Around Fifteen
While on a hiding retreat in another town or city, I like to seek out a local group that might be doing a “drop in and draw” session. You show up, pay your money, and there’s a safe environment (in a studio, a back room, upstairs of a pub, etc) for a model and artists to work on the wonderful business of capturing the human form in various media. I’m a reasonably private person so I like to keep the anonymity level reasonably high, but it does not only work. People are of course on the watch out to protect the group from perceived problems, so they ask questions. Others are just trying to make friends, and so they ask questions too. I just like to be polite and friendly, share the odd joke or remark, but mostly keep my mouth shut and listen to the various small talk that breaks out during breaks. Most of all, I want to get on with the business of drawing.
I went to one on Monday. This time around it was sort of amusing to me at one point when one of the organisers of the group asked me why I’d come down from LA to their small seaside town drawing group and I said I was hiding. I could sense alarm immediately (I can imagine the pictures he might have had in his mind even before I said “hiding”) and so I then went further, by way of reassurance, and said something vague but standard about wanting to get out […] Click to continue reading this post
So I am here to help celebrate Joe’s work on the occasion of his 60th (hard to believe that number, frankly), and it will be good to see all the people who show up, and of course it’ll be excellent to see Joe. Part of my help in the celebrations is to organize and run a panel about D-branes, which will be on at 11:00 tomorrow. I’ll be reflecting a bit on the good old days when D-branes really broke, and turned out to be the key tool of the Revolution that took place in the field. In lectures and writings from that time and long after I used to refer to them as the Heroes of the Revolution, and in honor of that and of Joe I have named this session D-Branes, Tools of the Revolutionary, or something like that. Joe helped bring about the revolution, and his tools were D-branes, you see. 
You know such lines, intuitively, in a non-trivial example. Next time you look at a globe (wait, does anyone but me look at maps and globes any more? I love them!), you’ll probably see examples of those lines drawn in. They are the “great circles”, the lines of longitude, and the equator. (Image used with 
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