Arrived at your (Thanksgiving) destination yet? I hope all went well. Now, here’s some exciting news… This year’s Thanksgiving episode of Screen Junkies is another Movie Science special! This means, as usual, that I sat down with presenter Hal Rudnick to talk about some science ideas and portrayal of scientists in the movies.
This time, the film is Arrival. We actually had a great in-depth conversation, and a lot (not all) of it made it to the episode, so have a look. (Most of the episode assumes that you have seen the film since there are a lot of serious spoilers that will take away from the movies intended unfolding as you view… There are mild spoilers in the form of general discussion about the film to start, and then Hal stops and warns you that we’re going deeper into the details.)
The embed is below, and then after that I say a few spoiler-y things to end this post:
Enjoy!
Spoiler-y things:
Some things we discussed that did not make it to the episode include:
(1) We’re much nicer to Jeremy Renner than the cut suggests…! We’re mostly making fun of his more famous characters, not the actor himself!
(2) I go into more detail as to why I think the physicist character is not so good as a contemporary physicist. He should *not* be surprised by the fact that the linguist’s methods are mathematical. Mathematics is the science of patterns, after all, and a large chunk of linguistics’s starting point is about encoding meaning, patterns, and so forth. Why is he so shocked by this?
(3) In addition to the poor choice of downplaying the physical sciences and mathematics in order to play up the linguistics (rather than show that they are *both* key in such a situation), the film starts earlier on with completely unrealistic argument started by the physicist about which field is more important to a civilisation… Only fictional physicists from the mid 20th century can get away which such shocking ignorance of how other fields work and their place in the world. Happily most contemporary physicists I know (or care to spend time with) do *not* go around thinking that physics is the most important thing.
(4) Am I the only one to notice that the aliens (in shape) are kind of a tribute to the Simpsons aliens?!
(5) Yes, I gave Hal a hard time about not having his jacket this time.
-cvj
Hi Mark,
I know about the series Timeless since I gave them a couple of rounds of detailed notes on their pilot episode, some suggestions for general use, and some sketches of possible machinery ideas. I don’t know what they used in the end and did not watch the final results. I declined to be part of their publicity drive since I was too busy over the Summer. Maybe I’ll look in on it at some point – I’m curious to see how the lead was cast and so forth. (Is the character a scientist? This won’t be the first time I’ve done science advising on a series and then someone gets cast as a scientist who reminds people of me…. Hmmmm…..)
I’ll look at Andy’s video soon. Knew about (1) but not (2). Figures…. It looked like there was clearly an editing gap there. (Also explains why the physicist is standing around doing no physics but there’s a board full of physics and he has a whole team we never see doing anything.
-cvj
UCSB astrophysicist and film buff Andy Howell has a half-hour segment of his “Science and Cinema” series on Arrival: http://www.aintitcool.com/node/76811
It includes interviews with all the key people on the film. Big reveals for me: (1) Stephen Wolfram was involved, and (2) a key scene on physics (that follows the original story) was in the script, but got cut.
Hi Clifford,
I completely agree that a film based on literature can and should be reviewed on its own, and I agree with your overall “not bad” assessment of Arrival. My frustration with the film is that I think a few small tweaks could have improved it significantly.
By the way, have you seen the new NBC series Timeless? Pretty cheesy, but British actor Paterson Joseph, in the role of the time-travel project leader, reminds me a lot of you!
Cheers,
Mark
Hi Mark,
Yes, I plan to read it. I did indeed learn from a piece in the Guardian that the story is quite different, particularly in some of the areas I found the film problematic in. As I usually do when asked to comment, I chose to talk about the film on its own merits, and not talk about source material… film and literature are different media with different constraints. But yes, one can certainly question the choices made when making adaptations… Anyway, I’d say that by the standard of big budget SF films, it was not bad (those glaring annoyances aside), but frankly the standard is not high when it comes to such films exploring the themes and ideas to the depths that literature can and has.
Great to hear from you!
