Are you going to watch the Luke Cage series that debuts today on Netflix? I probably will at some point (I’ve got several decades old reasons, and also it was set up well in the excellent Jessica Jones last year)…. but not soon as I’ve got far too many deadlines. Here’a a related item: Using the Luke Cage character as a jumping off point, physicist Martin Archer has put together a very nice short video about the business of strong and tough (not the same thing) materials in the real world.
Have a look if you want to appreciate the nuances, and learn a bit about what’s maybe just over the horizon for new amazing materials that might be come part of our every day lives. Video embed below: […] Click to continue reading this post
Well, that happened. I’ve not, at least as I recollect, written a breakup letter before…until now. It had the usual “It’s not you it’s me…”, “we’ve grown apart…” sorts of phrases. And they were all well meant. This was written to my publisher, I hasten to add! Over the last … Click to continue reading this post
This might be one of my favourite sequences from the book so far*. (Click for larger view.) It’s a significant part of a page so I’ve watermarked it heavily. Sorry about that: It’s days of work to make these things. It is based on a location scouting trip I did last year around this time at the LA County Fair. So consider this a public service announcement if you’ve not yet done a Summer visit this year to a county fair near you… Go! They’re an excellent old-school kind of fun.
There’s a whole sequence in the book that involves such a visit and I’ve just […] Click to continue reading this post
Style change. For a story-within-a-story in the book, I’m changing styles, going to a looser, more cartoony style, which sort of fits tonally with the subject matter in the story. The other day on the subway I designed the characters in that style, and I share them with you here. It’s lots of fun to draw in this looser […] Click to continue reading this post
This year’s USC Science Film Competition saw another crop of films with a great variety of approaches, with live action and animation, comedy, drama and documentary, and all sorts of hydrids of those forms. Thanks to all who took part. As for the results, and seeing the films (do take a look!) I’ll repeat here the post I did over on the competition’s blog:
We had a lot of fun at the screening and showcase last Thursday. The films looked great on the Imax screen. Many thanks to Matt Scott for working hard to make sure it all looked great, and also to him and the Large Format Cinema Club for co-hosting the event! Once again, thanks to the Burg Foundation for supporting the competition financially with prize money, grants for helping with the filmmaking, and funds for refreshments and logistics.
The results are as follows: […] Click to continue reading this post
Here’s a fun Great Big Story (CNN) video piece about the Science and Entertainment Exchange (and a bit about my work on Agent Carter). Click here for the piece.
(Yeah, the headline. Seems you can’t have a story about science connecting with the rest of the culture without the word “nerd” being used somewhere…)
-cvj Click to continue reading this post
Well, that was a fun event. Here’s a photograph* of Sean Carroll and me as guests of the always-excellent host Patt Morrison at the Natural History Museum as we talk about aspects of the science of space (and time) as it appears in the movies, how we go about giving advice to filmmakers, and so forth. It was part of the First Fridays series which has a special focus on […] Click to continue reading this post
While wandering with the family in the Natural History Museum this weekend, I spotted a reminder (click for larger view) for Friday’s event, which you might be interested in.
I’ll be on a panel about science (particularly space-related) and the movies, with fellow panelist Sean Carroll, and it is hosted by the awesome Patt Morrison! It’s part of the Natural History Museum’s First Fridays series, which you might recall me blogging about here before (actually, last time I was at one, I was a host so I imagine it’ll feel a bit different this time).
Here’s a website with all the details.
