In addition to swearing off drawing scenes with lots of windows (at least while I’m doing them), I’ve added crowd scenes*…
This station should have at least double the amount of people in it for the time Click to continue reading this post
Sorry I’ve been quiet for a long stretch recently. I’ve been tied up with travel, physics research, numerous meetings of various sorts (from the standard bean-counting variety to the “here’s three awesome science-y things to put into your movie/TVshow” variety*), and other things, like helping my garden survive this heatwave.
I’ve lost some time on the book, but I’m back on it for a while, and have Click to continue reading this post
(Apparently I spent a lot of time cross-hatching, back in 2010-2012? More on this below. click for larger view.)
I’ve changed locations, have several physics research tasks to work on, and so my usual work flow is not going to be appropriate for the next couple of weeks, so I thought I’d work on a different aspect of the book project. I’m well into the “one full page per day for the rest of the year to stay on target” part of the calendar and there’s good news and bad news. On the good news side, I’ve refined my workflow a lot, and devised new ways of achieving various technical tasks too numerous (and probably boring) to mention, and so I’ve actually got Click to continue reading this post
That is all.
(‘fraid you’ll have to wait for the finished book to learn why those shapes are relevant to the title…)
So, *that* happened… (Click for larger view.)
Anyone else finding this terrifying? A snapshot (click for larger view) from the Guardian’s live results tracker* as of 19:45 PST – see here.
*BTW, I’ve been using their trackers a lot during the presidential primaries, they’re very good.
(Spoiler!! 🙂 )
Talking about gauge invariance took a couple more pages than I planned…
Well, this conversation (for the book) takes place in a (famous) railway station, so it would be neglectful of me to not have people scurrying around and so forth. I can’t do too many of these… takes a long time to draw all that detail, then put in shadows, then paint, etc. Drawing directly on screen saves time (cutting out scanning, adjusting the scan, etc), but still…
This is a screen shot (literally, sort of – I just pointed a camera at it) of a detailed large panel in progress. I got bored doing the Click to continue reading this post
(Well, not really oops… It’s deliberate.) LIGO has announced another gravitational wave detection from a black hole merger! This time the black holes were 14.2 and 7.5 times the mass of the sun, and merged to form a new black hole of mass 20.8 times the mass of our sun, releasing a burst of energy Click to continue reading this post
I realized the other day, while on the train constructing more hands, that in this book I’m saddled with drawing lots of hands – almost more than any other single thing. Why? Well, this is a set of ten separate conversations, and most of the conversations take place when the people involved are sitting together. They’re not moving around so much, not flying or fighting as in an adventure or hero comic (sorry if you’re hoping for that) – they’re relatively still. As you might have observed about people, when they are sitting, they mostly adopt the same one or two poses for long stretches. The changes from moment to moment are not so great, and then they mostly cycle from one position to Click to continue reading this post
Doing a bit of old school inking for part of a page yesterday. Brush, india ink, bristol… brought tears to my eyes*.
*Mostly been digital inking/pencilling these days, sadly… time is of the essence.
Stephanie DeMarco interviewed me a few weeks ago for an article she was writing about the science in the TV show Agent Carter (season two). As you know, I did a lot of work for them on the science, some of which I’ve mentioned here, and we spoke about some of that and a lot of interesting other things besides. Well, her article appeared in Signal to Noise magazine, a publication all about communicating science, and it’s really a nice piece. You can read it here. (The excellent title I used for this post is from her article.)
It is a pity that the show has not been renewed for a third season (I’m trying not Click to continue reading this post
I’m trying to make the characters somewhat expressive, since you, the book’s reader, will be spending a lot of time with them. This means constructing lots of hands doing things. Lots of hands. Hands take time, but are actually rather fun to construct from scratch. I start mine as two or three planes hinged together, and then go from there, subdividing until I’m done.
Many years ago, even before the ground was broken on phase one of the Expo line and arguments were continuing about whether it would ever happen, I started saying that I was looking forward to the days when I could put my pen down, step out of my office, get on the train a minute away, and take it all the way to the beach and finish my computation there. Well, Friday, the first such day arrived. Phase two of the Expo line is now complete and has opened to the public, with newly finished stations from Culver City through Santa Monica. It joins the already running (since April 2012) Expo phase one, which I’ve been using every day to get to campus after changing from the Red line (connecting downtown). (Click any image to enlarge.)
On Friday I happened to accidentally catch the first Expo Line train heading all the way out to Santa Monica! (I mean the first one for the plebs – there had been a celebratory one earlier with the mayor and so forth, I was told). I was not planning to do so and was just doing my routine trip to campus, thinking I’d try the new leg out later (as I did when phase one opened – see here). But there was a cheer when the train pulled up at Metro/7th downtown and the voice over the overhead speakers Click to continue reading this post
Still slowly getting back up to speed (literally) on page production. I’ve made some major tweaks in my desktop workflow (I mostly move back and forth between Photoshop and Illustrator at this stage), and finally have started keeping track of my colours in a more efficient way (using global process colours, etc), which will be useful if I have to do big colour changes later on. My workflow improvement also now includes putting some tasks onto the iPad so that I can even get production effort done on the train twice a day. The unfortunately named app Procreate is a very good drawing program for mobile devices, and it allows me to preserve layer structure and export to photoshop format for reincorporating those results into the main works. I need to keep finding efficiency tweaks like this to make up lost time and finish this book on schedule! In the meantime, the consistency of my basic drawing (the engine room of the whole thing) seems to be coming back on stream… More on that later.