Rusty

Well, yes, I’ve been very busy with several things. After clearing away a lot of them, I decided last night that it had been long enough since I’d visited a “drop in and draw” studio to practice figure drawing, and so I went along. (I’ve written about this on previous occasions…you drop in, pay a fee towards the model’s salary, and then you draw. You can find such studios in your own city if you wish. There’s nothing like live figure drawing for practicing observation, hand-eye coordination, and a host of other skills that need regular maintenance.)

Anyway, I dropped in, said hi, started up some Kate Bush (“The Sensual World”) on the ipod (followed by Mayte Martin – “Al Cantar a Manuel”) and I drew. A great and Click to continue reading this post

Another Quantum

So were you, back in 2008, among the many wondering what a Quantum of Solace was, and probably coming up blank? Did you eventually give up and put it out of your mind? Well, there’s another quandary at large that might trouble you for a while, and for the same reasons as before. Royal Caribbean International have launched the new name for their new oceanliner(s).

It is… wait for it… “Quantum of the Seas”. (I learned this from an ad break during the Oscars last weekend.) Now, the “of the Seas” bit continues a tradition of names over the Click to continue reading this post

Air Lines

Continuing my recent series of short trips around the country for various reasons means that I continue my series of that fun pastime and practice routine of flicking through the airline magazine and finding interesting people to draw (some recent ones are here and here). I did three this time, and here are a couple.

The first one was a quick warmup (I cleaned out some lines since it was on top of another drawing), and it turned out nicely although it looked not a lot like the actual Click to continue reading this post

Chicago

I find myself in a cold climate for a short while, once again serving on a committee that needs my in-person participation. It is snowing outside here in Chicago, and it is nice to look at the snow from the window, and occasionally pop from one building to another.

This allows me to pretend that as a Southern-California-softy I’ve had my annual dose of proper cold weather, with a real opportunity to wear a heavy coat and a thick jumper (sweater to those State-side) for at least one time this year. My hotel room is in a tower, and has a nice view out of the window. I tried to take a shot that captures the spirit of it. Pity I’m not able to enjoy it much, given Click to continue reading this post

Science on Screen – Primer

Well, that was a hugely fun evening! The Cinefamily screening of Primer was sold out to a packed and enthusiastic audience. (That alone was worth it…) I met Shane Carruth back stage for a few minutes and immediately was impressed. I like people who take the time to think carefully about what they are going to say before saying it, visibly carefully weighing what was just said in the conversation and then adding to it in an interesting way. He’s one of those people. So I knew that the panel discussion was going to be great.

Hadrian Belove, Shane Carruth and Clifford Johnson at Cinefamily screening of Primer. (Photo: Charles Constantine)

Hadrian Belove, Shane Carruth and Clifford Johnson at Cinefamily screening of Primer. (Photo: Charles Constantine)

We started off with an introduction from the executive director of Cinefamily, Hadrian Belove, who introduced us and asked me to say a few words before the film began. I kept it brief, and started by congratulating Cinefamily on doing the Science on Screen series, saying that it is an important thing to do (which it is -it is part of a Sloan funded national program; more here) and then went on to say Click to continue reading this post

Tales from the Industry XXXIX – Magnetic Weather?

Today (Tuesday) saw me up at 6:30am to prepare for an 8:00am call time for a shoot on a special episode of – wait for it – Deadliest Space Weather. It is original programming for the Weather channel, and before you dismiss it because of the title, it turns out that it is not a bad idea for exploring various scientific concepts. The first season ended a few weeks ago. I’d not realized it was airing until recently, and actually those recent demos I told you about were used in examinations of planetary conditions on Venus and on Mars. (Two separate episodes.) The idea seems to be to consider what it would be like on earth if the conditions were like those on Venus, or consider what what happen if you went outdoors on Mars.

So you might think it is silly, but if done well, it is actually an opportunity to
explain some science to an audience who might not have been the usual science audience…in which case I’m happy to be on board! In addition to spectacularly showing what happens when sugar and sulphuric acid meet, I got to show how to boil Click to continue reading this post

Primer, and More…

I learned last week that there’s a new regular item in the New York Times’ science section where Jascha Hoffman does a round up of a few notable Science events, books, etc., around the nation. It is noted this week that Cinefamily starts up its new Science on Screen series (funded by the Alfred P. Sloan Foundation) starting Wednesday night with the excellent film “Primer”. (Photo is from the website.) If you don’t know it, and if you’re in the area, go and see it! As a bonus, you’ll have the writer/director of the film, Shane Carruth, present for introductions and Q&A. He’ll be accompanied by some scientist dude called Clifford V. Johnson who, according to the website, will Click to continue reading this post

Interview!

A while ago I got an email out of the blue from an enthusiastic young fellow who wanted to do an interview with me on camera for his YouTube channel. After we bounced emails back and forth a bit and I got a sense that this was both legitimate, worth supporting, and that I had time to do it, we agreed that we’d meet to do it. So we met at the excellent Mystery and Imagination bookshop in Glendale, and he set the camera running and threw a bunch of questions at me. We talked about all sorts of things from dark matter, the LHC, supersymmetry and string theory to trumpets, jazz clubs, and noir films.

