It’s Spring break. For the greater part of the last week, I’ve been in hiding. I’m alone in a quiet town somewhere, getting a good long stretch of work done on the book project for the first time in a long time. For most of each day I’d sit at this tiny table, writing and doing rough layout sketches, glancing out of the window from time to time, listening to music on headphones during the long stretches of concentration*. Yes, and drinking tea and coffee. For lunch I’d […] Click to continue reading this post
Wired has a video piece about the VFX work done on Agent Carter to bring the substance known as “zero matter” to your screens. They very kindly mentioned me, which is a pleasant surprise. There was a lot of conversation early on with the writers, show runners, and the head of VFX (Sheena Duggal), discussing what it might look like, and what kind of aesthetic drivers were in play for the look of the show overall (less ZAP! and more ooze and flow), and what you see on screen is the result of a lot of that conversation. It’s really great to see so much of what we brainstormed make it up on screen. The main physics input I wanted to use as a guide was the idea that this is some sort of special fluid from “elsewhere”, in a very special physical phase (inspired by various super fluids and perfect fluids in actual physics from our world, which I explained a bit about to them…Sheena was also very taken with ferrofluids, which was a very smart design input to use as reference). We also talked a lot about the idea that zero matter manifests itself in different ways depending upon the biology of the host. (See a post I did about other aspects of zero matter here, including the naming of it, and “elsewhere”.)
The amazing company Double Negative played a huge role overall, doing the rendering and bringing all sort of techniques to bear to make it all work. You’ll maybe recognize that name since they were the people who worked with physicist Kip Thorne […] Click to continue reading this post
Yes, I’ve been panelling again, down at the LA Convention Center. It was a fun conversation, moderated by Rick Loverd the Program Director of the Science and Entertainment Exchange, entitled “The Science of Hollywood” as part of the 60th Annual Meeting of the Biophysical Society*. With me were Amy Berg, who is a Film/TV Writer and Executive Producer, Jessica Cail, Professor of Psychopharmacology, Pepperdine University, and Mike Ireland, Senior Vice President, Production, 20th Century Fox.
Despite the title, we were not trying to put observations of, experiments done on, or theories constructed about Hollywood on any firm scientific footing! We did engage in a lot of discussion about the connections we work on between science and Film and TV. We spoke about why we do it, how we try to do it, and […] Click to continue reading this post
This just in. Marvel has posted a video of a chat I did with Agent Carter’s Reggie Austin (Dr. Jason Wilkes) about some of the science I dreamed up to underpin some of the things in the show. In particular, we talk about his intangibility and how it connects to other properties of the Zero Matter that we’d already established in earlier episodes. You can see it embedded below […] Click to continue reading this post
Over on NPR’s 13.7 blog, Barbara J. King reported on what she took away from the panel at Sundance entitled “The Art of Getting Science Right”. The discussants were Ting Wu, Mike Cahill, myself, and Kerry Bishé moderated everything masterfully. (We also were the Sloan Jury, along with Shane Carruth, who was indisposed.) As you know from my writing here, I’ve long been advocating a lot for more focus on portraying the scientific process and the engagement and joy of science over worrying about getting every science detail right. This came up a lot in our conversation, and we […] Click to continue reading this post
Well, I’m back from the Sundance Film Festival, where (as you’ll recall from previous posts) I was serving on a jury for the Alfred P. Sloan Foundation prize for science in feature film. It involved a lot of sitting and watching movies in theaters all over Park City, discussion and deliberation with fellow jurors (and what a wonderful group to hang out with!), and then a public panel discussion about the importance of science in film (and how to do it “right”) and then announcements, questions, photos, more photos, even more photos, press, etc.
As you may know (it is all over the corner of the press that cares about this sort of thing) we awarded the prize to the film “Embrace of the Serpent” (director/writer: Ciro Guerra*), which happens to also be Colombia’s Oscar-nominated entry in the Foreign Language film category. Here was our citation, read out during a reception on Tuesday:
“for its original and provocative portrait of a scientist and a scientific journey into the unknown, and for its unconventional depiction of how different cultures seek to understand nature.”
