Wednesday was my last day in Santiago, and so after the morning Plenary talks I checked out of my hotel, stored my bag, and, boarding the subway, melted into the city for a few hours. I was not on the lookout for anything in particular, besides a sense (even a little) of the city’s life and flow. I also had in mind to spend a few hours at some galleries/museums (I’d already seen the Museum of Pre-Columbian Art (Museo Chileno de Arte Precolombino) on Monday night, and had a tour, as that’s where the conference reception was). I wanted to check out the Museum of Contemporary Art (Museo de Contemporaneo Artes) and Museum of Fine Arts (Museo de Bellas Artes), as well as the Museum of National History (Museo de Histórico Nacional), back in Plaza de Armaz, where I’d done that cafe and Post office sketch on Sunday. I also wanted to wander the streets and squares and just look at the people and buildings and goings on. And then I had to get back to the hotel at 6:45pm to grab my bag and jump into the taxi I’d ordered and head to the airport for my flight back to LA.
Well, I did pretty much all of those things, with no hiccups to speak of. I was a little annoyed that 95% of the Museum of Contemporary Art was taken up by a massive David LaChappelle retrospective – not because there isn’t something in his work one can find to like or at least be amused by (I had a good look around since I was there), but because it seemed ridiculous to have flown almost 1/3 the way around the planet to see an American artist’s work when what I wanted to see was work that was more local – but all turned out ok when in the Museum of Fine Art (the adjoining building in fact) I found a great deal of interesting contemporary (and other) art that was locally sourced. The buildings themselves were interesting to look at too, so that was a bonus.
On a nearby street (Monjitas), I found a great spot for lunch and people-watching, and the woman who I took to be the proprietor of the cafe (who took my order) decided to engage me in conversation for while. Since she had little […] Click to continue reading this post
I’m in Santiago, Chile, for a short stay. My first thought, in a very similar thought process to the one I had over ten years ago in a similar context, is one of surprise as to how wonderfully far south of the equator I now am! Somehow, just like last time I was in chile (even further south in Valdivia), I only properly looked at the latitude on a map when I was most of the way here (due to being somewhat preoccupied with other things right up to leaving), and it is a bit of a jolt. You will perhaps be happy to know that I will refrain from digressions about the Coriolis force and bathtubs, hurricanes and typhoons, and the like.
I arrived too early to check into my hotel and so after leaving my bag there I went wandering for a while using the subway, finding a place to sit and have lunch and coffee while watching the world go by for a while. It happened to be at Plaza de Armaz. I sketched a piece of what I saw, and that’s what you see in the snap above. I think the main building I sketched is in fact the Central Post Office… And that is a bit of some statuary in front of the Metropolitan Cathedral to the left. I like that the main cathedral and post office are next to each other like that. And yes, […] Click to continue reading this post
There’s something really satisfying about getting copies of printed pages back from the publisher. Makes it all seem a bit more real. This is a second batch of samples (first batch had some errors resulting from miscommunication, so don’t count), and already I think we are converging. The colours are closer to what I intended, although you can’t of course see that since the camera I used to take the snap, and the screen you are using, have made changes to them (I’ll spare you lots of mumblings about CMYK vs RGB and monitor profiles and various PDF formats and conventions and so forth) and this is all done with pages I redid to fit the new page sizes I talked about in the last post on the book project.
Our next step is to work on more paper choices, keeping in mind that this will adjust colours a bit again, and so forth – and we must also keep an eye on things like projected production costs and so forth. Some samples have been mailed to me and I shall get them next week. Looking forward to seeing them.
For those who care, the pages you can see have a mixture of digital colours (most of it in fact) and analogue colours (Derwent watercolour pencils, applied […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post
Still doing detailed layouts for the book. I’ve been working on a story for which I was sure that I’d done some rough layouts a long time ago that I really liked. But I could not find them at all, and resigned myself to having to do it again. There’s always that moment of hesitation where one is poised between just diving in and re-doing something, or spending more time searching… Which is the better strategy to save time? This time, I thought I’d do one last look, and started to dig around in my computer, hoping that maybe I’d had the sense to scan the sketches at some point – I vaguely recall having made a policy decision to scan developmental sketches whenever I could, for ease of […] Click to continue reading this post
Here it is. I even splashed on a bit of colour for you:
I’ll leave it to you to decide what’s going on, and what’s going on with her*. A familiar situation for many, I imagine?
(*For more on the book this is for, read here.) Click to continue reading this post
Some ink work in progress. Just to break up the monotony of layouts, which is where I really am, I thought I’d re-ink a panel of a page of the book I like a lot. I’ll show you more later.