It was fun, and you can find the results on his YouTube channel (here), that he hopes to populate with more interviews with people working in science and other topics. He’s got an interview with mathematical physicist John Baez up there already, so go and look.

Below I’ve embedded the interview with me, for your convenience.

Enjoy! Click to continue reading this post

USC Science Film Competition 2013 – Results!

There’s a news article out about the results of the USC Science Film Competition that you might like to read. It is by Susan Bell and it is in USC Dornsife News here. In there, you’ll find interviews with one of the winning teams of students, as well as with me. I talk about my reasons for running this competition each year and what I hope to achieve. (Photo courtesy of USC Dornsife.)

The showcase and awards ceremony, held on January 23rd, was a success, and it was a pleasure to meet with many of the students who participated, and feel the buzz of excitement in the room. Thanks everyone who participated, including the panel of judges for their hard work. Once again, the Anton Burg Foundation supported the competition (funding things like the large prizes I had the pleasure of giving away) and we’re all very grateful for that.

Ok, well of course you want to know the outcome, right? Well, here goes. I’ve included the titles and membership of the interdisciplinary teams below, along with Click to continue reading this post

Frankenweenie is a Love Letter to Science!

…Well, it is a lot of other things too, all marvellous, but it was quite a surprise to me that science, the love of it, (and to some extent, the method of it) is so overtly celebrated in the film. I’m a huge Tim Burton fan, and so that was a bonus for me since I was already predisposed to like the film, when I went to see it several weeks ago. I love the depictions of the suspicions and the misunderstandings, the boy hiding away and doing his Click to continue reading this post

Shorter Sweeter

I went to see Wayne Shorter last night! He’s still one of my favourite composers, so it was great to go and hear the work he’s been doing recently. It was a series of suites that have his quartet (with John Patitucci (bass), Brian Blade (drums), and Danilo Perez (piano)) accompanied by the LA Philharmonic to bring out, amplify, and explore a wider range of harmonies than you’d get with the quartet alone. It was a great evening, enhanced further by the fact that on two pieces, he had as special guest (singing on one and playing bass and singing on the other) Esperanza Spalding (who I’d seen recently at the North Sea Jazz Festival in Rotterdam – post here), who I’ve now learned has a stunning voice! Stunning. Remarkable Click to continue reading this post

Just Jiggle It

Frustratingly, I lost several hours this weekend on a new computer problem, when of course I’d planned to work on several things before turning my attention back to teaching and other matters of the week. I needed to install a new piece of software and strangely my computer’s optical drive could not read the CD-R that it was on. The computer kept reporting a blank disc had meen inserted. I checked on another computer and the disc was fine so the problem had to be with my computer. I tried to get it to recognize an audio CD but that was rejected outright. But what was the problem exactly? Investigation involved taking care to restart, attempt to reset firmware, PRAM, etc., trying to figure out how to run the hardware test (on a late 2008 unibody model macbook pro), etc. The latter involved me discovering that the hardware test software was no longer on the machine (since upgrading to Mountain Click to continue reading this post

C. Tyler’s Visit to USC

Last night I went to a nice event as part of the Visions and Voices series. It was an interview of (perhaps conversation with is a better way to describe it) writer and artist Carol Tyler by Henry Jenkins, who is a professor here at USC in the Annenberg School of Communication (check out his excellent blog here). C. Tyler is well known for her work in the comics and graphic novel world (or graphic book, if you prefer) particularly in the underground comics movement. She is one of the most well known memoirists in this medium, telling the story of her family life, and in particular a great deal of her father’s retelling of experiences in war, and its effects on him, her, and her family. It was good to go along and listen to her talk about her journey in producing the three books that came out of that project (“You’ll Never Know”), other projects, and a little bit of her personal history as a writer and artist. (See Henry Jenkins’ post about her here, and her own website here. Many of her books are published by Fantagraphics.)

I met and spoke with her last year (update/correction: two years ago) very briefly (she certainly won’t remember), since a few of us (including her) were waiting in the lobby of the LA Times building for the LA Times Book Prizes ceremony to start. She was a nominee in the graphic novel category. We talked for a few minutes and then went in. I remember being struck by Click to continue reading this post

Thumbs and Scripts

So, after a bit of time away from the process, this weekend saw me make some progress on The Project. I realized that I had too many things fragmented, scattered in several places, both physically and in my mind. This means that when I come to pick up where I left off (and breaks from it – sometimes long ones – are necessary since I have my Physics Professor gig which is first and foremost, you understand…) it can take all the available time to get back into the saddle since I am pulling the fragments back into foreground. So I’ve decided to sharpen up the process a bit and try harder to send clear notes and assignments to myself in the future. For example, as writer, I need to prepare things so that they are in a good final state with clear conventions in a full script, so that when I come to it later as penciller, I’ve got all I need to get stuck in and move things along, sending messages along to future me at the next step, and so on. It means I’ve got to do less of the business of leaving things un-fleshed out because I think I’ll do that bit at a later stage – That later stage might be months down the line, and by then I’d have forgotten the core of the idea that I was going to build in at that point… You get the idea.

So my task for the next several sessions is to turn all the stories I’ve written so far into full scripts, and finish the bits that are unfinished in each one. What do I mean by full script? Well, over the last two years I’ve done a lot of it in notebooks and in Click to continue reading this post