-cvj
Clifford, I strongly recommend reading the story the film is based on, “Story of Your Life” by Ted Chiang. It’s one of my all-time favorite SF short stories. I was very disappointed in the film, which has just pale shadows of the themes in the story. Your complaints about the film (all valid!) do not apply to the story …
RT @asymptotia: Arrived at your (Thanksgiving) destination yet? Exciting news – new movie science @screenjunkies episode!… https://t.co/2…
RT @asymptotia: Arrived at your (Thanksgiving) destination yet? Exciting news – new movie science @screenjunkies episode!… https://t.co/2…
Saw an advance Academy screening. Astonishing that the film is about language itself – not sci fi, or aliens. Also about time & memory. Superb film.
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On Arrival… https://t.co/I4ZJoKDPBg via @Asymptotia https://t.co/p1NbHSrj1a
I’m going to wear my mother’s pearls to go to lunch today. Then jumble them up in my briefcase. Really thoughtful interview–and I’m so glad you liked the movie. I want to know more about how speaking another language–and dreaming in another language–might actually alter a person’s brain. I may have to see this film again. After I share this link.
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Looking forward to watching this but waiting to see the movie first (which isn’t here yet!). :/
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I think I’ve maybe said enough about it in this show and several other places… and it wasn’t really very directly relevant to the points I wanted to make.
Fair enough. I guess we’ll agree to disagree. Like you, I encounter that sort of hostility and/or misunderstanding a lot, and I guess, like with other such things, sometimes representing it is important, but one has to choose carefully the time and place to represent it lest it amplify things counterproductively. I think on balance they did a good job containing the issue… I think because it was right alongside (**spoilers**) the aforementioned major error (playing down the other fields to a ridiculous extent in order to focus on linguistics only -when they had time to show (briefly) the role of the others before focusing on her story and linguistics ) it grated a bit. But, to be sure, this is a small blemish on a very good piece of work.
well I think it is fair to represent it, because it is a typical hostility that people encounter whenever they try to work across disciplines, so I actually appreciate it that they do not try to deny it is there… and indeed the movie then gives it a very positive and optimistic resolution, which is also nice
As for the shocking ignorance (and disdain) people have about each other’s fields.. Yes, I know it exists, but I think it is less bad than it used to be and I was a bit horrified about how much of that they felt they needed to play to that trope. So maybe I was overreacting to it, and the false dichotomy they set up right at the beginning between the two characters…. but if the movies can teach us something useful in science for the generations coming in, it should be respect and understanding of the intersection of disciplines… so yeah, I know it exists… since the movie did not really need it I guess I’d rather it had not been emphasised so much….
As for the PS. Yes… I also talk a bit about the playfulness and pushing the core linguistic ideas that they do…It is fun and very welcome, I’d say. Not to mention refreshing…. And such a great tone overall, don’t you think?
Ordering problem here with the comments. Above reply referred to your first set of remarks, not the PS.
I agree. As you’ll see in the video, I encourage and applaud it a lot! The mistake I think made in the film was to completely shut off the rest in support of the one, which is going too far in the opposite extreme to fix the problem of representation of different disciplines.
PS: it seems to me that, from the linguistics perspective, there is an interesting playing on two main (contested) linguistic hypotheses, namely strong linguistics relativism (strong Sapir-Whorf hypothesis) and a linearity hypothesis for the derivations in a generative grammar: it is interesting that the whole plot relies on assuming a strong form of both of these hypotheses. I find that quite cleverly constructed, with a lot of direct hints in the movie directed at whomever knows what they are referring to.
I haven’t watched your video yet (I’m traveling right now) but about the comments you added: (1) physicists (and mathematicians, and often linguists too) are typically very surprised by the idea that one can work in linguistics using tools from mathematics and theoretical physics (said by direct experience), so the movie in that respect is much more realistic than you would like it to be; (2) I don’t see a problem with giving more room to linguistics than to other sciences in the movie: whenever science fiction tried to seriously engage with science it was typically always a combination of physics, astrophysics, and/or biology: for once it is refreshing to see some other sciences being given some room too.
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Surprised Interstellar didn’t come up! Nicely done.
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I really enjoy the Screen Junkies episodes that you’re in! Always entertaining 🙂
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MG – This is what I recorded the day after I saw you…
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Matilde – curious about your thoughts on what we cover…