Great Graphite

gallery_nucleus_graphiteOne of the things I’ve noticed is that there’s not an awful lot of focus on pure drawing in the art world here in Los Angeles. I don’t see a lot of it up in galleries, on artwalks, on people’s walls, and so on and so forth. At least not in comparison to painting (especially) or sculpture. That may be a function of my ignorance, not having studied all the aspects of the “scene”. It may also be a more widespread phenomenon than just Los Angeles. Not sure. Anyway, when an exhibition with a drawing focus does come along, I get excited and often go. (The Getty had two big ones in the last couple of years, I should say, focusing on da Vinci (hurrah!) and Rembrandt (hurrah!) and his students on different occasions. But what about contemporary work?)

Well, to my delight I discovered that Saturday had an opening event at Gallery Nucleus with two major highlights for me. The first was that it was focusing on pencil drawing by current artists (Lined in Lead: Works in Graphite), and the second was that Michael Zulli would be there (there were some works of his on display) for the opening. I simply love his work in the graphic novel art world. I’ve no idea if you read Click to continue reading this post

Major Moon-Milk Opportunity!

Tomorrow’s full moon is going to be the closest to us in 18 years, apparently. It’s called a supermoon by some, and no doubt some will try to link it to many major events here on earth, both natural and man-made (if you’ll forgive the distinction). I won’t do a long post about this issue, but instead refer you to Phil, who is excellent on the science of this and related subjects.

What I will say instead is that all commentators seem to have missed that this is the best opportunity in years to gather moon-milk! Get out your ladders and buckets and go for it!

What am I talking about? At my last birthday I was given* a lovely collection of stories by Italo Calvino, and the first one is entitled “The Distance of the Moon”. It begins with a description of the fact that a long time ago the moon orbited much closer to the earth, as you may know, and then weaves a delightful story from there. The story involves reminiscences, by the narrator Qfwfq, about those good old days when the moon came so close that once a month (yes, I know) the earth’s inhabitants would take boats out onto the sea to the where the moon came close and climb up a ladder to its surface to gather the much-desired substance known as moon-milk. A lovely extract follows:

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Pincushion

fremont_pincushion_death_valley_2It does look a bit like a coconut macaroon, and a particularly tasty one, but I must report that it is in fact an example of a Fremont pincushion (chaenactis fremontii), a white flower blooming in the deserts of the South West. I took this one in Death Valley yesterday. (It is Spring break, and I decided to get away for a bit.) Click for a larger view. There’s a tiny little creature of some sort perched on one of Click to continue reading this post

Being Pedestrian

pedestrian_chat_1

A scene from Saturday in Grand Hope Park downtown Los Angeles. Several of us turned out to sit, picnic, and chat about being pedestrian in LA. It was about building communities, connecting with people, getting around the city, development, the homeless, the artists, the businesses, restoration, preservation, and so on and so forth. See the site here. I knew about it because Linda Pollack of Habeas Lounge contacted me because she wanted me to come and share a bit about how I use public transport in combination with walking and cycling (and she wanted me to do a bit of show and tell with my Brompton folding bike (you can see it in the picture)).
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Shiny Parts

shiny_parts_1 A snap of some bathroom fittings (nickel finish) just before I installed them in a “new” bathroom, before my guests arrived in December. I rather liked the look of them all gathered there, on the simple background of tiles. I say “new” (in quotes) because the bathroom was actually finished way back in 2008. Procrastination… Yeah.

