that I am thinking about, and conversations which will form the dialogue for the piece in question. I start fleshing it out more, perhaps with a setting beginning to form in my mind. Maybe pencil drawings begin to take shape, and I start laying out pages, capturing the beats of the conversation, and the visuals that might get used. Characters (the people who will be in dialogue) begin to assert themselves by this point as well.

Incidentally, this is a place where sometimes the iPad comes into its own, and it is a great tool at several stages of all this. This project is one of the reasons I got the iPad, although I could not tell you at the time I got it back in the early Summer since I was not revealing what I was working on then. (Much of the other stuff I happily discovered about the iPad that I blogged about a while back (here, here, and here) are actually nice bonuses. I got it primarily to help me with development aspects on this project that had little to do with those other features.) I draw rough layouts on the iPad sometimes, and I can store all my rough ideas and print them out, modify them, call them up for later viewing, and so forth. I can carry work in progress with me, reference photos from location scouting, etc. It is also good for practice sketching, and sometimes, using it, I’ve grabbed some nice quick drawings of people in a meeting or in a bar or on a bus. Drawing from life is an important skill to keep up. The iPad is not used in final production on the graphic novel though. I work at a level of detail and complexity that the iPad would not be able to […] Click to continue reading this post →

Nine Points

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Although the planning of a panel on a page is entirely freehand pencil or pen work, it is indeed the case that sooner or later I start detailed placing of subjects, and I often use perspective to do the layouts. Not just for skyscrapers and so forth, but for down to earth things too. I do it the old-fashioned way, which is repetitive and time-consuming, but I must admit – It is fun! Take some time to look at everything around you – real or represented in drawings, photos, etc – and you’ll likely see perspective cues that help give sense of depth and placing. It is all about geometry, which our universe seems to like a lot, and which we use to navigate in it. Learning a bit of this geometry, and how to build it in projection in two dimensions on the page (and it is much easier than this sentence makes it sound!) allows one to make reasonably convincing recreations of the universe (or simulacra of your choosing) and how we perceive it. Real artists (not hacks like yours truly) use geometry a lot, in one way or another, to interpret, represent, or distill aspects of the world, and so in a sense, they are companions on the same road as those of us in (especially) the physical sciences.

Babble aside, here you can see parts of the interior of a cafe taking shape. I did it using three-point perspective*:

construction_lines

This will be the skeleton upon which I build the flesh of the rest of the piece. It is based on my knowledge of a real cafe that I location-scouted (well, I happen to drink coffee there from time to time), but you’d never get this view without (a) perhaps being able to fly, and (b) removing the ceiling. Trying to be somewhat discreet in this […] Click to continue reading this post →

New Semester Approaching

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I’m feeling strangely cold, although the heating is on and I’ve got a jumper (“sweater” to readers in the States) on. It has been this way all day, so I suspect it is something to do with my frame of mind. I’m feeling a bit reflective with it too, so I’ll think out loud (as it were) a bit before going to bed early.

Well, it is almost time to start another round of teaching. This semester, starting Monday, it is a graduate course that I’ll be teaching, the second part of a year’s sequence of string theory that we teach from time to time. My focus will be non-perturbative issues, focusing on much of what has been forming the foundation of research in various areas of string theory since the 1990s. Should be fun. Some of the material will come from my book, D-branes, that was published back in 2002. It seems so long ago now. I actually looked in it today, as I was discussing a research issue with a colleague, and could not recall some details. Happily there was a chapter with it all in there. That’s rather nice. The book serves me well as a personal reminder of things I used to have at my fingertips all the time back then, and as a bonus, lots of people around the world still use it as a handbook/guide/intro/etc, I hear.

I joke, of course. The cart and the horse are the other way around.

Speaking of books, I’ll be doing my best to continue working on the current book project, with all the excitement and adventure in developing it. (And the occasional […] Click to continue reading this post →

Inkin’

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working_photoRemember the skyline in an earlier post? Well, I forgot that I’d taken a snap of myself doing the inks for it last month, knowing that I’d ultimately be sharing it with those of you curious about the process. So there you can see me about half way, inking with a cartridge ink pen on the 11 in. x 17 in. Bristol artboard where it sits as a sort […] Click to continue reading this post →

Paints

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building_construction_paintedOh, I finished the painting of the page that, perhaps annoyingly, I’m showing you only a corner of. Now you’ve seen three stages of development in the production process, from pencils to inks to painting. See the other two pages (here and here) for comparison.