-cvj Click to continue reading this post
Working on rough layouts of one of the stories for the book. One rough panel ended up not looking so rough, and after Monday’s ink dalliances I was itching to fiddle with brushes again, and then I thought I’d share. So… slightly less rough, shall we say? A more careful version would point the eyes a bit better, for example…(Much of the conversation, filling a bit more of the while space, has been suppressed – spoilers.)
-cvj Click to continue reading this post
On my way back from commencement day on campus last Friday I got to spend a bit of time on the subway, and for the first time in a while I got to do a quick sketch. (I have missed the subway so much!) Yesterday, at home, I found myself with a couple of new brushes that I wanted to try out, and so I did a brushed ink sketch from the sketch… It felt good to flow the ink around – haven’t done that in a while either. Then I experimented with splashing a bit of digital colour underneath it. (This is all with the graphic book project in mind, where I think at least one story might […] Click to continue reading this post
It took a while, but I got this task done. (Click for a slightly larger view.)Things take a lot longer these days, because…newborn. You’ll recall that I did a little drawing of the youngster very soon after his arrival in December. Well, it was decided a while back that it should be on display on a wall in the house rather than hide in my notebooks like my other sketches tend to do. This was a great honour, but presented me with difficulty. I have a rule to not take any pages out of my notebooks. You’ll think it is nuts, but you’ll find that this madness is shared by many people who keep notebooks/sketchbooks. Somehow the whole thing is a Thing, if you know what I mean. To tear a page out would be a distortion of the record…. it would spoil the archival aspect of the book. (Who am I kidding? I don’t think it likely that future historians will be poring over my notebooks… but I know that future Clifford will be, and it will be annoying to find a gap.) (It is sort of like deleting comments from a discussion on a blog post. I try not to do that without good reason, and I leave a trail to show that it was done if I must.)
Anyway, where was I? Ah. Pages. Well, I had to find a way of making a framed version of the drawing that kept the spirit and feel of the drawing intact while […] Click to continue reading this post
Here’s the postcard they made to advertise the event of tomorrow (Tuesday)*. I’m pleased with how the design worked out, and I’m extra pleased about one important thing. This is the first time that any of my graphical work for the book has been printed professionally in any form on paper, and I am pleased to see that the pdf that I output actually properly gives the colours I’ve been working with on screen. There’s always been this nagging background worry (especially after the struggles I had to do to get the right output from my home printers) that somehow it would all be terribly wrong… that the colours would […] Click to continue reading this post
Well, that was interesting! I got a hankering to experiment with pastels the other day. I am not sure why. Then I remembered that I had a similar urge some years ago but had not got past the phase of actually investing in a few bits of equipment. So I dug them out and found a bit of time to experiment. It is not a medium I’ve really done anything in before and I have a feeling it is a good additional way of exploring technique, and feeling out colour design for parts of the book later on. Who knows? Anyway, all I know is that without my […] Click to continue reading this post
I’ll be on family leave this semester (because… see here), so that means I’ll be intensely busy with other matters most of the time, and will be doing a lot less in the areas of teaching, events, committees, etc. But there will be some things here and there, including things that I’d promised to do before I knew I’d be taking leave. One of them is a discussion on graphic novels for the Harman Academy of Polymathic Study here at USC. (While sitting up bleary-eyed with a very small person in the wee hours of Monday morning I designed the graphics for the postcard they will use for advertising the event. They kindly asked me if some samples of my work could be used, and so the graphic above is what I came up with (they added the logos and event info), made from parts of pages of the work-in-progress book.)
In various ways, the graphic novel is a nice example of the confluence of lots of disciplines and different modes of communication, and as such is a good “polymathic” topic to discuss with the students of the academy (part of the point of the enterprise is for them to learn about how going beyond the narrow constraints of subject or discipline can be of tremendous value, so they study people and creative endeavours that have benefited from that approach – see their website for more). I’ll be joined on the panel by Professor Henry Jenkins (from the Schools of Communication, Cinematic Arts, and Education), and Professor Dana Johnson (from the Department of English), both of whom are real experts in the graphic novel – they are involved in teaching the form, and […] Click to continue reading this post
Sorry I’ve been quiet here the last week. I was busy with helping complete the acquisition of a new drawing subject! Within 24 hours of said acquisition, I found a few minutes to do a quick pencil sketch of him (as it turned out) in my notebook, through my profound lack-of-sleep fog. (I did a little bit of extra chiaroscuro finish work on it later on.)
This is a whole new challenge, since: (1) his physical features are of course quite different in proportion to the usual grown-up faces I often draw, (2) when he is actually still enough to draw, I really ought to (2a) be catching up on […] Click to continue reading this post
A quick sketch of a building in Culver City, done while waiting for a meeting to finish (I was in my occasional role as chauffeur). A very classic and pleasing combination of shapes for Southern California. (I splashed on ink and colour later on, once home).