Somehow I’d never got around to finding the various fittings I wanted for it, partly Click to continue reading this post

Tension

A D-braneIt was a fun week in the string theory class this week, as we got to some major landmarks that are always fun to teach. We’ve uncovered the extended objects called D-branes (see numerous previous posts for how useful and important these objects are in string theory research) in all their glory in the lectures before, and deduced lots of their properties, such as the form of the action that determines how a D-brane moving in spacetime responds to the various fields (including the geometry) created by the string theory. That’s all fun, but then the key thing to do next is to compute the mass of these dynamical objects, or the mass per unit volume – the tension. Computing it fully, with no hand-wavy factors. Your mass measures how strongly you interact with gravity. So you can measure it by studying the gravitational interaction between masses. (You do that when you step on a scale to measure your weight… well the scale does it by showing how much force it takes to stop you from falling through the floor toward the center of the earth…)

d-brane_emit_absorbSo in class this is when we go all Polchinski and unpack the tension computation, stopping to admire the various features of string theory you learn along the way, and seeing how simply beautifully the various basic features of the superstring theories that we’ve met in the last few lectures encode themselves in one nice object – the vacuum amplitude [tex] {\cal A }[/tex] from the cylinder diagram representing either exchange of closed strings (including quanta like the graviton – this is what you focus on to learn what the mass is) between a pair of D-branes, or an open string with its ends tethered to a pair of D-branes going in a closed loop. That there are two ways of looking at the diagram, an open string way (running time around the cylinder) and a closed string way (running time along the cylinder) is a hugely powerful thing, and is at the heart of so very much of what we do in string theory these days especially – including a lot of what I’ve told you in previous posts (see e.g. here and here) about applications to things of interest in current experiments.

One of the fun things about all this is that the answer is actually [tex]{\cal A}=0[/tex]. It is zero because all the infinite modes of oscillation of the string gather themselves up nicely to give a factor:

[tex]
q^{-\frac{1}{6}}\prod_{n=1}^{\infty}(1+q^{n-\frac{1}{2}})^8-q^{-\frac{1}{6}}\prod_{n=1}^{\infty}(1-q^{n-\frac{1}{2}})^8-16q^{\frac{1}{3}}\prod_{n=1}^{\infty}(1+q^{n})^8=0\ .
[/tex]

Think of [tex]q[/tex] as a book-keeping device that lets one track energy contributions (in the power of it that appears in a term if one expanded this expression), and how many Click to continue reading this post

‘Tis the Season

There are a lot of silly, ill-informed things said about Los Angeles, mostly in the form of lazy clichés. Sometimes said by people who are otherwise quite sensible, but the power and groove of a truism is hard to resist, even when it is an untrue one. One of them is that there are “no seasons” here. This is just a silly thing that people say in place of saying that they are used to seasons from a different climate and they have not taken the time to listen and watch for the march of the seasons that is evident here. (I think also that we have it amplified by popular culture that the standard symbols of the Spring, Summer, Autumn, Winter cycle involving snow and red and gold leaf colours and bare trees and jack frost nipping at your nose and so forth are “the way things are supposed to be”.) A friend of mine has in her email signature the slogan “I have a life. It is just different from yours”, and so I will retool it here: “We have seasons. They are just different from yours.”

jasmine_in_bloomJust like anywhere else, the seasons wink or call (sometimes even shout) at you through certain combinations of colours, smells, temperatures, and so on. I think people miss a lot of cues in Los Angeles because they don’t get out of their cars and walk the streets very much. Even a few gardens or hedgerows passed along the way can show a lot about the mood of the season the city is in. For me, colours and smells are very big cues in Los Angeles, and there are times when large parts of the city seem to be dominated by a single plant’s smell or colour or sometimes both. For me, it is the Jasmine time of year now. This is when the night-blooming jasmine bushes (cestrum nocturnum, apparently) of the city all seem to work in concert and fill the air with a great scent, and lovely clumps of creamy Click to continue reading this post

Purépecha

purepecha_woman_28_07_10_smallHere’s a sketch I did either in the airport or on the plane back from Morelia last June. Well, it was certainly finished on the plane, I think. You will recall that I was in Mexico to give some lectures on string theory at a quantum gravity school (see here and here and the related posts links below). As part of the practice and experimentation I was doing at the time (for The Project), I was drawing interesting faces, sometimes from photographs, like for this one. You just hold the photo in one hand (this one on the screen of my camera) and sketch it. I was working on a 8.5inx11in sketchpad with a charcoal pencil, I think. (I was trying to be quick, and I think it was about 15 or 20 minutes work.) The photo was taken a day or two before in the village of Pátzcuaro. I think I’d mentioned my visit there to you in an earlier post, but had showed you no images except some clocks.

