Working on rough layouts of one of the stories for the book. One rough panel ended up not looking so rough, and after Monday’s ink dalliances I was itching to fiddle with brushes again, and then I thought I’d share. So… slightly less rough, shall we say? A more careful version would point the eyes a bit better, for example…(Much of the conversation, filling a bit more of the while space, has been suppressed – spoilers.)
I have prepared the Tools of the Office of Dad*:
*At least until lunchtime. Then, another set to prep…
Worth a read: This is ‘t Hooft’s summary (link is a pdf) of a very interesting idea/suggestion about scale invariance and its possible role in finding an answer to a number of puzzles in physics. (It is quite short, but think I’ll need to read it several times and mull over it a lot.) It won the top Gravity Research foundation essay prize this year, and there were several other interesting essays in the final list too. See here.
On my way back from commencement day on campus last Friday I got to spend a bit of time on the subway, and for the first time in a while I got to do a quick sketch. (I have missed the subway so much!) Yesterday, at home, I found myself with a couple of new brushes that I wanted to try out, and so I did a brushed ink sketch from the sketch… It felt good to flow the ink around – haven’t done that in a while either. Then I experimented with splashing a bit of digital colour underneath it. (This is all with the graphic book project in mind, where I think at least one story might Click to continue reading this post
Because Date Night #2 since the Arrival!
Happy Mother’s Day to the mothers in my life, to all others, and especially to the wonderful mother who recently made me a father! Thanks for all that you do every day.
After a recent bit of rain this single spectacular bloom was poking out from the undergrowth, in a seldom-tended part of the garden. So vivid! It almost looks like I’ve done some sort of enhancement to the colours and contrast post-photo. But I have not.
Before (upon finding no instructions but the picture on the box)…
After (once it was clear all the screws were the same size, so no serious assembly mistakes were possible)… Click to continue reading this post
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Last Friday’s luncheon for the Los Angeles Institute for the Humanities had a double treat. First, it was a field trip to another interesting and exciting Los Angeles space – Clockshop/Elysian, down near the river in Frogtown. Clockshop is a wonderful arts organisation whose concerns fit very neatly with many of ours: From their website:
Clockshop is a multifaceted arts organization that works at the intersection of politics, urban space, and cultural production to explore the forces that shape our lived environment. We program events and screenings, and produce artist projects and conversations. […]
Elysian is an excellent restaurant, the main space where Clockshop events are held, and we were served splendid lunch there while Clockshop director Julia Meltzer told us a little about Clockshop.
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The second treat was a talk (over coffee and cookies) by Jon Christensen (editor of Boom) entitled “A Century Beyond John Muir: A 21st Century Vision for California Parks”, detailing a project to rejuvenate, expand (and enhance the awareness Click to continue reading this post
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(Sort of liking my rough work today. Maybe I should have done it all in this rough style. Each panel would take minutes instead of hours. Hmmm…)
You know what? I’m going to throw this into the works and see what happens…
Dear visitor who came here (perhaps) after visiting the panel I participated in on Saturday at the LA Times Festival of Books. (“Grasping the Ineffable: On Science and Health”) What a fun discussion! Pity we ran out of time before we really began to explore connections, perhaps inspired by more audience questions.
In any event, in case you wondered why I was not signing books at the end at the designated signing area, I thought I’d write this note. I was given the option to do so, but the book that I currently have out is a specialist monograph, and I did not think there’s be much demand for it at a general festival such as the one on the weekend. (Feel free to pick up a copy if you wish, though. It is called “D-Branes”, and it is here.)
The book I actually mentioned during the panel, since it is indeed among my current attempts to grasp the “ineffable” of the panel title, is a work in progress. (Hence my variant of the “under construction” sign on the right.) It is a graphic book (working title “The Dialogues”) pitched at a general audience that explores a lot of contemporary physics topics in an unusual way. It is scheduled for publication in 2017 by Imperial College Press. You can find out much more about it here.