Click to continue reading this post
Apparently I was on an episode of the BBC program Horizon a couple of hours ago over in the UK. I completely forgot that was coming up and forgot to mention it. Sorry! I’ve no idea what parts of the interview with me they used, or what the final thrust of the episode is, but I did have a lot of fun shooting the episode with the filmmakers over in Joshua Tree some time last year. See a post I did about it here. I spent some time explaining why negative mass is problematic, especially in the context of gravity… The program talks a lot about people who are trying to find anti-gravity of various sorts. I was reminded that the episode aired since I found myself tagged on social media, and wondered what the ruckus was about. Then I found the following tweet by @homeworkjunkie with a screen shot, and the caption “Nice reaction to runaway problem;zero cost energy proposed by some people in BBC Horizon”:
[…] Click to continue reading this post
It’s Spring break. For the greater part of the last week, I’ve been in hiding. I’m alone in a quiet town somewhere, getting a good long stretch of work done on the book project for the first time in a long time. For most of each day I’d sit at this tiny table, writing and doing rough layout sketches, glancing out of the window from time to time, listening to music on headphones during the long stretches of concentration*. Yes, and drinking tea and coffee. For lunch I’d […] Click to continue reading this post
Wired has a video piece about the VFX work done on Agent Carter to bring the substance known as “zero matter” to your screens. They very kindly mentioned me, which is a pleasant surprise. There was a lot of conversation early on with the writers, show runners, and the head of VFX (Sheena Duggal), discussing what it might look like, and what kind of aesthetic drivers were in play for the look of the show overall (less ZAP! and more ooze and flow), and what you see on screen is the result of a lot of that conversation. It’s really great to see so much of what we brainstormed make it up on screen. The main physics input I wanted to use as a guide was the idea that this is some sort of special fluid from “elsewhere”, in a very special physical phase (inspired by various super fluids and perfect fluids in actual physics from our world, which I explained a bit about to them…Sheena was also very taken with ferrofluids, which was a very smart design input to use as reference). We also talked a lot about the idea that zero matter manifests itself in different ways depending upon the biology of the host. (See a post I did about other aspects of zero matter here, including the naming of it, and “elsewhere”.)
The amazing company Double Negative played a huge role overall, doing the rendering and bringing all sort of techniques to bear to make it all work. You’ll maybe recognize that name since they were the people who worked with physicist Kip Thorne […] Click to continue reading this post
Yes, I’ve been panelling again, down at the LA Convention Center. It was a fun conversation, moderated by Rick Loverd the Program Director of the Science and Entertainment Exchange, entitled “The Science of Hollywood” as part of the 60th Annual Meeting of the Biophysical Society*. With me were Amy Berg, who is a Film/TV Writer and Executive Producer, Jessica Cail, Professor of Psychopharmacology, Pepperdine University, and Mike Ireland, Senior Vice President, Production, 20th Century Fox.
Despite the title, we were not trying to put observations of, experiments done on, or theories constructed about Hollywood on any firm scientific footing! We did engage in a lot of discussion about the connections we work on between science and Film and TV. We spoke about why we do it, how we try to do it, and […] Click to continue reading this post
This just in. Marvel has posted a video of a chat I did with Agent Carter’s Reggie Austin (Dr. Jason Wilkes) about some of the science I dreamed up to underpin some of the things in the show. In particular, we talk about his intangibility and how it connects to other properties of the Zero Matter that we’d already established in earlier episodes. You can see it embedded below […] Click to continue reading this post
Over on NPR’s 13.7 blog, Barbara J. King reported on what she took away from the panel at Sundance entitled “The Art of Getting Science Right”. The discussants were Ting Wu, Mike Cahill, myself, and Kerry Bishé moderated everything masterfully. (We also were the Sloan Jury, along with Shane Carruth, who was indisposed.) As you know from my writing here, I’ve long been advocating a lot for more focus on portraying the scientific process and the engagement and joy of science over worrying about getting every science detail right. This came up a lot in our conversation, and we […] Click to continue reading this post
Well, I’m back from the Sundance Film Festival, where (as you’ll recall from previous posts) I was serving on a jury for the Alfred P. Sloan Foundation prize for science in feature film. It involved a lot of sitting and watching movies in theaters all over Park City, discussion and deliberation with fellow jurors (and what a wonderful group to hang out with!), and then a public panel discussion about the importance of science in film (and how to do it “right”) and then announcements, questions, photos, more photos, even more photos, press, etc.
As you may know (it is all over the corner of the press that cares about this sort of thing) we awarded the prize to the film “Embrace of the Serpent” (director/writer: Ciro Guerra*), which happens to also be Colombia’s Oscar-nominated entry in the Foreign Language film category. Here was our citation, read out during a reception on Tuesday:
“for its original and provocative portrait of a scientist and a scientific journey into the unknown, and for its unconventional depiction of how different cultures seek to understand nature.”
I recommend seeing the film because there’s excellent […] Click to continue reading this post