After all these years, I still have that little pain inside about what I think is one of the greatest missed opportunities (nay, crimes) in the history of film: that Guillermo del Toro did not get to direct the Hobbit due to all the delays in New Zealand over strikes (if I recall correctly), and so after two years of development he (and all his staff) packed up and moved on with their lives…. leaving Peter Jackson to take over the reins. That pain is right there next to those three jabbing pains inside that still feel a bit raw every time I get a reminder about how the films actually turned out overall. Just seeing a poster can set me off. (There are of course some nice set pieces in them here and there, but memory of them is rapidly erased by the overall wrong tone, silliness, and pandering to the need for pointless action sequences at the expense of common sense.) It’s old news now, but it still really hurts.
And it is nothing to do with the fact that […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post
I ran across two excellent Dune-related items in the last fews weeks, and since it is the 50th Anniversary of Frank Herbert’s book “Dune”, I thought I’d share them with you.
The first is on the really excellent website called Pornokitsch, which I’m delighted to introduce you to if you’ve not encountered it before. (Don’t worry about the name – they chose it ironically.) Bookmark it and repeatedly return for more. This piece on Dune was about the David Lynch film, really (and not too much about the book), which is always great to discuss with people since it inspires intense love and hate in people… sometimes both in the same person. I find it a decidedly flawed film with so many delightful charming oddities that I can’t help but enjoy it. A number of regulars weigh in […] Click to continue reading this post
Dear visitor who came here (perhaps) after visiting the panel I participated in on Saturday at the LA Times Festival of Books. (“Grasping the Ineffable: On Science and Health”) What a fun discussion! Pity we ran out of time before we really began to explore connections, perhaps inspired by more audience questions.
In any event, in case you wondered why I was not signing books at the end at the designated signing area, I thought I’d write this note. I was given the option to do so, but the book that I currently have out is a specialist monograph, and I did not think there’s be much demand for it at a general festival such as the one on the weekend. (Feel free to pick up a copy if you wish, though. It is called “D-Branes”, and it is here.)
The book I actually mentioned during the panel, since it is indeed among my current attempts to grasp the “ineffable” of the panel title, is a work in progress. (Hence my variant of the “under construction” sign on the right.) It is a graphic book (working title “The Dialogues”) pitched at a general audience that explores a lot of contemporary physics topics in an unusual way. It is scheduled for publication in 2017 by Imperial College Press. You can find out much more about it here.
Feel free to visit this blog for updates on how the book progresses, and of course lots of other topics and conversations too (which you are welcome to join).
-cvj Click to continue reading this post
Love this picture posted by USC’s Facebook page*. (I really hope that we did not go over the heads of our – very patient** – audience during the Festival of Books panel…)
*They don’t give a photo credit, so I’m pointing you back to the posting here until I work it out.
[…] Click to continue reading this post
Don’t forget that this weekend is the fantastic LA Times Festival of Books! See my earlier post. Actually, I’ll be on a panel at 3:00pm in Wallis Annenberg Hall entitled “Grasping the Ineffable: On Science and Health”, with Pat Levitt and Elyn Saks, chaired by the Science writer KC Cole. I’ve no idea where the conversation is going to go, but I hope it’ll be fun and interesting! (See the whole schedule here.)
Maybe see you there!
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(Click for larger view of 2010 Festival “What are you reading?” wall.)
So the Festival of Books is 18-19th April this year. If you’re in or near LA, I hope you’re going! It’s free, it’s huge (the largest book festival in the USA) and also huge fun! They’ve announced the schedule of events and the dates on which you can snag (free) tickets for various indoor panels and appearances since they are very popular, as usual. So check out the panels, appearances, and performances here. (Check out several of my past posts on the Festival here. Note also that the festival is on the USC campus which is easy to get to using great public transport links if you don’t want to deal with traffic and parking.)
Note also that the shortlist for the 2014 LA Times Book Prizes was announced (a while back – I forgot to post about it) and it is here. I always find it interesting… for a start, it is a great list of reading suggestions!