Feel free to visit this blog for updates on how the book progresses, and of course lots of other topics and conversations too (which you are welcome to join).
Love this picture posted by USC’s Facebook page*. (I really hope that we did not go over the heads of our – very patient** – audience during the Festival of Books panel…)
*They don’t give a photo credit, so I’m pointing you back to the posting here until I work it out.
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Don’t forget that this weekend is the fantastic LA Times Festival of Books! See my earlier post. Actually, I’ll be on a panel at 3:00pm in Wallis Annenberg Hall entitled “Grasping the Ineffable: On Science and Health”, with Pat Levitt and Elyn Saks, chaired by the Science writer KC Cole. I’ve no idea where the conversation is going to go, but I hope it’ll be fun and interesting! (See the whole schedule here.)
Maybe see you there!
There’s an SCSS today, at USC! (Should have mentioned it earlier, but I’ve been snowed under… I hope that the appropriate research groups have been contacted and so forth.) The schedule can be found here along with maps.
The recent Babe War (Food Babe vs Science Babe) that probably touched your inbox or news feed is a great opportunity to think about a broader issue: the changing faces of science communication. I spoke about this with LA Times science writer Eryn Brown who wrote an excellent article about it that appears today. (Picture (Mark Boster/Los Angeles Times) and headline are from the article’s online version.)
(By the way, due to space issues, a lot of what we spoke about did not make it to the article (at least not in the form of quotes), including: The increased access the general public now has to science and science-related content (both good and bad), which I think is a good thing; The need for continued efforts to raise the overall level of basic science literacy members of the public have, in order to help them distinguish signal from noise; The wider range of people who feel they can join the conversation about science (also a positive, but see the previous point);… And so on.)
Enjoy the article! I think it examines some of these issues rather nicely.
Oh Naan, I have the measure of thee… (Well, more or less. Ought to drop the level in the oven down a touch so that the broiler browns them less quickly.)
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Very tasty! (The Murphy’s stout was not a part of the recipe…)
The wild flower planting is still giving generously…
I just learned of an excellent interview with Edward Witten, one or our field’s grandmasters, or rather: the grandmasters’ grandmaster. I strongly recommend reading it. (This is for technically equipped people working in the field, most likely – I believe that it is not intended for the general public, although you are welcome to read it too!)
There’s a lot of discussion (of among other things like his current work) of that golden period during the 1990s that I had the privilege to work in during my postdoc years (some of them under the guidance of Witten) that remain one of Click to continue reading this post
For Friday’s Los Angeles Institute for the Humanities luncheon we had a presentation from anthropologist/primatologist Amy Parish (an LAIH Fellow) on the work she’s been doing with bonobos at a zoo in Stuttgart. She updated us on how bonobo societies work (of all the apes, bonobos are our closest cousins, genetically), and then told us about recent experiments she’s been doing with getting them to watch films, giving them control over what they watch, and observing the effects of this on social patterns. (There’s a brief article here about Amy’s recent work.) It was an excellent talk, well attended, with lots of laughter – the result of a pretty potent mixture of food, sex, and humour!
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Last Tuesday was a bit unusual. I’ve been chatting for a while with the people making a new BBC/PBS(NOVA) special in celebration of it being 100 years since Einstein’s presentation of the field equations of General Relativity, and that was the day we’d arranged to have an interview of me saying a few ideas to camera, and also doing a demo or two for fun. It was a very tight schedule, and a lot had to be arranged since one of the demos involved me sitting on the back of a flat bed truck at a desk (apparently in an office), looking up and explaining something, only to have the camera reveal the larger context in which the conversation was taking place. Well, the office set and desk were abandoned for various reasons, and then we got held up for almost two hours because the campus safety people turned out to have been confused (?) by the director’s careful notes in advance of the shoot and did not realise that the flatbed truck with me and the furniture and the cameraman would actually be moving. Even though it was intended to move at only a snail’s pace, it violates their safety rules to not have everything strapped down with safety harnesses. It qualifies as a “stunt”, and they were not expecting one. So there was a lot of back and forth over walkie talkies and in person and so forth, and persons with little golf carts coming and going, until some of the crew dashed off to Autozone to buy several cargo straps that, after application, seemed to make everyone happy.
