Henri Poincaré and the Order of the Polynomial
I’m conflicted. I read the first Harry Potter book and decided that while it is a good thing that many people are reading more as a result of them, I could not really recommend it highly as great work because it’s just so derivative. Having grown up reading all those boarding school books J. K. Rowling borrowed from (for example) without adding anything to them much, I was frustrated.
Well, of course, in the scheme of things, it does not matter. Not all things we like have to be Great Works. And I eventually convinced myself that there’s nothing wrong with people (who did not read those works that she’s imitating) discovering the genre for themselves in the pages of her books. Then others told me that the books got better. They got darker, and more grown up (do they approach the excellence and relative originality of the once largely ignored Philip Pullman books I wonder?), and better written, I’ve been told, by people whose opinion I trust. Well, good.
The films came out and they were all very ho-hum and then happily Chris Columbus stopped directing them after the first two and – Wow! They were suddenly really rather good. (The third one was by the wonderful Alfonso Cuarón, so – of course!) (Clickable above right for clarity: Extract from my own attempt to tap into the mania some years back by using characters from the books/films to illustrate the derivation of time dilation in a class on Special Relativity.)
Anyway, I saw the fifth one last night, and I was very impressed with it as a film. Not having read the book, I find myself hoping that there was more to it than the film, since it still seems all rather derivative. There’s a bit of 1984 and a lot of Lord of the Rings mixed in with the Boarding School motif. I suspect that’s all as a result of stripping it down to look for something to hang a film on? I’m going to assume that, since there’s an awful lot of transparent (but entertaining) dark motifs about the […] Click to continue reading this post