This just in. Marvel has posted a video of a chat I did with Agent Carter’s Reggie Austin (Dr. Jason Wilkes) about some of the science I dreamed up to underpin some of the things in the show. In particular, we talk about his intangibility and how it connects to other properties of the Zero Matter that we’d already established in earlier episodes. You can see it embedded below […] Click to continue reading this post
Here’s a piece by Michelle Boston of Dornsife News that might unpack my graphic book project for you, a least a little bit.
The link is here. She interviewed me about it a while ago, and this is the result…
-cvj Click to continue reading this post
I found some time to do another practice digital sketch to get my skills back into shape. (Click for larger view.) I’ll admit I had fun with the three-color scheme for skin tones. For the three of you who recognize her, evidently there was another showbiz magazine article laying around for me to squint at. Yeah, her nose is too long. I’m not going to sweat it.
I figured the best way to stop me from further obsessing […] Click to continue reading this post
I forgot to mention that (after a lot of delays and internal administrative nonsense that I will spare you the details of) I was finally able to move into my new office, toward the end of November, only several months after the move was first put into motion. In the first week of the holiday period I was able to do some unpacking of some of the books (etc) and setting up various things (like my kettle and coffee pot) essential for the kind of working space I want it to be. It’ll be an interesting space, from some points of view… perhaps unusually combining production of objects and ideas from both the science and the art worlds, and lots in between. As you know, I have several projects that involve both, and they’ll come together in this space.
I updated the drawing (click for larger view) to include some adjustments I made to the layout* (see […] Click to continue reading this post
Due to a busy semester, I’m rusty as hell in the drawing department, and so have been trying to find time to practice some faces in a graphic style. (Click for larger view.) I’m forcing myself to do it all digitally from scratch, just to encourage myself to get used to being in full-on drawing mode (not just inking mode or painting mode) on screen. In view of a certain film release coming up, this gentleman’s face has started turning up on magazine covers, and so I used one as reference for a quick sketch (see rough on right), and then did some over-inking (digital) and colour finishing experiments here and there, with the result at the top. Title*: “Not Uncle Quentin”.
(*Kind of a shout out to Enid Blyton, oddly…) Click to continue reading this post
Somewhere near you, some perfectly ordinary people are about to do something wonderful – start a conversation about science… turn their minds to how the world around them works. Isn’t that great? Here’s an iPad rough of an opening splash page of a story with one such conversation*. Listen! – It is about to begin. (Click for larger view.) Pick your city/street/people…
[…] Click to continue reading this post
As promised, on the right is the companion figure to the one I shared earlier (on the left). Click for a larger view. These were two jolly fellows I found in glass cases at Mexico City’s Museo Nacional de Antropologia, and sort of had to sketch them.
-cvj Click to continue reading this post
Continuing in the “tradition” of sharing a drawing from a visit to a city South of the border, let me introduce you to this character I met (to my delight) on the recent Mexico trip. I did a quick visit to the wonderful Museo Nacional Antropologia, and there he/she was. I neglected to get […] Click to continue reading this post
With the new semester and a return to the routine of campus life comes taking the subway train regularly in the morning again, which I’m pleased to return to. It means odd characters, snippets of all sort of conversations, and – if I get a seat and a good look – the opportunity to practice a bit of quick sketching of faces. I’m slow and rusty from no recent regular practice, so I imagine that it was mostly luck that helped me get a reasonable likeness […] Click to continue reading this post
Wednesday was my last day in Santiago, and so after the morning Plenary talks I checked out of my hotel, stored my bag, and, boarding the subway, melted into the city for a few hours. I was not on the lookout for anything in particular, besides a sense (even a little) of the city’s life and flow. I also had in mind to spend a few hours at some galleries/museums (I’d already seen the Museum of Pre-Columbian Art (Museo Chileno de Arte Precolombino) on Monday night, and had a tour, as that’s where the conference reception was). I wanted to check out the Museum of Contemporary Art (Museo de Contemporaneo Artes) and Museum of Fine Arts (Museo de Bellas Artes), as well as the Museum of National History (Museo de Histórico Nacional), back in Plaza de Armaz, where I’d done that cafe and Post office sketch on Sunday. I also wanted to wander the streets and squares and just look at the people and buildings and goings on. And then I had to get back to the hotel at 6:45pm to grab my bag and jump into the taxi I’d ordered and head to the airport for my flight back to LA.
