Café Talk

cafe_sketch_27_06_14 Here’s a quick sketch I did while in Princeton last month, at a new café, Café Vienna. (See earlier posts here and here for sketches in an older Princeton Café. I’m using a thicker marker for this one, by contrast, giving a different feel altogether, more akin to this one.) This new café promises to recreate the atmosphere of the Cafés of Vienna and so I kind of had to have coffee there before I left. Why?

Well, two reasons, one obvious and the other less so: […] Click to continue reading this post

Hey, You…

page_extract_27_07_2014_2Today (Sunday) I devoted my work time to finishing an intensely complicated page. It is the main “establishing shot” type page for a story set in a Natural History Museum.

This is another “don’t do” if you want to save yourself time, since such a location results in lots of drawings of bones and stuffed animals and people looking at bones and stuffed animals. (The other big location “don’t do” from an earlier post was cityscapes with lots of flashy buildings with endless windows to draw. 🙂 )

Perhaps annoyingly, I won’t show you the page_extract_27_07_2014_1 huge panels filled with such things, and instead show you a small corner panel of the type that people might not look at much (because there are no speech bubbles and so forth). This is seconds before our characters meet. A fun science-filled conversation will follow…(Yes these are the same characters from another story I’ve shown you extracts from.)

[Update: I suppose I ought to explain the cape? It is a joke. I thought I’d have a […] Click to continue reading this post

It’s Dynamical Cosmological Constant Day!

airline_sketch_28_06_2014As you may know from three previous recent posts on research (here, here, and here), I’ve been thinking and calculating a lot in the area of dynamical cosmological constant – concerning mostly (but not entirely) thermodynamics and quantum gravity. Specifically, the cosmological constant becomes the pressure variable in the thermodynamics. I think it is important, and will teach us something about things like gauge/gravity duality, string theory, black holes, and perhaps even cosmology, but I am not sure what yet. I’ve made some suggestions in recent papers, and computed some interesting things along the way.

Anyway, the larger community has not been following this story much, since: (1) It means a break with some powerful and still very fruitful frameworks where the cosmological constant being fixed is a given – like AdS/CFT – and it is not clear what that means yet, so the motivation is not super-strong; and (2) Let’s be honest, there’s no superstar working on it, so it is not going to get anyone any points. So I’ve been trying to shout about it in my little way from the periphery, as I think it might be useful, and since several people have been doing really good and interesting work on this issue for many years and it is worth more people seeing what they’ve been up to.

So imagine my pleasant surprise when I looked on the listing of new papers on the arXiv for today and saw three (!) papers on the subject, moving things forward in various ways. (They all seem to have noticed some of what I’ve […] Click to continue reading this post

Magazine Practice

magazine_sketch_16_06_2014_smallAs a way of degaussing from the heat of physics research involved in producing the recent paper, I spent a bit of time getting my hand back into some proper drawing shape… I looked into some magazines and catalogues for interesting faces and found a couple.

magazine_sketch_18_06_2014_smallThe woman was done more or less directly in ink, which is a good challenge for the eye – you must be sure about a line before you put it down, since you’ve not got a second chance. A day or two later I sat in a cafe after a visit to a garden centre to pick up some supplies, to draw another interesting face I found (in a gardening catalogue). This was done more carefully, starting by doing a quick pencil sketch first for accurate layout, and then doing ink afterwards. Since people are sometimes curious about process, I include below a sequence of stages on this one as well. Enjoy.
[…] Click to continue reading this post

Stockpiling Notebooks

notebook_supplyAs you know from my writings and sketches, I like to carry a notebook. People often ask me what types I use, or assume that I use the (increasingly fashionable) Moleskine books. I like Moleskine books (the little 3inx5in ones for example), and have used them a lot in the past, but actually I prefer the books by HandBook Journal Co., (made by Global Art Materials). The surface of the paper is more flexible, in my opinion. It has a little more tooth than standard Moleskine, which makes mark-making with pencil much surer, and it also takes wetting better,airline_sketches_9th_july_2013 so you can work with a little wetness as well, such as lots of ink, or watercolour (paint- or pencil-based). That allows for crisp drawings like the one on the right (click for larger view – more about these sketches here), right alongside physics research musings and computations in pen and ink line on the pages shown below on the left (those notes pertain to the paper I discussed here.)

