LAIH Luncheon with Jack Miles

LAIH_Jack_Miles_6_march_2015_2 (Click for larger view.)
On Friday 6th March the Los Angeles Institute for the Humanities (LAIH) was delighted to have our luncheon talk given by LAIH Fellow Jack Miles. He told us some of the story behind (and the making of) the Norton Anthology of World Religions – he is the main editor of this massive work – and lots of the ins and outs of how you go about undertaking such an enterprise. It was fascinating to hear how the various religions were chosen, for example, and how he selected and recruited specialist editors for each of the religions. It was an excellent talk, made all the more enjoyable by having Jack’s quiet and Click to continue reading this post

LA Marathon Route Panorama!

sky_spots_marathon_pano_stitch_cvj_13_march_2015(Click for much larger view.)
Sunday is the 30th LA Marathon. In celebration of this, giant spotlights were set up at various points along the route (from Dodger stadium all the way out to Santa Monica… roughly a station each mile, I read somewhere) and turned on last night for about an hour between around 9 and 10. I stood on a conveniently placed rooftop and had a go at capturing this. See the picture (click for much larger view). It involved pushing the exposure by about two stops, Click to continue reading this post

Layout Design

Rough layout design. Text suppressed because… spoilers. Feel free to supply your own dialogue… share it here if you like!

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(Click image for larger view.)
In case you’re wondering, I’m trying here and there to find a bit of time to do a bit of rough (but less rough than last pass) layout design for the book. Sample above. This helps me check that all the flow, layout, pace, and transitions are Click to continue reading this post

Thankful for UnThanks

unthanks
On the strength of Becky Unthank’s guest appearance on a wonderful and heart-rending song (“So to Speak”) on Sting’s fantastic 2013 album “The Last Ship”, I decided to hear more. Wonderful… It is impossible to properly describe Becky’s voice and the (sometimes terrifying) shivers it sends down my spine when she brings out certain aspects of it that somehow constitute a vocal embodiment of a warm sea breeze: rich, complex, open, vast, with shades of gentleness and power at the same time. I can’t explain it, which frustrates me since I am usually reasonably good at that. And Rachel’s voice is wonderful too, in a different way. And then the two together produce that other fantastic indescribable vocal phenomenon – sibling harmonies! See e.g. here.

And taken altogether (and with Sting’s album), they remind me fondly of the North East of England that I got to know for a while…the people of Newcastle, Durham, Sunderland and surrounding villages…Sigh*.

-cvj

(*and reawaken a nostalgia for a time (of shipbuilding and the sea) that I really never knew. )

Vision

So here’s a funny thing. I had to renew my driver’s licence the other day, in person at the Department of Motor Vehicles (DMV). It was time to get a new picture and have my eyes tested. Somehow, because I’ve not found time to get to the optometrist for some time beyond when I was due, the ‘eyes tested’ part began to worm its way into my mind. What is the standard? (I could not recall from last time, it has been so long.) What if my vision is not as clear as it should be? Will they withhold the renewal? With recent events at home, this is the worst time to not have a license, etc. This all began as a low murmur in my mind but it steadily rose in amplitude as I got to the DMV, waited in the appointment line, got my waiting ticket, and sat down to meet my assigned official.

I actually love sitting in places in DMVs for while. (I know, it is weird. I also like dentist’s visits, although for different reasons, but that’s another story. You get it – I’m odd, let’s move on…) There’s something about the slice of life one gets in such places where almost everyone, regardless of walk of life, has to go at some point. There are all sorts of people, interactions, arrangements of workspaces, fascinating little stations for different functions, and signs, endless signs hanging on walls and from ceilings reminding people of things, reminding me of little village post offices in Britain. …It is all very interesting, and full of sketching opportunities. I prepared to get out my notebook and a pen. But then I noticed the set up for eye testing. There were charts up above each group of DMV office stations. They seemed very close to where the applicant would stand, so I imagined there was some arrangement with mirrors I could not yet see that would make them be visually further away. Surely.

No.

I need not have worried, on two counts. The first is that the letters are remarkably, (almost ridiculously, it seemed to my worried mind) close. The second is hilarious to me. As you can see from the Click to continue reading this post

dublab at LAIH

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(Click for larger view.)

Mark (“Frosty”) McNeill gave us a great overview of the work of the dublab collective at last Friday’s LAIH luncheon. As I said in my introduction:

… dublab shows up as part of the DNA of many of the most engaging live events around the City (at MOCA, LACMA, Barnsdall, the Hammer, the Getty, the Natural History Museum, the Hollywood Bowl… and so on), and dublab is available in its core form as a radio project any time you like if you want to listen online.

[…] dublab is a “non-profit web radio collective devoted to the growth of  positive music, arts and culture.”

Frosty is a co-founder of dublab, and he told us a bit about its history, activities, and their new wonderful project called “Sound Share LA” which will be launching soon: They are creating a multimedia archive of Los Angeles based Click to continue reading this post

Simulated meets Real!

