As I said in the previous post, consider using the subway (the Expo line in particular) to come to the LA Times Festival of Books tomorrow. The campus is now very busy and parking is a pain. Look where I had to put my car today*!
Archive for the 'design' Category
Well, yes, I’ve been a bit busy and so posting has been slow over the last week. But I am still alive, and here I am with a sample of one of the several things I was doing. It is some work on the graphic book project. (You’ll be happy that I am sparing you details of tedious committees, faculty meetings, confusing snippets of physics, incomplete musings and computations, etc…)
As mentioned recently, I’ve been doing thumbnails and rough page layouts on one of the stories, and that has been useful for editing and rewriting. I went further and improved an earlier story that I’d written that had mostly been drawn already, and so that encouraged me to do slightly tighter page layouts so as to fit them more closely to the story as it was already drawn, for a smoother final read. I’ll need to find Continue reading ‘How is that Supposed to Work, Exactly?’
Productive day yesterday, more or less. Yesterday’s lunch break (in my undisclosed coastal town) saw me take a pack lunch over to the beach, for a bit of reading while I sat in a change of scenery. I’d brought the bike, and so it was nice to be able to pack up some things I might need, like a beach towel, a portable seat (just in case…. I did not use it in the end…), my notebooks, and some reading materials on the ipad (I was reading a bit of Paradise Lost, in fact), and carry it in the bike basket. (Actually I did use the portable seat… but not for sitting. I used it as a stand for the camera that took the shot above right.)
What am I doing on The Project? I’m mapping out and editing one of the stories. It has turned into quite a long one with lots of complexity, relatively, speaking. This means that I need to be careful about designing the layout on the page, and actually try to get a good sense of how everything fits so that I pace things properly, and page things out in the right way. So I am thumbnailing carefully, going beyond simple thumbnails and doing a first pass rough of the page. It slows the writing down, but will save a lot of time later on. Also, when I turn myself back into the penciller/inker and come to draw all the pages carefully, my job will be much easier, and quicker, as I’ll have the directions in the written script and the page layout sketch to guide me. I’ll be able to focus more on being the artist and less the writer at that stage. See the right for a laid out page.
Actually, using the brushes application on the ipad has been very valuable for this. I’ve not used it much in recent times, and so it was fun to rediscover it. I’ve been using Continue reading ‘Lunch and Work’
So, after a bit of time away from the process, this weekend saw me make some progress on The Project. I realized that I had too many things fragmented, scattered in several places, both physically and in my mind. This means that when I come to pick up where I left off (and breaks from it – sometimes long ones – are necessary since I have my Physics Professor gig which is first and foremost, you understand…) it can take all the available time to get back into the saddle since I am pulling the fragments back into foreground. So I’ve decided to sharpen up the process a bit and try harder to send clear notes and assignments to myself in the future. For example, as writer, I need to prepare things so that they are in a good final state with clear conventions in a full script, so that when I come to it later as penciller, I’ve got all I need to get stuck in and move things along, sending messages along to future me at the next step, and so on. It means I’ve got to do less of the business of leaving things un-fleshed out because I think I’ll do that bit at a later stage – That later stage might be months down the line, and by then I’d have forgotten the core of the idea that I was going to build in at that point… You get the idea.
So my task for the next several sessions is to turn all the stories I’ve written so far into full scripts, and finish the bits that are unfinished in each one. What do I mean by full script? Well, over the last two years I’ve done a lot of it in notebooks and in Continue reading ‘Thumbs and Scripts’
This is from the people at Squidspot… Click the link to learn more about it (like why it isn’t actually periodic, and so forth). Click on the image to see it large and get the details.
Here’s the first slide of my TEDYouth talk from Saturday. It was time consuming but fun to draw all those hands and tiny items of various sorts. The whole talk was about what I call “hidden structures”, which in a sense is what my field (high energy physics, particle physics, cosmology, string theory, etc.,) is all about. To help motivate it all, I started by talking about opening up your smart phone and figuring out how it works by taking it apart and discovering the components inside, and using the rules of how to put them together to deduce the structure of other things (see that second stage of the slide being delivered on stage*).