I tend to carry one of the 8.25inx5.5in landscape ones (although I love the 5.5in square ones too). (See more chat about them here.) They allow a good […] Click to continue reading this post

Sketchy Freedom

downtown_towers_26_05_2014Memorial Day – 26th May 2014. I arrive at downtown Los Angeles to enjoy a few moments of the pure joy of looking. Of seeing something in front of me well enough to make a rough representation of it on a piece of paper in front of me, for the pure hell of it. This is the essence of sketching. It is about seeing. I’m looking for the… something.

My hunt is over. I see the scene I want, just off the Water Court, a few minutes from the top of the (closed) Angel’s Flight rail. The sun is streaming through the portal framed by the two closest buildings. The further ones make sharp geometry against the 4:00pm sky. I’m also curious to try some new coloured pens, and I like that each building suggests a different colour. I’ve got about 15 minutes before I have to leave to pick someone up.

I sit. I start. Immediately I see the guard see me from across the way, and within a minute or two he is by my side, standing in front of me. He has the “You’re not allowed to do X” look on his face, but he’s trying to start out well. I’ve had this before, right in this public space, when a guard decided that I should not take photos of the buildings. Despite all the other tourists who do so. He begins:

You know, usually we… Are you an architecture student?

Excuse me?

Are you an architecture student?

Well, what are you asking me, really?

Are you an architecture student? […] Click to continue reading this post

Making Marks

Been a while since I got to do some sketching. It is good practice to try to do something every day, but that fell by the wayside a little as far as proper sketches went. It has been busy the last week and a bit, and my subway time has been during very busy times when there’s not enough space to get out pen and paper and sketch a person without becoming a spectacle… and during the moments where I might have caught something, I’ve actually been calculating – working out questions for the final exam in the General Relativity class, and (more recently) doing some computations for a paper I’ll tell you about shortly.

Anyway, when time is short, I sometimes like doing quick sketches with a thicker pen. Stops me from digging into the details too much. In fact, I’m really liking that as a sketch mode these days… You make your lines boldly and you’re stuck with your choices, and so it gets you thinking about what’s globally important carefully before jumping in.

montage_of_marker_drawings_05_2014

It is great and satisfyingly distracting fun. Anyway, between this and that over the last day or two I did a few quick faces based on some photos I found in a […] Click to continue reading this post

Morning Portrait

morning_portrait_27_04_2014_smallAs a contrast to yesterday’s quick caricature effort, I went back to one of the pictures in the magazine and did a more careful pencil sketch. Very different kind of exercise and technique needed to coax out the things I wanted to bring forward. It is a scan of pencils, so beware that it is not as representative of what’s on the page in some ways. To add to that I really should do a lot more finish work on this one (rendering of shadows on […] Click to continue reading this post

Morning Caricatures

morning_caricatures_26_04_2014_smallLovely bit of sitting in the sun for a short while after breakfast this morning relaxing by doing some quick freehand sketches from pictures in a magazine. I was experimenting with a pen I love but don’t use much at all – One of those nice inky brush pens by Pentel. Gives some interesting lines that take some getting used to since it is quite a different mark-making tool than the pens I […] Click to continue reading this post

Participatory Art!

As you know I am a big fan of sketching, and tire easily of the remark people make that they “can’t draw” – an almost meaningless thing society trains most people to think and say, with the result that they miss out on a most wonderful part of life. Sketching is a wonderful way of slowing down and really looking at the world around you and recording your impressions. If you can write you certainly can draw. It is a learned skill, and the most important part of it is learning to look*. But anyway, I was pleased to see this nice way of getting people of all ages involved in sketching for fun at the book festival! So I reached in and grabbed a photo for you.

artists_row_latfob_12th_april_2014 […] Click to continue reading this post

The Calculus of Gender and Sexuality?

