I just noticed! The book is now in MIT Press’ Fall 2017 catalog, and so you can see the cover and read the blurb they wrote about it! See the full thing here (a pdf; on page 9). Alternatively, here is the online page for it. (I can also reveal what I could not say before: Frank Wilczek kindly agreed to write a foreword for it.)
This. is. so. exciting.
I don’t know about how you pre-order yet, but when I do I’ll let you know.
Update: I also noticed that you can pre-order at a special price on Amazon! The link is here. (Pre-orders are helpful, so don’t be shy… 🙂 )
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So an unexpected but very welcome message from my publisher a while back was a query to see if I’d be interested in doing the cover for my forthcoming book. Of course, the answer was a very definite yes! (I knew that publishers often want to control that aspect of a book themselves, and while some time ago I made a deliberately vague suggestion about what I thought the cover might be like, I was careful not to try to insert myself into that aspect of production, so this was a genuine surprise.) I’m focusing on physics research during this part of my sabbatical, so this would have to be primarily an “after hours” sort of operation, but should not take long since I had a clear idea of what to do. I worked up two or three versions of an idea and sent it along to see that they liked where I was going and once they picked one (happily, the one I liked most) I set it aside as a thing to work on once I got finished with a paper (see last post) and the (prep for as well as the actual) trip East to give a physics colloquium (see the post I never got around to doing about that trip).
Then I had terrible delays on the way back that cost me the better part of an extra day getting back. So I worked up some of the nearly final art and layout […] Click to continue reading this post
Of course you knew that I had to do this… Let me explain, perhaps for your Sunday reading pleasure.
The prevailing culture is surprisingly and frustratingly simplistic when it comes to graphic books and comics. As late as 2017, we’re still at the stage that most people in the USA (and the UK), if asked, will associate the form with the superhero genre: people in capes and/or masks fighting crime and/or saving the world. The other association is with the Sunday funnies. This is unfortunate, and, in case you don’t know, far from the case in other places such as various European and Asian countries where the boundaries between written and visual literature are less rigid.
The confusion of form (visual narrative on the page) with genre (the subject of the narrative itself) drives me nuts, as it makes it very hard to get people to […] Click to continue reading this post
Loving this looser, pencil-finish style. My only wish is that I’d discovered it in August. But of course I know that I needed to do what I was doing in August in order to get to where I am now. So there it is. Personal evolution is a wonderful thing, isn’t it ? (Click for larger view. More about the book here.)
-cvj Click to continue reading this post
Now here’s an interesting coincidence! I came on to write a post about something I did earlier today – signing a contract for publishing The Book, with an exciting new publisher(!) – and then I was reminded of a post I did here exactly two years ago: it was about signing a contract with the previous publisher (who I later parted ways with – see this post).
Anyway, I had a picture in that post (have a look) of me signing the actual paper contract (in triplicate) that had been sent over the ocean on nice paper by pony and so forth, and then I sent it back over the ocean by return pony, and then a countersigned copy was sent over again by yet another pony… Instead, all I have to show you (above) is a screen shot of the electronic signing process I did this morning. Minutes later the countersigned version came back and all was done.
Anyway, in brief, because I should be working on the book (trying to finish a remarkable four pages of art today in one long 15 hour session in the office…), the back story is as follows: […] Click to continue reading this post
Yes, I’m still here. I realise that I paused posting for a while longer than I have in a long time (possibly ever!), and I’m sorry about that. There were a lot of things, not just the obvious one(s). Anyway, I’m still here… still drawing and painting away on the book, and working on a bunch of other things that I ought to tell you about at some point (some of which I need to get clearance for…).
The other day I went comfortably old school, pencil […] Click to continue reading this post
All change! Last week another style change took place, in service of a new story/chapter for the book. I’ve transitioned to a looser style, with final line art done with a charcoal-like finish, and the colour done as watercolour. (Click for a slightly larger view.) It turned out that back in March when I went and hid for a week to work on the book, I thumbnailed and roughed a lot of pages (on two stories I think?) in a pretty tight manner, and so I’ve decided that I’m simply going to go in and sketch the final material all by hand, with no elaborate construction work for placing backgrounds (neither analogue nor digital), no measurements, no drawing of perspective grids, etc.
This turns out to mean that I can get the pre-colour work done pretty swiftly on some pages. Rather than take this as an opportunity to sprint ahead and make up some lost time, I decided to […] Click to continue reading this post
No, I’m not here to knock on the door of the Big Five*.
I was a couple of doors down at the Simons Foundation….
*P.S. But I do hope to have exciting news to report on the publishing front soon… Click to continue reading this post
Well, that happened. I’ve not, at least as I recollect, written a breakup letter before…until now. It had the usual “It’s not you it’s me…”, “we’ve grown apart…” sorts of phrases. And they were all well meant. This was written to my publisher, I hasten to add! Over the last … Click to continue reading this post
This might be one of my favourite sequences from the book so far*. (Click for larger view.) It’s a significant part of a page so I’ve watermarked it heavily. Sorry about that: It’s days of work to make these things. It is based on a location scouting trip I did last year around this time at the LA County Fair. So consider this a public service announcement if you’ve not yet done a Summer visit this year to a county fair near you… Go! They’re an excellent old-school kind of fun.
There’s a whole sequence in the book that involves such a visit and I’ve just […] Click to continue reading this post
Ok. A Little over an hour and 15… With a slight interruption. (See previous post.) But I did the shade work too. Working to two primary light sources was fun. (Two sides of the bus).
Now for colour…
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Ok, challenge to myself:
Let’s see how quickly I can do the fully pencilled/inked version of this panel for the book. This is the rough work. Assuming not too many distractions…
-cvj Click to continue reading this post
I think that the Apple Pencil is one of the best things the company has produced in a very long time. It’s good for both writing and sketching, and so is especially useful in all aspects of my work. I got one back in the Spring when the regular-sized iPad pro came out and it has been a joy to work with. I thought I’d share with you a video stroke by stroke logging of a quick sketch I did with it this morning on the subway on the way to work. The sketch itself is above and the video showing how I made it is embedded below. Yes, it’s another version of the people you saw here.
This is typically how I produce some of the rough work for the book, by the way. (I still also use good old fashioned pen and paper too.) Since some of you have asked, the answer to whether I […] Click to continue reading this post
Sometimes a sharpie and a bit of bristol are the best defense against getting lost in the digital world*… (Click for larger view.)
(Throwing down some additional faces for a story in the book. Just wasn’t feeling it in […] Click to continue reading this post
Style change. For a story-within-a-story in the book, I’m changing styles, going to a looser, more cartoony style, which sort of fits tonally with the subject matter in the story. The other day on the subway I designed the characters in that style, and I share them with you here. It’s lots of fun to draw in this looser […] Click to continue reading this post