Continuing in the “tradition” of sharing a drawing from a visit to a city South of the border, let me introduce you to this character I met (to my delight) on the recent Mexico trip. I did a quick visit to the wonderful Museo Nacional Antropologia, and there he/she was. I neglected to get […] Click to continue reading this post
With the new semester and a return to the routine of campus life comes taking the subway train regularly in the morning again, which I’m pleased to return to. It means odd characters, snippets of all sort of conversations, and – if I get a seat and a good look – the opportunity to practice a bit of quick sketching of faces. I’m slow and rusty from no recent regular practice, so I imagine that it was mostly luck that helped me get a reasonable likeness […] Click to continue reading this post
You should go and see them! (Click image for larger view.) Nobody seems to be talking much about this – or I’m utterly out of touch these days since I’ve not seen a thing about this and nobody I asked seems to know either – but there’s a wonderful thing to see down at MacArthur Park. (No, it is most definitely not a cake left out in the rain, since… you know… no rain.) There are about 2500 spheres floating in the lake, and looking quite splendid, I might add. I love this highly neglected park, and so am glad that someone feels the same way and got (I read after gingerly googling “balls macarthur park” and finding this article) about 10,000 volunteers to help paint and launch these balls in an art project aimed at bringing the park back into people’s minds, at least for a while.
The panorama (click for larger view) does not do it justice, since it flattens and shrinks, by necessity, so I recommend going along and getting up close and having a look (as I ought to have done, but was on my way home in a rush and […] Click to continue reading this post
Been a while since I shared a snippet from the graphic book in progress. And this time the dialogue is not redacted! A few remarks: […] Click to continue reading this post
Wednesday was my last day in Santiago, and so after the morning Plenary talks I checked out of my hotel, stored my bag, and, boarding the subway, melted into the city for a few hours. I was not on the lookout for anything in particular, besides a sense (even a little) of the city’s life and flow. I also had in mind to spend a few hours at some galleries/museums (I’d already seen the Museum of Pre-Columbian Art (Museo Chileno de Arte Precolombino) on Monday night, and had a tour, as that’s where the conference reception was). I wanted to check out the Museum of Contemporary Art (Museo de Contemporaneo Artes) and Museum of Fine Arts (Museo de Bellas Artes), as well as the Museum of National History (Museo de Histórico Nacional), back in Plaza de Armaz, where I’d done that cafe and Post office sketch on Sunday. I also wanted to wander the streets and squares and just look at the people and buildings and goings on. And then I had to get back to the hotel at 6:45pm to grab my bag and jump into the taxi I’d ordered and head to the airport for my flight back to LA.
Well, I did pretty much all of those things, with no hiccups to speak of. I was a little annoyed that 95% of the Museum of Contemporary Art was taken up by a massive David LaChappelle retrospective – not because there isn’t something in his work one can find to like or at least be amused by (I had a good look around since I was there), but because it seemed ridiculous to have flown almost 1/3 the way around the planet to see an American artist’s work when what I wanted to see was work that was more local – but all turned out ok when in the Museum of Fine Art (the adjoining building in fact) I found a great deal of interesting contemporary (and other) art that was locally sourced. The buildings themselves were interesting to look at too, so that was a bonus.
On a nearby street (Monjitas), I found a great spot for lunch and people-watching, and the woman who I took to be the proprietor of the cafe (who took my order) decided to engage me in conversation for while. Since she had little […] Click to continue reading this post
So Tuesday night, I decided that it was imperative that I paid a visit to one really good restaurant (at least) before leaving Santiago. My duties at ICMP2015 were over, and I was tired, so did not want to go too far, but I’d heard there were good ones in the area, so I asked the main organizer and he made a recommendation.
It was an excellent choice. One odd thing: the hotel is in two separate towers, and I’d noticed this upon arrival and started calling it The Two Towers in my mind for the time was there. Obviously, right? Well, anyway, the restaurant is right around the corner from it plus a two minute walk, and…. Wait for it…it is called Le Due Tonni, which translates into The Two Towers, but apparently it has nothing to do with my observation about the hotel, since it got that name from a sister restaurant in a different part of town, I am told. So… An odd coincidence.
I will spare you the details of what I had for dinner save to say that if you get the fettuccini con salmon you’re on to a sure thing, and to warn that you don’t end up accidentally ordering a whole bottle of wine instead of a glass of it because you’re perhaps used to over-inflated wine prices in LA restaurants (caught it before it was opened and so saved myself having to polish off a whole bottle on my own)… Another amusing note is that one of my problems with getting my rusty Spanish out for use only occasionally is that I get logjams in my head because vocabulary from Spanish, French, and Italian all come to me mid sentence and I freeze sometimes. I’d just been getting past doing that by Tuesday, but then got very confused in the restaurant at one point until I realized my waiter was, oddly, speaking to me in Italian at times. I still am not sure why.