So, I don’t know why, but in addition to the catalogues I get in my work mailbox from publishers of physics books or lab equipment, I’ve started getting a lot about books in the Humanities and related subjects. Is this because those publishers know of my tendency to dabble in other subject? I’ve no idea. In any case, all of those things tend to end up pretty swiftly in the recycling bin nearest the department mailboxes. A suite of lovely new books on teaching Art History is about as valuable to me as a shiny sets of vacuum pumps or electronic controllers. I’ll admit to sometimes looking through and longing for the time I’d need in order to explore such things (vacuum pumps or Art History texts)… but then into the bin they go.

Well, earlier this week a catalogue arrived and one might be forgiven for thinking that they are really trying to get my attention with this one. It is a catalogue of Gender and Sexuality texts from Ashgate, and if the image on the cover is representative (uh, as far as I know it is not!) they’ve really developed some fancy techniques in the field!

Some of the formulae are hilarious! (And I’m trying to understand the, obviously important, inequality right in the middle…) […] Click to continue reading this post

Discovery Coincidence

chatter_sketch_arenaSome of you are wondering what I’m working on while on retreat. Well, actually there’s a nice coincidence here. I’m working on the graphic book that you may have heard me talk about a bit. “The Project” as I sometimes call it. I’ve been doing things on various aspects of it, such as reworking the description of it for various people to look at, writing new bits, and spending a bit of time pulling together various bits of the prototype story I used to start all of this back in 2010. The prototype bits have all of my experimentation and development of style and technique all over them, and so there are pages that needed a bit of rework (to say the least). So, on Monday, […] Click to continue reading this post

Around Fifteen

While on a hiding retreat in another town or city, I like to seek out a local group that might be doing a “drop in and draw” session. You show up, pay your money, and there’s a safe environment (in a studio, a back room, upstairs of a pub, etc) for a model and artists to work on the wonderful business of capturing the human form in various media. I’m a reasonably private person so I like to keep the anonymity level reasonably high, but it does not only work. People are of course on the watch out to protect the group from perceived problems, so they ask questions. Others are just trying to make friends, and so they ask questions too. I just like to be polite and friendly, share the odd joke or remark, but mostly keep my mouth shut and listen to the various small talk that breaks out during breaks. Most of all, I want to get on with the business of drawing.

sketches_17th_march_2014_smallI went to one on Monday. This time around it was sort of amusing to me at one point when one of the organisers of the group asked me why I’d come down from LA to their small seaside town drawing group and I said I was hiding. I could sense alarm immediately (I can imagine the pictures he might have had in his mind even before I said “hiding”) and so I then went further, by way of reassurance, and said something vague but standard about wanting to get out […] Click to continue reading this post

LA Phil Rock Star!

When calling to mind the Los Angeles Philharmonic, everyone’s (and all the posters’) focus is on Gustavo Dudamel, (or, the Dude, as I call him), all unruly hair and visible enthusiasm and so forth, and that’s great. He’s an excellent conductor. However, one of the unsung (as far as I know*) visibly spectacular performers of the LA Philharmonic is the excellent principal viola player whose name I do not know [update: see below*] who puts on the most remarkable physical performance every time I go (and presumably those other times too). Actually, the violist who sits next to her is also remarkable, since she manages without being distracted by her neighbour to maintain a very upright and solid, firmly planted, legs wide stance, in part providing a canvas upon which the viola player I first mentioned can splash bright splashes of movement all over the place! la_phil_sketch_28th_February_2014_smallShe rocks, sways, jerks, and contorts (sometimes even during quiet slow bits)- doing the craziest things with her legs, head, and bow arm, and so much of the time looks like she is about to spectacularly fall off her chair and wipe out at least half the viola section! This is why her colleague right next to her is also remarkable, as she acts as this wonderful un-distractable “straight man” to the physical pyrotechnics helping make them all the more remarkable by contrast. Last night I tried to capture some of the energy of the hyper-energetic viola player in a quick sketch (during […] Click to continue reading this post