In other news, I’m all ready for the last teaching event of 2014. I’ve written, typeset, and checked (multiple times) the final exam for the graduate electromagnetism class. There are some interesting things on there. I hope they like it!
-cvj Click to continue reading this post
Remember I mentioned that I was building something? Well, I finished the project:
The usual thing happened. I could not find the right kind of cabinet that fit the space and function, and so decided that I might as well build one designed to fit exactly what was called for. It holds all the living room media needs, and keeps them discretely hidden away (no electronics and cables everywhere) until called upon. The top chamber opens up to deploy a projector (the holes […] Click to continue reading this post
Monday’s quick grab on the subway on the way to work. I claim that one of the most useful aspects of the smartphone is its facility for holding people in predictable poses in order to be sketched.
He had a very elegant face and head, and was engrossed in his game, and I was done reviewing my lecture notes on scattering of light, so I went for it. I was able to get out my notepad and a pen and get a good fast […] Click to continue reading this post
These three fellows, perched on wooden boxes, just cried out for a quick sketch of them during the concert.
It was the LA Phil playing Penderecki’s Concerto Grosso for Three Cellos, preceded by the wonderful Rapsodie Espagnole by Ravel and followed by that sublime (brought tears to my eyes – I’d not heard it in so long) serving of England, Elgar’s Enigma Variations.
-cvj Click to continue reading this post
Just a few grabs of parts of faces of people who I see on the subway journey to and from USC each day. Sometimes I get a good look, other times not… Sometimes they disappear before I get anywhere. I’ve been busy on other things (like prepping lectures and reading endless books and files for one duty or another) and so have not got as many done as I like to. This collection is about three weeks’ worth. Also, when travelling in rush hour I seldom get a […] Click to continue reading this post
The Big Draw LA event downtown today (in Grand Park) was a lot of fun! There were all sort of stations of activity, and lots of people were jointing in with drawing in various media, including making masks (so drawings and cut-outs) and making drawings on the concrete plaza area using strips of tape, which I thought was rather clever. (I forgot to photograph any of those, but look on twitter – and I presume instagram – under #thebigdrawla for things people have been posting.) One of the most interesting things was the construction made of drawings that people did on pieces of slate that lock together to make a larger structure. Have a look in the pictures below (click thumbnails for larger views). There were several, but maybe still not enough adults involved, in my opinion (at least when I went by). Perhaps this was due to a “I can’t draw and it is too late for me, but there is hope for the children” line of reasoning? Bad reasoning – everyone can draw! Join in, all ages. There are events all around the city (see links below).
The pursuit that had the highest proportion of adults was the costumed figure […] Click to continue reading this post
So I looked up from my notes and saw this striking person in a remarkable, and presumably deliberately forthright, amount of chain-based jewellery. She had a heavy looking gold chain that started from one ear and stretch over to the other, with the slack resting on her chest. She had wrist shackles of some sort that were in turn connected via chains to rings on her fingers. It was amazing. I was frozen, mesmerised. I was mostly thinking about all the ways one could accidentally snag those things on something as you walk by and…
Then I was thinking I ought to get a record of this to show… But it is rude to anonymously take a picture of someone… Then I remembered. I could draw her, that’s what I do – what was I thinking? So I got […] Click to continue reading this post
You know I’m a fan of mark-making. I think it is an important tool, as well as a fun thing to do. Taking the time to draw an idea, or your surroundings, brings a certain pace to the whole relationship that enhances it. You really have to look when drawing, and so you see more, and further.
Anyway, lofty babble aside, it’s Big Draw Month, internationally! So participate. Don’t get hung up on the – pardon my French – bullshit phrase “I can’t draw” that everyone reaches for. That’s meaningless and fundamentally missing the point. Get out there and have fun. Or stay in there and have fun. Either way… draw something. Then share it.
(Incomplete companion to the sketches I posted two days ago. It is of some fellow who was also waiting while we waited for a delayed flight to Ann Arbor. Actually it was the 2nd, not the 5th, and a gate in concourse B, not C. I mis-labelled before scanning. Not that you care.)
The Big Draw has a website here, but your local city […] Click to continue reading this post
Since it has been a busy semester so far, I welcomed the flights to and from Ann Arbor (on Thursday and on Saturday) as opportunities to get in a bit of sketching practice. One must keep in shape, especially for work on the graphic book project, when that resumes soon.
