There was a lovely piece on NPR about Benny Golson yesterday. You can hear the article again, and more audio clips that were not aired, by going to the website here.
I’m a big fan of Golson, not just because of his remarkable range of performing and especially compositional work (even if you don’t listen to jazz, you’ll know a lot of his work on lots of television shows such as MASH, Mission Impossible, etc.), but also because without him, the pyrotechnic young trumpeter Lee Morgan might never have teamed up with Art Blakey in the Jazz Messengers (Golson suggested him to Blakey, so the story goes).
People often don’t seem to know much about Jazz trumpeters beyond Miles Davis or Dizzy Gillespie, so I’m going to digress at this point. There is a line of trumpeters which you should know about, as it forms a huge part of the foundation of pure modern Jazz trumpet playing. Miles and Dizzy, important and influential as they were, form only a medium-sized part of that foundation.
If you have not heard of Lee Morgan, please stop what you are doing right now and go out to the store and buy some of his work. This is an emergency! If you want to be totally blown away by the most audacious, powerful and raw trumpet playing you’ll probably ever hear, get (for example) John Coltrane’s 1957 album Blue Trane. Don’t focus on Coltrane for a change (who is of course transcendent)… Listen to Morgan, and remind yourself as you encounter the intense heat and urgency of his […] Click to continue reading this post →