By the way, apparently I’m officially an author – not just a guy who writes from time to time – an author. Why? Well, I’m listed as one on the schedule site. I’ll be on one of the author panels! It is moderated by KC Cole, and I’ll be joining […] Click to continue reading this post
(Click for larger view.)
On Friday 6th March the Los Angeles Institute for the Humanities (LAIH) was delighted to have our luncheon talk given by LAIH Fellow Jack Miles. He told us some of the story behind (and the making of) the Norton Anthology of World Religions – he is the main editor of this massive work – and lots of the ins and outs of how you go about undertaking such an enterprise. It was fascinating to hear how the various religions were chosen, for example, and how he selected and recruited specialist editors for each of the religions. It was an excellent talk, made all the more enjoyable by having Jack’s quiet and […] Click to continue reading this post
Rough layout design. Text suppressed because… spoilers. Feel free to supply your own dialogue… share it here if you like!
(Click image for larger view.) In case you’re wondering, I’m trying here and there to find a bit of time to do a bit of rough (but less rough than last pass) layout design for the book. Sample above. This helps me check that all the flow, layout, pace, and transitions are […] Click to continue reading this post
(In which I talk about script work on the graphic book, and a useful writer’s tool for you writers out there of all kinds.)
I’ve been easing my brain back into thinking regularly about the book project and getting momentum on it again. [As you recall, I’ve been distracted by family things, and before that, focussed on finding a publisher for it.) The momentum part is not easy because… newborn. (I’ve been saying that a lot: “because …newborn.” I am tempted to make a (drool-covered) t-shirt with that as a slogan, but the trouble with that idea is that I do not wear t-shirts with things written on them if I can help it. Uh-huh, I’m weird.] My plan is to finish writing the scripts for the book, including storyboarding/thumbnailing the whole thing out to get the page designs right. In essence, flesh out the book with enough of the main stuff of it so that I can then work on tinkering with structure, etc. This involves not just moving words around as you would a prose book, but planning how the words work on the page in concert with the drawings. I’ve often done this by just scribbling in a notebook, but ultimately one wants to be able to have everything in a form one can refer to easily, revise, cut and paste, etc. That’s where this marvellous tool called a computer comes in. A lot of writers in comics use the same sorts of software that is used for plays or screenplays (Final Draft and the like). People have even written comics script templates for such programs. They allow for page descriptions, panel descriptions, etc.
(At this point I should acknowledge that the typical reader probably did not know that comics and graphic books had scripts. Well, they do. There’s a lot more to say about that, but I won’t do that here. Google it.)
Over the years I’ve been slowly putting my scribblings into a piece of software […] Click to continue reading this post
Here’s the postcard they made to advertise the event of tomorrow (Tuesday)*. I’m pleased with how the design worked out, and I’m extra pleased about one important thing. This is the first time that any of my graphical work for the book has been printed professionally in any form on paper, and I am pleased to see that the pdf that I output actually properly gives the colours I’ve been working with on screen. There’s always been this nagging background worry (especially after the struggles I had to do to get the right output from my home printers) that somehow it would all be terribly wrong… that the colours would […] Click to continue reading this post
Good News Everyone!
The other day I put my signature on a contract to publish The Book!! Some of you might know about my somewhat unusual book project. It is a graphic book, written and drawn by me, all about science. Please tell your friends about it, especially the ones who think that the standard popular science book is not for them. This is very much not the standard popular science book, precisely because I want to broaden the range of people who read about science. The graphic book form has been stunningly underused in my field (physics) and I want that to change.
I used to say “graphic novel style book”, but because of the (well known) problematic naming convention for the form, I’m trying to stay away from that term, because people get confused about what the book is. (Not a novel, for example.) Anyway, it is a highly unusual project that I’ve been excited about for some time, and blogging about from time to time. The last year has seen me doing less on production and more on trying to explore the publishing world to get it in print. (I really do mean printed on actual paper, or I’d have explored other options by now: The self-publishing world has matured interestingly, I’ve discovered in my researches.)