I did some partial sketches of live people while waiting for one flight, and on board the flights dug into the in-flight magazine for faces (as I’ve reported doing here in the past, see e.g. here and here), and found two interesting ones to do quick sketches of. This time I did light pencil at first, to allow me to get […] Click to continue reading this post
I get questions from time to time about where the drawings on the site come from, or how they are done. The drawing I had in one of last week’s posts is a good example of one that can raise questions, partly because you don’t get a sense of scale after I’ve done a scan and cropped off the notebook edges and so forth. Also, people are not expecting much in the way of colour from drawing on location. Anyway, the answer is, yes I drew it, and yes it was drawn on location. I was just sitting on a balcony, chose which part of the view I wanted to represent on the page, and went for it. I wanted to spread across two pages of my notebook and make something of a tall sketch. See above right (click for larger view.) A quick light pencil rough helped me place things, and then a black […] Click to continue reading this post
So while at a hotel somewhere down South for a few days (pen and watercolour pencil sketch on the right), I finally found time to sit and read Graham Farmelo’s book “The Strangest Man”, a biography of Dirac. (It has a longer subtitle as well, but the book is way over in the next room far from my cosy spot…) You may know from reading here (or maybe even have guessed) that if I were to list a few of my favourite 20th century physicists, in terms of the work they did and their approach and temperament, Dirac would be a strong contender for being at the top of the list. I am not a fan of the loudmouth and limelight-seeking school of doing physics that seems all so popular, and I much prefer the approach of quietly chipping away at interesting (not always fashionable) problems to see what might turn up, guided by a mixture of physical intuition, aesthetics, and a bit of pattern-spotting. It works, as Dirac showed time and again.
I’ve read a lot about Dirac over the years, and was, especially in view of the title of the book, a little wary of reading the book when I got it four years ago, as I am not a fan of going for the “weren’t they weird?” approach to biographies of scientists since they serve too […] Click to continue reading this post
It is a new semester, and a new academic year. So this means getting back into the routine of lots of various aspects of the standard professor gig. For me this also involves being back in LA and taking the subway, and so this means getting (when it is not too busy as it seems to get a lot now) to sketch people. The guy with the red sunglasses was on his way to USC as well, and while he was reading or playing a game on his phone (such things are a blessing to sketchers… they help people hold in a fixed position for good stretches of time) I was able to get a quick sketch done in a few stops on the Expo line before we all got off. The other guy with the oddly trimmed beard was just briefly seen on the Red line, and so I did not get to make much of him…
I’m teaching electromagnetism at graduate level again this semester, and so it ought to be fun, given that it is such a fun topic. I hope that the group of […] Click to continue reading this post
I promised two things in a previous post. One was the incomplete sketch I did of Crater lake and West Maroon Valley (not far from Aspen) that I started before the downpour began, last weekend. It is on the left (click to enlarge.) The other is a collection of the wild flowers and other pretty things that I picked for you (non-destructively) from my little hike in the West Maroon valley. There’s Columbine, Indian Paintbrush, and so forth, along with […] Click to continue reading this post
Back in Aspen. I went back to LA for a long weekend, and my travel back to Aspen today gave me a lot of good thinking time. Also, I got a few very quick drawings done, such as the one on the right of a cooperative fellow (looking at his phone) on the subway on my way to Union station to take the LAX Flyaway bus.
I’ve been thinking about two projects, one physics and the other about physics, going back and forth between the one and the other, trying to not let them interfere with each other. The “about physics” one is of course the graphic physics book project. In itself it is in two parts. I’m adding more pages from time to time – drawing, inking, and painting/colouring when I can – and I’m also having the odd conversation with potential publishers from time to time, and sending off proposal packages to appropriate places that accept them… trying to explain the nature of the project to those who are willing to listen to something new and exciting. As I’ve said before, “new and exciting” are not words that most publishers want to […] Click to continue reading this post
Here’s a quick sketch I did while in Princeton last month, at a new café, Café Vienna. (See earlier posts here and here for sketches in an older Princeton Café. I’m using a thicker marker for this one, by contrast, giving a different feel altogether, more akin to this one.) This new café promises to recreate the atmosphere of the Cafés of Vienna and so I kind of had to have coffee there before I left. Why?
Well, two reasons, one obvious and the other less so: […] Click to continue reading this post
Today (Sunday) I devoted my work time to finishing an intensely complicated page. It is the main “establishing shot” type page for a story set in a Natural History Museum.
This is another “don’t do” if you want to save yourself time, since such a location results in lots of drawings of bones and stuffed animals and people looking at bones and stuffed animals. (The other big location “don’t do” from an earlier post was cityscapes with lots of flashy buildings with endless windows to draw. )
Perhaps annoyingly, I won’t show you the huge panels filled with such things, and instead show you a small corner panel of the type that people might not look at much (because there are no speech bubbles and so forth). This is seconds before our characters meet. A fun science-filled conversation will follow…(Yes these are the same characters from another story I’ve shown you extracts from.)
[Update: I suppose I ought to explain the cape? It is a joke. I thought I’d have a […] Click to continue reading this post