And by way of explanation, here’s an extract from a public Facebook post I did with details…

Here’s a freshly minted Oscar winner who played a scientist surrounded by… scientists! I’m with fellow physicists Erik Verlinde, Maria Spiropulu, and David Saltzberg at an event last month. Front centre are of course actors Eddie Redmayne (Best Actor winner 2015 for Theory of Everything) and Felicity Jones (Best Actress – nominee) along with the screenwriter of the film, Anthony McCarten. The British Consul-General Chris O’Connor is on the right. (Photo was courtesy of Getty Images.)

I asked Eddie Redmayne whether he enjoyed learning some of the physics that he had to talk about as part of his role. He said that it was mostly over his head, but that he had some good help from a former student of Stephen Hawking’s who is at Imperial College. I’m wondering who Click to continue reading this post

Pre-Oscar Bash: Hurrah for Science at the Movies?

It is hard to not get caught up each year in the Oscar business if you live in this town and care about film. If you care about film, you’re probably just mostly annoyed about the whole thing because the slate of nominations and eventual winners hardly represents the outcome of careful thought about relative merits and so forth. The trick is to forget being annoyed and either hide from the whole thing or embrace it as a fun silly thing that does not mean too much.

british_film_oscar_bash_smaller_05 This year since there has been a number of high profile films that help raise awareness of and interest in science and scientists, I have definitely not chosen the “hide away” option. Whatever one thinks of how good or bad “The Theory of Everything”, “The Imitation Game” and “Interstellar” might be, I think that is simply silly to ignore the fact that it is a net positive thing that they’ve got millions of people taking about science and science-related things while out on their movie night. That’s a good thing, and as I’ve been saying for the last several months (see e.g. here and here), good enough reason for people interested in science engagement to be at least broadly supportive of the films, because that’ll encourage more to be made, an the more such films are being made, the better the chances are that even better ones get made.

This is all a preface to admitting that I went to one of those fancy pre-Oscar parties last night. It was put on by the British Consul-General in Los Angeles (sort of a followup to the one I went to last month mentioned here) in celebration of the British Film industry and the large number of British Oscar Click to continue reading this post

Ahead of Myself…

(In which I talk about script work on the graphic book, and a useful writer’s tool for you writers out there of all kinds.)

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I’ve been easing my brain back into thinking regularly about the book project and getting momentum on it again. [As you recall, I’ve been distracted by family things, and before that, focussed on finding a publisher for it.) The momentum part is not easy because… newborn. (I’ve been saying that a lot: “because …newborn.” I am tempted to make a (drool-covered) t-shirt with that as a slogan, but the trouble with that idea is that I do not wear t-shirts with things written on them if I can help it. Uh-huh, I’m weird.] My plan is to finish writing the scripts for the book, including storyboarding/thumbnailing the whole thing out to get the page designs right. In essence, flesh out the book with enough of the main stuff of it so that I can then work on tinkering with structure, etc. This involves not just moving words around as you would a prose book, but planning how the words work on the page in concert with the drawings. I’ve often done this by just scribbling in a notebook, but ultimately one wants to be able to have everything in a form one can refer to easily, revise, cut and paste, etc. That’s where this marvellous tool called a computer comes in. A lot of writers in comics use the same sorts of software that is used for plays or screenplays (Final Draft and the like). People have even written comics script templates for such programs. They allow for page descriptions, panel descriptions, etc.

(At this point I should acknowledge that the typical reader probably did not know that comics and graphic books had scripts. Well, they do. There’s a lot more to say about that, but I won’t do that here. Google it.)

Over the years I’ve been slowly putting my scribblings into a piece of software Click to continue reading this post

Coming Along Nicely, Broadly Speaking

Coming soon next to one of my favourite buildings…

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Probably a new favourite building, the Broad Museum for Comtemporary Art. (Click for larger image.) It has been a while since I’ve been down there during the day (mostly been at Disney Concert Hall (on the right) at nights the last few months, for concerts) and so I was happy to pass by it yesterday on a Click to continue reading this post

Has Hubble found the Culprit?

Recall that some years ago the Hubble telescope found a rude message in the sky:

Carina Hubble Image

It is said that many were offended by this sign. Some even thought it may have been left by their God as a sort of crude final message for those seeking meaning in the skies. Other, perhaps less imaginative people just figured it’s a random combination of shapes people are projecting onto.

Well, after much more searching through the sky for the perpetrator of the crime, it seems that the Hubble instrument may have caught a suspect on camera:
A smiling lens

Of course, until the entity is brought in for questioning, it should be granted the presumption of innocence. (And even if it was its hand, it may have all been a big celestial misunderstanding…)

-cvj

P.S. The first NASA/ESA Hubble image is from a detail of gas clouds in the Carina nebula, and more can be found out about it here.

In the second NASA/ESA Hubble image the arcs of a circle that form the “head” shape are actually a gravitational lensing effect. 100 years ago this year Einstein published his General Relativity which shows, among other things, Click to continue reading this post