I digitally paint for this work, using a variety of techniques. This is a big silent single-panel splash page early on in the story, and I’m using it to root the reader in reality, the location, and the principal character, and so I’ve broken out the special effects a touch. Yes, I am a traditionalist, as I’ve explained before, with most of the final look of my work not being so different from what could be done in the pre-digital era, but I am not pig-headedly so, and from time to time I use (lightly, […] Click to continue reading this post →

Black Lines

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building_construction_inkedOk, I have inked the pencils I constructed earlier, showing parts of two real buildings that form the background to the opening pages of one of my stories.

In the end I did the curves freehand instead of fiddling with French curves*. Now for these objects, the inking (done freehand with ink drawing pens – I sometimes use brushes or brush pens too) is actually pretty much just networks of black lines since they are background details and, moreover, very simple skyscrapers. There are some others in this page that are more […] Click to continue reading this post →

Constructing

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building_constructionBut before we left on the trip (see previous post) I did get a little bit of work done on The Project for the first time in about three weeks, by making an early start in the morning. There’s this big single-panel splash page with lots of tall buildings on it that I’ve been meaning to finish for a while.

Tall buildings mean… windows. Lots of them. For this piece, this means lots of drawing of construction lines to place the windows. So I’ve been messing around with a T-square, rulers, vanishing points, diagonal vanishing points, a bit of free hand winging it (will enhance with French curves […] Click to continue reading this post →

The Project – 3

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(Monday:) Sitting at the airport waiting for a visitor to arrive. Might as well tell you a bit more about The Project. (This is the third in a series of posts unveiling The Project. See here and here for the earlier ones.)

So the sample I ended with in the previous post was, I presume you have realized, a little attempt at irony and humour. While it does take a while to bring about the transformation of technique that I wanted, and while it has taken some time to explore and then make choices about the various techniques I want to use, it would be hilarious if that was the product so far. But this is not a joking matter. The whole process is very slow indeed, even when ticking along nicely, and additionally of course I’ve got this Professor gig I’m doing for most of my waking hours. So…

Anyway, samples of what I am doing are in order. Well, what I’ve worked up so far, in a prototype story, is only really an example of one story. So the whole thing won’t look like what you are about to see, for better or worse. This is because the outcome of trying to decide what visual style to use for the project was that I would use more than one style. Some stories will call for different styles.

Another key element I mentioned earlier is that I am having the dialogues (by the way, the working title is: The Dialogues. Yeah, I’m tricky that way…) take place in real settings, some of them may be familiar to you. So go right ahead and guess away. Here is a skyline from page one of the prototype story, helping to set the scene*…

arena_extract_1

This prototype story, called The Arena, has a pair of characters accidentally (er…or maybe not accidentally!?) meeting again and picking up on a conversation. You can see one of them below and to the right, in one of my big scene-setting splash panels […] Click to continue reading this post →

The Project – 2

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A graphic novel. Yes, of course. (Continuing a series of posts revealing The Project. This is the second. Read the first to see how I got here.)

It makes perfect sense. Rather than hide the visual aspects of it all away in background, I’ll have it right up front. Having both images and words in my arsenal at the outset frees me up to do so much of what I want to do, in bringing the reader into the conversations through the characters, the locations, and in being able to go wherever I want either realistically, metaphorically, or representationally, in illustrating ideas and story. In fact, it is so utterly natural, given how we, the scientists, actually work on a day to day basis and talk to each other!

Actually, immediately it occurred to me that it is a graphic novel I needed to do, I wondered why nobody else in my subject areas (physics and so forth) has done it before. Before you jump in and start telling me about all the “science comics” out there, please note -given all I wrote in the last post and above- that this is not just more “science comics”, with some fun pictures employed to show things in various subjects. People usually mention things like the Cartoon Guides, and so forth. Those sorts of things are great, but definitely not what I am talking about. I’m getting at, or trying to get at, something quite different, at least in part. We shall see. It seems it me that there is way more to do with this incredibly powerful genre in science than has been done, and certainly in the corners of physics in which I lurk. I want to try.