Since I’m hugely into getting people to learn by really getting stuck into things Continue reading ‘Components’
Well, it is great to be back in New York. Multiple times this year – hurrah! I’ve just got back from the Times Center where all the speakers have been running through their talks to smooth out kinks of various kinds (technical glitches, run time, etc). The senior TED people are here sitting in the auditorium and one by one we come up and go through things to give us a chance to get familiar with the stage, and to hear any thoughts or comments. (See tiny picture on the left.) People have done really good jobs preparing, and so most comments are simply ones of congratulations, with some small suggestions here and there with regards points of confusion, or sound levels, or run time. We’ve got six minutes. You heard me right – I must explain all of particle physics and research in string theory in six minutes. I like my challenges… Well, I spent a lot of time designing the content of the talk Continue reading ‘So Good They Named It Twice’
…Progress? I hope so. I lost about 7 hours yesterday. Hours that I’d planned for working on the slides for TEDYouth and (mostly) finishing them. There was a weird problem on the computer I use that seemed to seep into Illustrsator as well. Somehow dragging a file to copy or move it somewhere else would not work, and this meant that in Illustrator if you tried to drag an object to a new position, it would fail to complete the operation, generating a copy in the place you moved it to but not erasing the original… It would then freeze. I tested this out in so many different ways to see that it was not damaged objects or files… then eventually decided to reinstall the entire operating system (Lion). Of course, this is no Continue reading ‘Slow but steady…’
Back home in the office/studio working on slides for the TEDYouth talk. Spent altogether too much time on telescopes today. Way too much. I estimate that this Continue reading ‘Telescopes’
Somewhere in there, somehow, I am keeping my head above water…just. But then I decide on something equivalent to tying extra weight to my ankles. Last week, while deciding on what I would talk about in the short time I have, I decided to do the whole TEDYouth talk graphic novel style of course… Which means hundreds of drawings… Why do I do this to myself? (I can recycle some of this for The Project, I suppose…) So I sat in the sun on Saturday afternoon Continue reading ‘Magnify!’
Chris Burden’s Metropolis II, on display at LACMA, is a lot of fun. I was at LACMA recently, catching up with an old friend, hanging out and chatting for a while on the lawn. It was a pleasant afternoon to spend a bit of time talking about life and work outside, wandering into the museum to look at at an exhibit for a bit, and then resting outside in the late afternoon sun again, before going to see something else.
Anyway, the Metropolis II installation was fun, and very interesting. I can’t help Continue reading ‘Metropolis II’
[Update: And a bit better.. although now can't get rid of white line to right of header image, etc... but almost all repaired... sigh...]
Rather stupidly, I trusted the theme designer people for the wordpress theme I’ve been using to not wipe out all my style information for my page when it ungraded. I was forced to upgrade to allow things to work in the new wordpress version, and of course all my old information was destroyed, including the banner image, colours and so forth. So for the first time since 2006, I have to go without the site looking its nice old self.
I think I have some of the information on a computer at home, so until I get to restoring it, please forgive the awful, AWFUL disarray you see on the site now. I’ve put in an attempted temporary header image, and all the other things you see are defaults that look dreadful.
New acquisitions. I’ve been a fan of the work of Marcel Breuer for many years now, going back to my first postdoc in the early 90s, at the Institute for Advanced Study in Princeton. There, I lived (over three years) in some lovely 1957 apartments designed by him, with furniture of his design in them too. (It’s a bit different now, I understand.) The Wassily (or, Model B3) chair is one of my favourites of his, and two days ago, when I got an email from a friend I’d not heard from in a while that she was getting rid of a leather-finished pair of them, I went to see them as soon as I could (especially when I heard of their colour, which I’d decided would match my floors rather well). I came back from the visit with (after some negotiations and handing over of payment) the pair and set them up.