I climbed up and allowed myself to be strapped in too. Before it all got started I asked about how exactly I was to unstrap myself if for some reason the flatbed Click to continue reading this post
Every year the Los Angeles Institute for the Humanities has a luncheon at the Getty jointly with the Getty Research Institute and the LAIH fellows get to hang out with the Getty Scholars and people on the Getty Visiting Scholars program (Alexa Sekyra, the head of the program, was at the luncheon today, so I got to meet her). The talk is usually given by a curator of an exhibition or program that’s either current, or coming up. The first time I went, a few years ago, it was the Spring before the launch of the Pacific Standard Time region-wide celebration of 35 years of Southern California art and art movements (’45-’80) that broke away from letting New York and Western Europe call the tunes and began to define some of the distinctive voices of their own that are now so well known world wide… then we had a talk from a group of curators about the multi-museum collaboration to make that happen. One of the things I learned today from Andrew Perchuck, the Deputy Director of the Getty Research Institute who welcomed us all in a short address, was that there will be a new Pacific Standard Time event coming up in 2018, so stay tuned. This time it will have more of a focus on Latino and Latin American art. See here.
Today we had Nancy Perloff tell us about the current exhibit (for which she is Click to continue reading this post
It took a while, but I got this task done. (Click for a slightly larger view.)Things take a lot longer these days, because…newborn. You’ll recall that I did a little drawing of the youngster very soon after his arrival in December. Well, it was decided a while back that it should be on display on a wall in the house rather than hide in my notebooks like my other sketches tend to do. This was a great honour, but presented me with difficulty. I have a rule to not take any pages out of my notebooks. You’ll think it is nuts, but you’ll find that this madness is shared by many people who keep notebooks/sketchbooks. Somehow the whole thing is a Thing, if you know what I mean. To tear a page out would be a distortion of the record…. it would spoil the archival aspect of the book. (Who am I kidding? I don’t think it likely that future historians will be poring over my notebooks… but I know that future Clifford will be, and it will be annoying to find a gap.) (It is sort of like deleting comments from a discussion on a blog post. I try not to do that without good reason, and I leave a trail to show that it was done if I must.)
Anyway, where was I? Ah. Pages. Well, I had to find a way of making a framed version of the drawing that kept the spirit and feel of the drawing intact while Click to continue reading this post
(Click for larger view of 2010 Festival “What are you reading?” wall.)
So the Festival of Books is 18-19th April this year. If you’re in or near LA, I hope you’re going! It’s free, it’s huge (the largest book festival in the USA) and also huge fun! They’ve announced the schedule of events and the dates on which you can snag (free) tickets for various indoor panels and appearances since they are very popular, as usual. So check out the panels, appearances, and performances here. (Check out several of my past posts on the Festival here. Note also that the festival is on the USC campus which is easy to get to using great public transport links if you don’t want to deal with traffic and parking.)
Note also that the shortlist for the 2014 LA Times Book Prizes was announced (a while back – I forgot to post about it) and it is here. I always find it interesting… for a start, it is a great list of reading suggestions!