It was a good conference to come to, I think, because I connected […] Click to continue reading this post
I’m in Santiago, Chile, for a short stay. My first thought, in a very similar thought process to the one I had over ten years ago in a similar context, is one of surprise as to how wonderfully far south of the equator I now am! Somehow, just like last time I was in chile (even further south in Valdivia), I only properly looked at the latitude on a map when I was most of the way here (due to being somewhat preoccupied with other things right up to leaving), and it is a bit of a jolt. You will perhaps be happy to know that I will refrain from digressions about the Coriolis force and bathtubs, hurricanes and typhoons, and the like.
I arrived too early to check into my hotel and so after leaving my bag there I went wandering for a while using the subway, finding a place to sit and have lunch and coffee while watching the world go by for a while. It happened to be at Plaza de Armaz. I sketched a piece of what I saw, and that’s what you see in the snap above. I think the main building I sketched is in fact the Central Post Office… And that is a bit of some statuary in front of the Metropolitan Cathedral to the left. I like that the main cathedral and post office are next to each other like that. And yes, […] Click to continue reading this post
There’s something really satisfying about getting copies of printed pages back from the publisher. Makes it all seem a bit more real. This is a second batch of samples (first batch had some errors resulting from miscommunication, so don’t count), and already I think we are converging. The colours are closer to what I intended, although you can’t of course see that since the camera I used to take the snap, and the screen you are using, have made changes to them (I’ll spare you lots of mumblings about CMYK vs RGB and monitor profiles and various PDF formats and conventions and so forth) and this is all done with pages I redid to fit the new page sizes I talked about in the last post on the book project.
Our next step is to work on more paper choices, keeping in mind that this will adjust colours a bit again, and so forth – and we must also keep an eye on things like projected production costs and so forth. Some samples have been mailed to me and I shall get them next week. Looking forward to seeing them.
For those who care, the pages you can see have a mixture of digital colours (most of it in fact) and analogue colours (Derwent watercolour pencils, applied […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post
I ran across two excellent Dune-related items in the last fews weeks, and since it is the 50th Anniversary of Frank Herbert’s book “Dune”, I thought I’d share them with you.
The first is on the really excellent website called Pornokitsch, which I’m delighted to introduce you to if you’ve not encountered it before. (Don’t worry about the name – they chose it ironically.) Bookmark it and repeatedly return for more. This piece on Dune was about the David Lynch film, really (and not too much about the book), which is always great to discuss with people since it inspires intense love and hate in people… sometimes both in the same person. I find it a decidedly flawed film with so many delightful charming oddities that I can’t help but enjoy it. A number of regulars weigh in […] Click to continue reading this post
Still doing detailed layouts for the book. I’ve been working on a story for which I was sure that I’d done some rough layouts a long time ago that I really liked. But I could not find them at all, and resigned myself to having to do it again. There’s always that moment of hesitation where one is poised between just diving in and re-doing something, or spending more time searching… Which is the better strategy to save time? This time, I thought I’d do one last look, and started to dig around in my computer, hoping that maybe I’d had the sense to scan the sketches at some point – I vaguely recall having made a policy decision to scan developmental sketches whenever I could, for ease of […] Click to continue reading this post
Here it is. I even splashed on a bit of colour for you:
I’ll leave it to you to decide what’s going on, and what’s going on with her*. A familiar situation for many, I imagine?
-cvj
(*For more on the book this is for, read here.) Click to continue reading this post
Some ink work in progress. Just to break up the monotony of layouts, which is where I really am, I thought I’d re-ink a panel of a page of the book I like a lot. I’ll show you more later.
Working on rough layouts of one of the stories for the book. One rough panel ended up not looking so rough, and after Monday’s ink dalliances I was itching to fiddle with brushes again, and then I thought I’d share. So… slightly less rough, shall we say? A more careful version would point the eyes a bit better, for example…(Much of the conversation, filling a bit more of the while space, has been suppressed – spoilers.)
On my way back from commencement day on campus last Friday I got to spend a bit of time on the subway, and for the first time in a while I got to do a quick sketch. (I have missed the subway so much!) Yesterday, at home, I found myself with a couple of new brushes that I wanted to try out, and so I did a brushed ink sketch from the sketch… 
It felt good to flow the ink around – haven’t done that in a while either. Then I experimented with splashing a bit of digital colour underneath it. (This is all with the graphic book project in mind, where I think at least one story might […] Click to continue reading this post