Yes, they are just as wonderful as I recall (and this set is particularly well made – very good reproductions), beautiful, very comfortable, and a good fit for my living room… Continue reading ‘Nostalgia Furniture’
So, here’s yet another project I’ve been working on. I forgot to tell you about it. After the success of the short films I produced and directed (etc) two Summers ago (remember? Shine a Light and Laser), the next step was to get more people involved in the film-making, to learn more about how it is done, and what is involved, both on the science side and the film-making side. Specifically, I want students from both sides of the divide (science, and film, journalism, communications, etc) to have to work with each other to learn more about communicating science.
So, Anna Krylov (Chemistry dept., and a collaborator on an NSF grant) and I wrote a Continue reading ‘Science Film Logo’
In addition to the CMC staff handbook, I also got the mechanical crew handbook, which was originally drawn by Jim McEleny, and then revised in 1974 by Ted Mullings, who I told you about in the earlier post. The pages are more sparsely done in this one, but there’s still some great humour here and there… (Click for larger views….)
Not long ago I was in Leadville, a mining town you get to from Aspen by going over Independence pass and then down into the valley. (It is apparently North America’s highest -in elevation- incorporated town, being at over 10K feet… Its roots are in gold and silver mining, starting back in the mid 19th Century.) I love visiting the big store that sells all sorts of curiosities and antiques there, and then after wading through lots of bits and pieces, going to the saloon bar for Irish coffees.
This time I actually bought something. Two things in fact – Some old handbooks for mine crew personnel of the Climax Molybdenum Company, from 1978. They are quite small, about 5 by 4 inches, but they are packed with delightfully presented dos and don’ts about how to do the job, including safety practices, and warnings about what might go wrong if you do things the wrong way. I particularly love the fact that the pages are Continue reading ‘Handbook Extract, 1′
Been back on The Project a bit more in recent days, mixing it in with various physics thoughts, projects, physics related duties, and so forth. More on some of that later. I’ve been writing some new pieces for the work, and have been flowing nicely at times. I write both in words (scribbling in my notebook in H pencil) and images, this being the point of some of what I’m up to. (See my discussion about the nature and intent of the whole business in earlier posts collected here.) So I write words, but also think about how the reader’s eye will move around the page, communicating intent, story, emotion, and concept, and so the words are supplemented by -and often guided by- little “thumbnail” images I scribble as well. (Actually, this is not so different from how I do my physics research, and I know that this is quite common. We think and reason using a mixture of words, images, equations, and so forth, and looking in my notebooks on physics will show a lot of commonality with my notebooks for The Project. Part of what I hope The Project will achieve is to help the general reader learn that this happens, while also benefiting from it by reading the form/medium they are reading…)
In the more familiar language of film, in my job as writer and “artist” at this stage, I’m directing the action as I write, and sort of doing the first pass at editing too, keeping in mind also things that will be taken over by my director of photography, costumer, editor, set designer, and so forth. Oh, those are also me in this case, since Continue reading ‘Thumbnailing’
Although the planning of a panel on a page is entirely freehand pencil or pen work, it is indeed the case that sooner or later I start detailed placing of subjects, and I often use perspective to do the layouts. Not just for skyscrapers and so forth, but for down to earth things too. I do it the old-fashioned way, which is repetitive and time-consuming, but I must admit – It is fun! Take some time to look at everything around you – real or represented in drawings, photos, etc – and you’ll likely see perspective cues that help give sense of depth and placing. It is all about geometry, which our universe seems to like a lot, and which we use to navigate in it. Learning a bit of this geometry, and how to build it in projection in two dimensions on the page (and it is much easier than this sentence makes it sound!) allows one to make reasonably convincing recreations of the universe (or simulacra of your choosing) and how we perceive it. Real artists (not hacks like yours truly) use geometry a lot, in one way or another, to interpret, represent, or distill aspects of the world, and so in a sense, they are companions on the same road as those of us in (especially) the physical sciences.