By the way, apparently I’m officially an author – not just a guy who writes from time to time – an author. Why? Well, I’m listed as one on the schedule site. I’ll be on one of the author panels! It is moderated by KC Cole, and I’ll be joining Click to continue reading this post
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On Friday 6th March the Los Angeles Institute for the Humanities (LAIH) was delighted to have our luncheon talk given by LAIH Fellow Jack Miles. He told us some of the story behind (and the making of) the Norton Anthology of World Religions – he is the main editor of this massive work – and lots of the ins and outs of how you go about undertaking such an enterprise. It was fascinating to hear how the various religions were chosen, for example, and how he selected and recruited specialist editors for each of the religions. It was an excellent talk, made all the more enjoyable by having Jack’s quiet and Click to continue reading this post
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Sunday is the 30th LA Marathon. In celebration of this, giant spotlights were set up at various points along the route (from Dodger stadium all the way out to Santa Monica… roughly a station each mile, I read somewhere) and turned on last night for about an hour between around 9 and 10. I stood on a conveniently placed rooftop and had a go at capturing this. See the picture (click for much larger view). It involved pushing the exposure by about two stops, Click to continue reading this post
Rough layout design. Text suppressed because… spoilers. Feel free to supply your own dialogue… share it here if you like!
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In case you’re wondering, I’m trying here and there to find a bit of time to do a bit of rough (but less rough than last pass) layout design for the book. Sample above. This helps me check that all the flow, layout, pace, and transitions are Click to continue reading this post
An update on one of the wild flower patches I spoke about earlier. Quite a pleasing variety is now showing:
And to think that there is a much larger patch nearby that has yet to begin in earnest. Exciting!
On the strength of Becky Unthank’s guest appearance on a wonderful and heart-rending song (“So to Speak”) on Sting’s fantastic 2013 album “The Last Ship”, I decided to hear more. Wonderful… It is impossible to properly describe Becky’s voice and the (sometimes terrifying) shivers it sends down my spine when she brings out certain aspects of it that somehow constitute a vocal embodiment of a warm sea breeze: rich, complex, open, vast, with shades of gentleness and power at the same time. I can’t explain it, which frustrates me since I am usually reasonably good at that. And Rachel’s voice is wonderful too, in a different way. And then the two together produce that other fantastic indescribable vocal phenomenon – sibling harmonies! See e.g. here.
And taken altogether (and with Sting’s album), they remind me fondly of the North East of England that I got to know for a while…the people of Newcastle, Durham, Sunderland and surrounding villages…Sigh*.
(*and reawaken a nostalgia for a time (of shipbuilding and the sea) that I really never knew. )
So here’s a funny thing. I had to renew my driver’s licence the other day, in person at the Department of Motor Vehicles (DMV). It was time to get a new picture and have my eyes tested. Somehow, because I’ve not found time to get to the optometrist for some time beyond when I was due, the ‘eyes tested’ part began to worm its way into my mind. What is the standard? (I could not recall from last time, it has been so long.) What if my vision is not as clear as it should be? Will they withhold the renewal? With recent events at home, this is the worst time to not have a license, etc. This all began as a low murmur in my mind but it steadily rose in amplitude as I got to the DMV, waited in the appointment line, got my waiting ticket, and sat down to meet my assigned official.
I actually love sitting in places in DMVs for while. (I know, it is weird. I also like dentist’s visits, although for different reasons, but that’s another story. You get it – I’m odd, let’s move on…) There’s something about the slice of life one gets in such places where almost everyone, regardless of walk of life, has to go at some point. There are all sorts of people, interactions, arrangements of workspaces, fascinating little stations for different functions, and signs, endless signs hanging on walls and from ceilings reminding people of things, reminding me of little village post offices in Britain. …It is all very interesting, and full of sketching opportunities. I prepared to get out my notebook and a pen. But then I noticed the set up for eye testing. There were charts up above each group of DMV office stations. They seemed very close to where the applicant would stand, so I imagined there was some arrangement with mirrors I could not yet see that would make them be visually further away. Surely.
I need not have worried, on two counts. The first is that the letters are remarkably, (almost ridiculously, it seemed to my worried mind) close. The second is hilarious to me. As you can see from the Click to continue reading this post
Been a bit tough to find time for any serious gardening effort recently, due to… you know. I anticipated this, however, and one of the things I did back in December was prep some open spaces and liberally sow a bunch of wildflower Click to continue reading this post