It is still surprising to me, but when I say graphic novel, it is not uncommon for it to emerge that people have an odd idea of what I am talking about. Some think that it is cartoons for children. No, it need not be for children, and it need not be cartoons. […] Click to continue reading this post →

The Project – 1

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It is midnight and I really should get to sleep in order to wake up and work some more on editing the final exam for my class so that it can go to the printer by noon. But I’ve got several pokes from people clamouring to find out what The Project actually is, and I promised yesterday I’d start to spill the beans. Thanks for the interest! I think I’d better get at least some of it out there or I’ll have an angry mob by morning! So here goes. I will drag out the draft I sketched yesterday and beat it into shape:

So, as you may have guessed, The Project, which I’ve been mentioning here since a post way back in February, is a writing project, but it is somewhat different from what you might expect. The bottom line is that I hope that at some point into future you will be able to purchase a copy of your own, and that you will find it instructive, exciting, and enjoyable. At least.

Yes, it is a book about science. However… Well, here’s the thing. Over many years, people (friends, colleagues, potential agents and publishers, blog readers, etc) have been asking me when I am going to write my book. You know, the popular-level book that every academic who is interested in the public understanding of their field (as you know I am from reading this blog) is expected will write at some point. To be honest, I have given it some thought over the years, and it has been something I figured I might do at some point. In fact, several different ideas have occurred to me over the years, and I may well implement some of them at some point.

But a major thought began to enter my mind well over ten years ago. In my field, there is a rather narrow range of models for the shape of such books, usually involving about 80% of it being a series of chapters covering all the standard introductory material (some relativity, some quantum mechanics, and so forth) for the lay reader, before culminating in a chapter or two of what the researcher really wants to tell them about: some aspect of their research. This is a fine model, and it is great that people continue to write such books, and I will no doubt use that model one day, but to be honest, I don’t think there is any urgency for me to add to the canon yet another one of those books. Moreover, if you line examples of that type of book up against each other, you see that the […] Click to continue reading this post →

Monster Mash

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monster_drawing_rally_1On Sunday I went to the Monster Drawing Rally. You may recall the huge fun I had last time I went (2008), which involved watching a lot of drawing in action, and then a bidding war for one of the pieces at the end. See the post I did on it here. Well, I went again this year. It was in Eagle Rock this time, instead of Altadena, with a slightly smaller (I think) space, but still good. [I was not there for as long as I originally intended, unfortunately, as there was a rather good birthday party the night before that kept me out until after 3:00am on account of lots of dancing and people singing around the piano (these people were good, so I stayed an observer). An early afternoon nap was therefore necessary, given that I had a dinner appointment later.] I got there at just before 4:30pm and there was a very friendly atmosphere and again a wide variety of people and approaches (and still nobody drawing monsters…) to the idea of just having lots of artists drawing in a five and a half hour long event. I trust you can read the earlier post for more detail on the organization of the event, or you can go to the site of the organizers, the Outpost for Contemporary Art, who put on the whole thing and who, once again, deserve a round […] Click to continue reading this post →

Multiple Updates

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(Waiting for the kettle to boil…)

It has been a rather hectic week for me here in the city of Angels. It is difficult to pull it all together in my mind and recall all the contributing elements, but they have been varied and more or less interesting and useful activities, ranging from various committees, teaching issues, research issues, event planning, event attending, and of course, the Project.

(Kettle’s boiled. Water poured on tea. Assam/Ceylon blend…)

gerardo_hacer_dogami_1I want to work for a bit before going to bed, although I’ll knock off early (midnight) because I’ve got to get up very early in the morning to get prettied up a bit, walk to catch the bus to campus, and get there by 8:15am or so. This is so I can get to my office and put on a cap, hood and gown and play dress-up (remember last time?) with hundreds of colleagues and so forth. The event? The inauguration of our new University President.

I’ve just returned from a long afternoon and evening in which I appeared in two of the classes of my colleague KC Cole (the science writer) talking about the issue of science, and how I do various aspects of communicating it to the public through various means (writing, film, tv, radio; factual, in fiction/drama, through blogging, in speaking engagements), and the broad issue of writing and journalism in that area. Two groups of extremely engaged and bright students in a row, separated by a quick […] Click to continue reading this post →

ArtWalk Saved?

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Hmm. Well, after the kerfuffle of before, it seems that some people have got together and raised money to keep the monthly Art Walk going! So there will apparently be one this month after all, with certain aspects modified. Hurrah! In other news, the group that has broken off to set up a quarterly one that makes it all more about the art (after the shocking! (not) revelation! that the Art Walk had stopped being about […]

So, looks like a win for everyone. More people enjoying community and connection (whether they come for art, or just to hang out and connect) on the streets of downtown LA. Not seeing a downside here.

-cvj Click to continue reading this post →