Babble aside, here you can see parts of the interior of a cafe taking shape. I did it using three-point perspective*:
This** will be the skeleton upon which I build the flesh of the rest of the piece. It is based on my knowledge of a real cafe that I location-scouted (well, I happen to drink coffee there from time to time), but you’d never get this view without (a) perhaps being able to fly, and (b) removing the ceiling. Trying to be somewhat discreet in this Continue reading ‘Nine Points’
Remember the skyline in an earlier post? Well, I forgot that I’d taken a snap of myself doing the inks for it last month, knowing that I’d ultimately be sharing it with those of you curious about the process. So there you can see me about half way, inking with a cartridge ink pen on the 11 in. x 17 in. Bristol artboard where it sits as a sort Continue reading ‘Inkin’’
It has been a quiet week here on the blog, and there are many reasons for this. They are mostly all to do with me having a very busy week at work and at play. Work has seen a great deal on the usual fronts of teaching, research, and service, and I’ve also made some progress on The Project. Play has been good, varied, valuable and constructive.
Right now, I’m popping off to bed to get some sleep before getting up to go over to UCLA for the second day of the Southern California Strings Seminar. Today, day one, was excellent.
I will be giving you an update on various aspects of all those above things shortly, but right now I will leave you with a moody photo of some strings of lights at the Edison, that bar downtown I sometimes mention here. I had an excellent evening down there on Thursday night.
One of the things I am very happy with from my recent explorations in Vienna was my proper discovery of Egon Schiele. Somehow he’d not been on my radar before, and while I enjoyed looking at lots of rock-star famous excellent work by Gustav Klimt, it was Schiele who, out of the two, really captivated me on this trip. (More on another artist later.) So as to not startle you while eating your morning wheaties, I’ll spare you one or two of my favourite drawings/paintings of his that spring most immediately to mind, and instead show you the one on the right, which is very striking (Kneeling female in orange-red dress, 1910). He seems to have had a thing for orange/red, I’ve noticed. Or maybe it is I who notice it a lot in his work. I mostly love that many of his paintings are very much like line drawings with colour added, and since his line drawing work is Continue reading ‘Schiele Surprise’
As I’ve mentioned before, I listen online to Radio 4, one of the BBC radio stations I love for its variety, breadth and depth of programming. Between it and NPR affiliate KPCC, my day is usually rather full of (spoken-word) radio of a wide variety. I’ve noticed that Radio 4 has been doing a programme called “A History of the World in 100 Objects”. The Director of the British Museum does a 15 minute programme on each of 100 objects and talks about aspects of its historical significance. (If you think you don’t like history (maybe bad experiences in school or something like that) this might be a great way back into the subject for you. Not liking a subject is usually, I find, an issue with how it was presented to you and not with the subject itself.) It’s a lovely way of quickly plugging into aspects of world culture in interesting ways, and rather reminds me of the short series that we had here at USC in the College Commons called The Cultural Life of Objects, organized by my colleagues Anne Porter and Ann Marie Yasin. (See also the Collections event, and my post about it.)
The BBC series is about half way now, and it has been quite wonderful. I strongly recommend it to you. Here’s the marvellous thing: The entire series can be podcast Continue reading ‘A Treasure Trove!’
“There’s a lady who’s sure
All that glitters is gold
And she’s buying a stairway to heaven [...] “
Not that I’m calling Boris Johnson, the [
occasional village idiot] Mayor of London, a lady or anything. It just was the best bit of the song I could use for the story. This structure does not exist yet, but it seems that will. What is it? Another Big Thing for people to go up to look over London. Yay. Silly, in many ways, but I will admit that I like it as a piece of mathematical poetry squiggled in the sky. It is by Anish Kapoor. Story here from the BBC, and here from AOL news. Video of announcement from Guardian here.
Now, while looking at the picture above, I noticed something interesting. Is it just me, or is the sky wrong? I don’t mean that it is blue and over London and therefore a Continue reading ‘Stairway to Heaven?’