I recommend seeing the film because there’s excellent […] Click to continue reading this post
Get thinking about your film ideas, the new competition is here!
You can read a bit of background on the competition in this news piece by Robert Perkins.
-cvj Click to continue reading this post
Variety and other such entertainment news sites are abuzz with the news that Sundance has now announced its list of who’s on the various Juries for prizes at the festival this year. As you may know, the Sloan Foundation gives a prize there for science in feature film, and I’ll be on the Jury this year. It should be fun – watching all those films will be a bonus, but I’m most looking forward to talking with Kerry Bishé and Shane Carruth about science/engineering and film. Kerry plays a computer engineer character on AMC’s “Halt and Catch Fire”, and in my view really helps set a new high standard for the level of depth and nuance you can bring to such a character while staying well away from every tedious engineer/scientist character trope that actors usually are expected to bring to […] Click to continue reading this post
It’s nice to be on the front page of the Wall Street Journal this morning when my mum is visiting me. But where does one go to actually buy a newspaper?!
The nice piece, by Erich Schwartzel, is about the work the Science and Entertainment exchange, working with scientists like myself does in the entertainment industry. It opens by reporting on a conversation I was having at that Back to the Future […] Click to continue reading this post
Somewhere near you, some perfectly ordinary people are about to do something wonderful – start a conversation about science… turn their minds to how the world around them works. Isn’t that great? Here’s an iPad rough of an opening splash page of a story with one such conversation*. Listen! – It is about to begin. (Click for larger view.) Pick your city/street/people…
[…] Click to continue reading this post
(Click for larger view.) Well, I’ve already mentioned why today is such an important day in the history of human thought – One Hundred years of Certitude was the title of the post I used, in talking about the 100th Anniversary (today) of Einstein completing the final equations of General Relativity – and our celebration of it back last Friday went very well indeed. Today on NPR Adam Frank did an excellent job expanding on things a bit, so have a listen here if you like.
As you might recall me saying, I was keen to note and celebrate not just what GR means for science, but for the broader culture too, and two of the highlights of the day were examples of that. The photo above is of Kip Thorne talking about the science (solid General Relativity coupled with some speculative ideas rooted in General Relativity) of the film Interstellar, which as you know […] Click to continue reading this post
Since the early Summer I’ve been working (with the help of several people at USC*) toward a big event next Friday: A celebration of 100 years since Einstein formulated the field equations of General Relativity, a theory which is one of the top one or few (depending upon who you argue with over beers about this) scientific achievements in the history of human thought. The event is a collaboration between the USC Harman Academy of Polymathic Study and the LAIH, which I co-direct. I chose the title of this post since (putting aside the obvious desire to resonate with a certain great work of literature) this remarkable scientific framework has proven to be a remarkably robust and accurate model of how our universe’s gravity actually works in every area it has been tested with experiment and observation**. Despite being all about bizarre things like warped spacetime, slowing down time, and so forth, which most people think is to do only with science fiction. (And yes, you probably test it every day through your […] Click to continue reading this post
Ok, So I’ve finished prepping my presentation of detailed recipes for how to make time machines. (Sorry, but it does not involve any of the elements depicted in the sketch above.) It is for a special event tonight celebrating the fact that this is the day Marty McFly came forward in time to in Back to the Future II. The question is: Should I really be telling people how to do this? Yikes. 😉
Ok, time to get into my flying car and head off to teach…
-cvj Click to continue reading this post
More adventures in communicating the awesomeness of physics! Yesterday I spent a gruelling seven hours in the sun talking about the development of various ideas in physics over the centuries for a new show (to air next year) on PBS. Interestingly, we did all of this at a spot that, in less dry times, would have been underwater. It was up at lake Piru, which, due to the drought, is far below capacity. You can see this by going to google maps, looking at the representation of its shape on the map, and then clicking the satellite picture overlay to see the much changed (and reduced) shape in recent times.
There’s an impressive dam at one end of the lake/reservoir, and I will admit that I did not resist the temptation to pull over, look at a nice view of it from the road on the way home, and say out loud “daaayuum”. An offering to the god Pun, you see.
Turns out that there’s a wide range of wildlife, large and small, trudging around on the […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post