When Worlds Collide, II
I think I ought to explain, as promised, why I am in New York. The first thing to mention is that I wrote the previous post in this miniseries (it was written on a flight to Dublin, and finally posted when I returned) before I knew about any of what I’m about to tell you, so it is rather funny to me…
The week that I returned from Dublin I noticed a phone message from an editor of a magazine asking me to return their call. A couple of days later I learned what it was about. It’s a magazine that largely focuses on buzz about people and projects in the entertainment and fashion industry – Music (R&B, Hip Hop mostly), Movies and TV, etc., as far as I can tell, along with some coverage of parts of the business world. Its readership is mostly younger African American males, I think. As far as I can tell, the intention is not to be about those things in particular, but it is largely reflecting the interests of the readership it is targeted at. It’s a major product, jumping out at you immediately when you are in the magazine store (the striking picture of a woman on the front helps it grab your attention, of course).
Each year, the magazine does a special issue featuring a group of individuals who are doing “major things” in the industries I mentioned above. It is a combination of a focus on new talent that’s about to become more widely known, or just bringing to readers’ attention the existence of some of the people who are making significant impact in what they’re doing.
Somehow – I do not know how – they got my name. It turns out that they spent some time reading some of things I’ve written here at Asymptotia too. Now normally, you’d expect things to stop at that point, but in fact it did not. They decided to broaden things out a bit and include me (if I was willing) in this year’s feature issue.
I thought about it for a day. It is quite an honour to be approached, and I’m also impressed that the magazine’s editors are being creative in this way (it would be easy […] Click to continue reading this post
Pretty soon after February starts, the deluge of email I get every day gets enhanced a bit by emails from students from all over America. I become part of an assignment, you see. It seems that these students are instructed to find a black scientist and write something about them and do a presentation to their class about them
On NPR’s finance programme Marketplace yesterday, there was a somewhat unusual piece. It seems that conceptual artist Jonathan Keats is making some money by selling the extra dimensional rights to various properties in San Francisco! (You can see him at the Modernism Gallery there
I’ve been meaning to post about this for a few days*. It has since made it to rather high visibility in the news, I’m pleased to see, generating a lot of interesting discussion. The Australians (another nation not part of the original Kyoto agreement, notably) have pushed ahead on the issue of trying to legislatively encourage (shall we say) the use of compact fluorescent light bulbs over the more wasteful traditional incandescent bulbs. 
Tomorrow sees the next in the series of events here on the USC campus that science writer KC Cole and I have arranged. They’re in the style of the Categorically Not! events I tell you about from time to time (held each month over at the Santa Monica Art Studios) but are over on the USC campus instead, 
as part of the Provost’s 
As you may know, Al Gore’s movie 