One of the things I tend to do when on Walkabout is seek out pleasant public spaces in which to work. Sometimes institutions to which I might have some connection might give me access to a guest office, or something similar, but often I go “off the grid”, where the grid here refers to the network of academic connections and arrangements that produces such (generous and vital) courtesies. So every city I spend time in, I try to work build a personal network of hideouts. Sometimes, these are just favourite cafes of one sort or another (you’ve maybe seen posts on those), but at times it can also be libraries or other spaces at one sort of institution or another. Some of them are quite splendid, or simply pleasant or convenient. Among the examples for me are the Santa Monica public library, the (downtown) Los Angeles public library (yes, even close to home I like to get away from my standard offices), the Butler Library at Columbia University in New York, the New York Public Library Continue reading ‘Hideouts’
This is exciting! Today I decided to explore the new extension of the Gold line for a little while. There’s something deeply satisfying about seeing a prominent public works project of such obvious value to the community finish the construction phase and begin regular service. I was away in Europe at the opening of it in mid-November and so today was my personal little inauguration ceremony. It runs South and then East from downtown’s Union Station to Boyle Heights and East Los Angeles. Yes, you can take it all the way from Pasadena to East LA without changing trains (and similarly in the other direction) and so there’s an incentive to explore. (I’m hoping this will motivate some of the people I know in Pasadena who rarely leave it to actually get out and explore Los Angeles for real…)
I wandered the streets a little bit at one or two of the stops and of course I also sat on the trains looking out of the window and at the people around me. As with many Continue reading ‘Gone East, Looking West’
“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.”
Do you know who said that? I’ll break the post here to give you a moment to think about it. I’m not going to ask for the answer in the comments since you have Google on your side, but you can, if you like, share in the comments whether you knew or guessed it right before you moved to the rest of the post below to learn the answer. (Image above is an illustration by Walter Crane for ‘Snow White’ (1882).) Continuing…
Continue reading ‘On Art, Fairy Tales, and Creativity’
I do love the Wiltern. It is one of my favourite classic Art Deco buildings in Los Angeles or even beyond. (Click image for larger view.) I catch glimpses of it from time to time when I am on my way from here to there, but it has been a while since I stopped and looked properly.
Yesterday I was on my way back from one place and on my way to another and I changed buses right in front of it, so lingered and admired for a while.
You can find more about the Wiltern here, among other places.
I loved this set of interlocking shapes that presented itself upon glancing inside this Continue reading ‘Collapsible Geometry’
The next Categorically Not! is tomorrow, Sunday April 19th. The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series – started and run by science writer K. C. Cole – of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (Image above right is discussed in an earlier post here. The last paragraph of the description below made me think of it.)
The theme this month is Doing Darwin Differently. Here’s the description from K C Cole:
Well, this is what I was puzzling over for a little while last week:
I thought I’d share it with you to puzzle over too. I designed and constructed it a while back, installed it, and then took it down for a while (as other work was being Continue reading ‘Rope Tricks’
Last night, for one reason or another, I decided on the spur of the moment to head to the beach, in order to wander there with the darkness clinging to me while I faced the bracing wind and cleared my head of many things. Although not quite like walking, for example, the Northumbrian coastline, even this part of the Pacific can be wonderfully restless, rugged, and alive when there are strong storms in the air, as is the case right now in the area.
On my walk, heading Northwest, I saw the Santa Monica Pier in the distance, with its new (as of last Summer) Ferris Wheel sporting some 160000 LEDs (I read this – did not count them) and putting on a light show. It is interesting to look at for a number of reasons. They’ve programmed in a lot of patterns that it cycles through, some of which are nice, but the most interesting thing to me (and not depicted in my Continue reading ‘Light Thoughts’
I’m back home in Los Angeles now, after four days in Cambridge (UK) trying to pay attention to several interesting talks and meetings while being eight hours out of sync with my sleep. It has been interesting, but it is good to be back and getting on with the business of starting the new semester. I gave my first class of the season yesterday (upper division electromagnetism), and it looks to be a good group of students. I expect we’ll have fun! Additionally, two research meetings with graduate students meant for a nicely balanced first day back.