That venture into the world of dealing with publishers turned out to be a huge adventure I ought to write a book about… All I will say here is beware of pitching too original an idea to traditional publishing people. If they can’t […] Click to continue reading this post
One of the things I want the Los Angeles Institute for the Humanities (LAIH) to do more of is field trips – Exploring the city together! We’re an LA resource (as I’ve said in earlier posts) and so we should visit with and strengthen our relationships with some of those other LA resources, whether they be physical places, or groups of people (like us), etc.
Friday saw us take a wonderful field trip to the William A. Clark Memorial Library. It is another of those classic LA things – an amazing gem hidden away that you pass every day and don’t see. It is not far from USC, and in fact a number of USC faculty I know have used it regularly for research, since it has several important collections of papers and rare books of various sorts (Oscar Wilde, Shakespeare, Edgar Allan Poe, etc).
A lot of these were put out for us to see by Head Librarian (and LAIH Fellow) Victoria Steele and her staff, and they gave us a guided tour. During the tour […] Click to continue reading this post
That podcast from the Bedrosian Center series that I contributed to is now live! I mentioned it here, remember, and talked a bit about the book we discussed, “Beyond the University: Why Liberal Education Matters”, by Michael S. Roth. In the discussion I chatted with the Center’s Director Raphael Bostic, who also hosts, Deborah Natoli, and David Sloane, all in the USC Price School of Public Policy. It was a fun discussion, and I hope you find it interesting and useful. As I said in the previous post:
It is by no means a perfect book, as we discuss in the podcast, but it is in my view a book that is worth reading since it lays out rather nicely the history of the conversation that has been going on about this issue in America dating back to Jefferson and before. This is, to my mind, a conversation we will always need to have, an issue that is self-renewing and that has to be revisited, and we should all be part of it whether we are educators, parents, students, potential students, or employers. (Frankly, I think every new faculty member at a university that claims to be giving a liberal education should be given a copy of this book (or a book like it) in their arrival package. Existing faculty as well, if possible! Why? To get everyone involved in education thinking about the point of what it is they are doing, if nothing else.)
The podcast can be found on Soundcloud, iTunesU, and iTunes podcasts, but I’ll point to it on the Center’s page here since there are other […]
-cvj Click to continue reading this post
For a while back there earlier this week I was in a storm of reading duties of the sort that I hope not to see again in a while. A lot of it had to be put off at the end of the week before because I wanted to prepare my talk for Sunday, which took a little more time than I’d planned since I wanted to do some drawings for it. All of it had a deadline. Monday was to see me participating in a podcast at the USC Bedrosian Center to discuss the book “Beyond the University: Why Liberal Education Matters”, by Michael S. Roth. I had the book for about six weeks, and started reading it when I first got it… but found that I was getting through it too fast too early and wanted to have it fresher in my mind for the podcast, so I held off until closer to the date. Unfortunately, this then clashed with two promotion dossiers that got scheduled for a Tuesday meeting, both from book-heavy fields, and so that added three books on language, representation, business and history (tangled up in a fascinating way) that I can’t tell you about since the proceedings of the relevant committee are confidential. Then I remembered that a Ph.D. thesis exam had been moved from the previous week to that same Tuesday (and I had put off the reading) and so I had a thesis to read as well. (Not to mention all the dossier letters, statements, committee reports, and so forth that come from reading two promotion dossiers…)
A lot of the reading is also fun, but it’s certainly hard work and one is reading while taking careful notes for later reference, in a lot of the instances. I always end up surprising myself with how much fun I have learning about topics far beyond my field when I read promotions dossiers for other areas. I’m certainly not an expert (and that is not why I’m called into service in such cases) so I’m reading with an eye on seeing what the quality of scholarship is, and what the voice of the person writing is like. These are things that (if you are not of the tedious point of view that your own field of inquiry is somehow king of the disciplines (a view we physicists all too often seem to have)) can be glimpsed and sometimes firmly perceived by wading deep into the pool of their work and keeping an open mind.
I strongly recommend the Roth book about what the point […] Click to continue reading this post