Well, I did pretty much all of those things, with no hiccups to speak of. I was a little annoyed that 95% of the Museum of Contemporary Art was taken up by a massive David LaChappelle retrospective – not because there isn’t something in his work one can find to like or at least be amused by (I had a good look around since I was there), but because it seemed ridiculous to have flown almost 1/3 the way around the planet to see an American artist’s work when what I wanted to see was work that was more local – but all turned out ok when in the Museum of Fine Art (the adjoining building in fact) I found a great deal of interesting contemporary (and other) art that was locally sourced. The buildings themselves were interesting to look at too, so that was a bonus.
On a nearby street (Monjitas), I found a great spot for lunch and people-watching, and the woman who I took to be the proprietor of the cafe (who took my order) decided to engage me in conversation for while. Since she had little […] Click to continue reading this post
I’m in Santiago, Chile, for a short stay. My first thought, in a very similar thought process to the one I had over ten years ago in a similar context, is one of surprise as to how wonderfully far south of the equator I now am! Somehow, just like last time I was in chile (even further south in Valdivia), I only properly looked at the latitude on a map when I was most of the way here (due to being somewhat preoccupied with other things right up to leaving), and it is a bit of a jolt. You will perhaps be happy to know that I will refrain from digressions about the Coriolis force and bathtubs, hurricanes and typhoons, and the like.
I arrived too early to check into my hotel and so after leaving my bag there I went wandering for a while using the subway, finding a place to sit and have lunch and coffee while watching the world go by for a while. It happened to be at Plaza de Armaz. I sketched a piece of what I saw, and that’s what you see in the snap above. I think the main building I sketched is in fact the Central Post Office… And that is a bit of some statuary in front of the Metropolitan Cathedral to the left. I like that the main cathedral and post office are next to each other like that. And yes, […] Click to continue reading this post
There’s something really satisfying about getting copies of printed pages back from the publisher. Makes it all seem a bit more real. This is a second batch of samples (first batch had some errors resulting from miscommunication, so don’t count), and already I think we are converging. The colours are closer to what I intended, although you can’t of course see that since the camera I used to take the snap, and the screen you are using, have made changes to them (I’ll spare you lots of mumblings about CMYK vs RGB and monitor profiles and various PDF formats and conventions and so forth) and this is all done with pages I redid to fit the new page sizes I talked about in the last post on the book project.
Our next step is to work on more paper choices, keeping in mind that this will adjust colours a bit again, and so forth – and we must also keep an eye on things like projected production costs and so forth. Some samples have been mailed to me and I shall get them next week. Looking forward to seeing them.
For those who care, the pages you can see have a mixture of digital colours (most of it in fact) and analogue colours (Derwent watercolour pencils, applied […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post
Still doing detailed layouts for the book. I’ve been working on a story for which I was sure that I’d done some rough layouts a long time ago that I really liked. But I could not find them at all, and resigned myself to having to do it again. There’s always that moment of hesitation where one is poised between just diving in and re-doing something, or spending more time searching… Which is the better strategy to save time? This time, I thought I’d do one last look, and started to dig around in my computer, hoping that maybe I’d had the sense to scan the sketches at some point – I vaguely recall having made a policy decision to scan developmental sketches whenever I could, for ease of […] Click to continue reading this post
Here it is. I even splashed on a bit of colour for you:
I’ll leave it to you to decide what’s going on, and what’s going on with her*. A familiar situation for many, I imagine?
(*For more on the book this is for, read here.) Click to continue reading this post