It’s (of course) 5:18am, and so while I sit here, wide awake, I’ll tell you about something I saw earlier in the week. While wandering around for a bit in Cambridge on Monday, I stumbled across the Corpus Clock and the Chronophage. It’d been mentioned to me about half an hour before by a friend, and I made a mental note to ask about it, but did not realize I’d stumble upon it so easily. Did you hear about it last year? I must confess that all the fuss about it totally passed me by. There’s been a lot of silly stuff said about it, including the usual sensational things about time and so forth, but at the core, the whole thing is quite marvellous. I’ve an old-fashioned streak to me, as you know by now, and so that it is essentially a traditional mechanical clock (despite the presence of LEDs to show the time – they are not controlled electronically, but are on all the time and the mechanical works moves slits to make them appear to go on and off) appeals to me immensely. The whole effect of using modern technology to Continue reading ‘The Chronophage’
I’ve been meaning to tell you more about Michael Pollan. I’ve been planning a post or two about Summer reading, and was going to discuss the books of Michael Pollan to kick off a possible series. That plan was hatched in the late Summer of 2007… then the Fall came, and then the Winter and Spring… then Summer of 2008… never got around to it. Drat. (Checking back, I see that I started the series by talking about Haruki Murakami, here. So I’ll call this part of the series too, even though it is not really Summer.)
Anyway, the good news is that Pollan was on Fresh Air (NPR) yesterday, and as usual he was excellent:
In an open letter to the next president, author Michael Pollan writes about the waning health of America’s food systems — and warns that “the era of cheap and abundant food appears to be drawing to a close.”
The future president’s food policies, says Pollan, will have a large impact on a wide range of issues, including national security, climate change, energy independence and health care.
Here’s the link to the audio. Before you rush off to that, let me continue what I was going to say, at least in brief.
Pollan has risen to prominence, justifiably, mostly as a result of his excellent book “The Omnivore’s Dilemma: A Natural History Of Four Meals”. It is a delightful examination of the food industry, charting the route of much of the food that you eat Continue reading ‘Summer Reading: Fresh Air From Pollan’
Well, another super-busy week has gone by. Work has been crazy, life has been crazy, and so forth. It is so good to be able to sit here for a while on a sunny Saturday morning and reflect. I thought I’d take you with me on some of the reflections.
The Nobel prizes seemed to come up so much faster this year, and go by even more quickly. I’ve not had as much time to contemplate them as I’d have liked. It was certainly really good to see that the physics one was a celebration of some of the key ideas in my field (see here), of course, but I’d have liked to have had more chatter about all of them, as I usually try to do. It is good to learn more about other things – get out of one’s comfort zone. Two years ago while I was departmental colloquium organizer, I set aside one date to be a colloquium where the three science prizes were highlighted – “Who, What, Why?” There’s always going to be local Continue reading ‘Saturday Calm’
The next Categorically Not! is on Sunday September 14th. It’s the start of the new season! The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series – started and run by science writer K. C. Cole – of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (Image on left is of artist and musician Libby Lavella, in her presentation about ambiguity in art and music during the June 8th 2008 event.)
The theme this month is Bubbles. Here’s the description from K C Cole:
When I look at this, it sort of scares me a touch. Just a touch. There’s a memory of the arms – flesh and blood ones – inside them, and there goes a shiver down my spine. But it’s all fine, really. There’s nothing sinister going on, and no horrible subtext lurking at all. What I was doing with my Labo
ur Day holiday was all perfectly innocent. Nobody’s arms – not mine or anyone else’s – were or will be hurt! (I’m rather pleased with the title of the post, I have to say.)
What was I doing?
Feeling smug, and silly at the same time. Some time ago, I stopped bothering to take my ipod anywhere with me, except on long car trips, since it couldn’t really hold much of a charge on its own. In the car, I can power it from the car itself, and then it is a great asset for singing along to (if alone in car of course). On non-car trips, it was mostly just an annoyance. I’d charge it the night before a flight, and by time the plane had leveled off and it was time to order the ginger ale to go with the nuts (or little packets of gravel, depending upon the airline), it would shut down due to a dead battery. If it was a trip on which I’d have my computer with me (not always the case) I could dig out the coupling cable and run it from the computer’s power, but I did not always want to do that. So on most trips I’d just be carrying around this elegant white and silver brick with me, and then bringing it back home.
My pod is one of the third generation pods that had a defective battery. Apple had acknowledged the fault after a class action lawsuit and owners were invited to get their pod battery replaced for free, several years ago now. Of course, I never got to it Continue reading ‘iPod Resurrected’