Well, a funny/nice thing happened. The guy sitting next to me two seats over spoke Click to continue reading this post

So what was I supposed to do, exactly?

So today, five minutes before the end of my class, someone came in and sat down. This is fine. My first thought was they they were early for the next class, or perhaps were curious about my class and decided to sit in at the end, or… fine. I finished up the lecture (on supersymmetry and world-volume actions and D-branes, including various tips for how to count and organize supercharges when you’ve got extended supersymmetries…. fun stuff) and left the classroom. I went to the nearby men’s room and washed the chalk off my hands, and so forth, and re-emerged. There were ten or so minutes left before the colloquium of Nobel Prize winner Anthony Leggett was to begin, and I had just enough time to go and get some coffee to help me off the low I was going through (presumably due to tiredness and eight-hour jetlag – I landed back in LA just about 24 hours ago).

Emerging from the men’s room, the same guy who had arrived at my class was standing waiting for me and walked up and said, “I sent you that email, remember?”. I replied “Which one?” He’d not told me his name or anything, so I had nothing to go on here. He seemed very put out that I did not know what he was talking about and said “The one a couple of weeks ago.”

“Who are you?”

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Tales from the Industry XXXIV – Revisiting an Extra Dimension

20110221-153433.jpgBefore jumping on to a plane last week, I went to meet some filmmakers to do a quick shoot we’d arranged. They are making a series of shorts for TV and myself and one of my co-contributors/presenters from The Universe, Laura Danly (from the Griffith Observatory) are doing some on-camera bits for them. (There may be others involved too, I don’t know.)

I mention this since there are two bits of novelty, I think. The first is that it is interesting that the company that commissioned these pieces are looking for shorts (4 minutes or so, apparently), and will be interspersing them with their programming in some way that will be somewhat unusual for current TV formats in the USA. I always welcome opportunities to help put some fun bits of science out there for the public, and in short bites mixed up with other things is just great!

The second novelty is that they are in 3D. You’ll recall, perhaps, that last year I contributed to a special show that was commissioned in 3D as part of the drive Click to continue reading this post

Catching Up

Apologies for the long gap in posting, but I’ve been somewhat distracted by other things related to the subject of the previous post. Thanks to everyone who posted their good wishes in the comments, or sent me emails and texts, or called on the phone. I have not responded to everyone individually, and I’m sorry about that. I hope to do so in time.

I’m in the UK now, having cancelled other plans for the week and hopped on a plane some days ago. Weekend time involved mostly visits from old family friends, arriving with condolences and good wishes. We sat with them and talked mostly about random things, in a pleasant sort of way, occasionally doing collective visits to the past, mostly centered on a beautiful island thousands of miles away. (Montserrat. Home of a relatively newly active volcano, as you may recall from earlier posts.) 

Now that it is a business day again, there’ll be lots of to-ing and fro-ing concerning various arrangements, announcements and so forth. A number of family friends have pitched in to help, making everything much easier for all. 

-cvj

Song for My Father

dadI always think of my father when I hear “Song for My Father”, by Horace Silver. One of my favourites from the Blue Note classic days. Do enjoy it, if you click (below right) to listen.
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It’s not long after 3:00am, and not too long since my brother called me to let me know that my father died a couple of hours or so ago. I’m sitting here with a cup of Click to continue reading this post

Give Us, This Day…

sunday_bread

Ok, so it is last week’s Sunday bread, but you get the idea. This week’s is actually in the oven this very minute. I feel that all is more or less ticking away alright in my life’s day to day scheduling if I am getting bread made each week.

I set myself simple (and tasty) goals to achieve, you see.

(Thumbnail to the right is of the dough phase.) In a related thought, earlier this week I was at lunch Click to continue reading this post