I realized the other day, while on the train constructing more hands, that in this book I’m saddled with drawing lots of hands – almost more than any other single thing. Why? Well, this is a set of ten separate conversations, and most of the conversations take place when the people involved are sitting together. They’re not moving around so much, not flying or fighting as in an adventure or hero comic (sorry if you’re hoping for that) – they’re relatively still. As you might have observed about people, when they are sitting, they mostly adopt the same one or two poses for long stretches. The changes from moment to moment are not so great, and then they mostly cycle from one position to […] Click to continue reading this post
This month’s issue of Physics Today has a review that I wrote of the book “Quantum Field Theory for the Gifted Amateur”, by Tom Lancaster and Stephen J. Blundell. I took the opportunity to give a broader view (albeit brief, given the word limit) of the landscape of books on that subject and how it has changed a lot, in a way that I think reflects some excellent changes in formal theory brought about by (at least in part) research into the many topics pulled together under the broad umbrella of string theory. As you might know from reading here and elsewhere, I’ve long been pushing for the increased application of the ideas and techniques of string theory to other areas of physics, and it has become quite the thing these days, I’m happy to see. Such research has resulted in the blurring of the […] Click to continue reading this post
I’m not going to lie. If you’re not in the mood, thumbnailing can be the most utterly tedious thing: (click for larger view)
Yet, as the key precursor to getting more detailed page layout right, and […] Click to continue reading this post
(Click sketch for larger view.) I was only able to make it to one scheduled event in the LA Times Festival of Books this year. (Family constraints.) Normally I go to a few at least, getting my tickets for the panels in advance and going along and listening to authors, writers, editors, and other book-related people having a discussion about some topic or other. If I’m honest, for about 80-85% of such panels or interviews I come away wondering why on earth I went because everyone said the standard things I thought they’d say. But that 10-15% can be great, and you never know where it’ll show up – which event, which writer, during which Q&A… So for that reason I come expecting to get good extra value from listening to the conversations around me in the line and in the audience, and of I course bring my sketchpad and try to see if there’s someone interesting to sketch while I listen.
As usual, for panels involving graphic books or comics, there’s almost always someone in the audience who is working on a sketch of some sort. People who appreciate that form often find value in sketching and often do it (or some sort of doodle) themselves as a pastime, and that’s a great thing. If I’m not the only one and if I’m sitting at the right angle, I often get the fun opportunity to sketch a sketcher, and that is what happened during the interview of Scott McCloud on […] Click to continue reading this post
It’s Spring break. For the greater part of the last week, I’ve been in hiding. I’m alone in a quiet town somewhere, getting a good long stretch of work done on the book project for the first time in a long time. For most of each day I’d sit at this tiny table, writing and doing rough layout sketches, glancing out of the window from time to time, listening to music on headphones during the long stretches of concentration*. Yes, and drinking tea and coffee. For lunch I’d […] Click to continue reading this post
After all these years, I still have that little pain inside about what I think is one of the greatest missed opportunities (nay, crimes) in the history of film: that Guillermo del Toro did not get to direct the Hobbit due to all the delays in New Zealand over strikes (if I recall correctly), and so after two years of development he (and all his staff) packed up and moved on with their lives…. leaving Peter Jackson to take over the reins. That pain is right there next to those three jabbing pains inside that still feel a bit raw every time I get a reminder about how the films actually turned out overall. Just seeing a poster can set me off. (There are of course some nice set pieces in them here and there, but memory of them is rapidly erased by the overall wrong tone, silliness, and pandering to the need for pointless action sequences at the expense of common sense.) It’s old news now, but it still really hurts.
And it is nothing to do with the fact that […] Click to continue reading this post
The last couple of weeks have seen me fiddling with another important task for the book: rethinking the page dimensions. This gets me into things like crop points, safe areas, bleeds, and so forth. It is sort of crucial that I worry about this now and not later because for the kind of book I am working on, every single page is a unique self contained entity that must be designed individually, while at the same time each page still depends on all the other pages to be just right. So a change in page dimensions is a huge deal in the process. This is not like writing large blocks of prose in the form of chapters and paragraphs, where the page dimensions are less crucial since your words will just flow and re-flow automatically to adjust to the new shape of container (the page), newly spilling over to the next page if need be. Instead, graphic elements -the drawings- all must work together on a number of different levels on the page, their relative positioning being crucial, and any text that is present must also respect that layout… In fact, text is really just another graphic element on the page, and is not as malleable as it is in a prose book.
(Random sample from a story I’ve just completed the roughs for in the new dimensions. You can see the red guide lines I work to to make sure that the page comes out fine at the printer, the inner being the “safe area” beyond which you don’t put any crucial elements like text in case they are cut off. The outer is the line where the page should end. Some of my pages have “bleeds” which means the art will flow all the way past that outer line so that when cropped that part of the page is covered entirely with art instead of it stopping due to a panel border…)
I say all this because it is an issue close to my heart right now. Back when I did all the art for the prototype story (some years ago now), and right up to last year, I did not yet have a publisher for the book, so therefore of course no idea what the final page dimensions might be. Different publishers have different favourites, print capabilities, and so forth. So I made the best decision […] Click to continue reading this post
I ran across two excellent Dune-related items in the last fews weeks, and since it is the 50th Anniversary of Frank Herbert’s book “Dune”, I thought I’d share them with you.
The first is on the really excellent website called Pornokitsch, which I’m delighted to introduce you to if you’ve not encountered it before. (Don’t worry about the name – they chose it ironically.) Bookmark it and repeatedly return for more. This piece on Dune was about the David Lynch film, really (and not too much about the book), which is always great to discuss with people since it inspires intense love and hate in people… sometimes both in the same person. I find it a decidedly flawed film with so many delightful charming oddities that I can’t help but enjoy it. A number of regulars weigh in […] Click to continue reading this post
Dear visitor who came here (perhaps) after visiting the panel I participated in on Saturday at the LA Times Festival of Books. (“Grasping the Ineffable: On Science and Health”) What a fun discussion! Pity we ran out of time before we really began to explore connections, perhaps inspired by more audience questions.
In any event, in case you wondered why I was not signing books at the end at the designated signing area, I thought I’d write this note. I was given the option to do so, but the book that I currently have out is a specialist monograph, and I did not think there’s be much demand for it at a general festival such as the one on the weekend. (Feel free to pick up a copy if you wish, though. It is called “D-Branes”, and it is here.)
The book I actually mentioned during the panel, since it is indeed among my current attempts to grasp the “ineffable” of the panel title, is a work in progress. (Hence my variant of the “under construction” sign on the right.) It is a graphic book (working title “The Dialogues”) pitched at a general audience that explores a lot of contemporary physics topics in an unusual way. It is scheduled for publication in 2017 by Imperial College Press. You can find out much more about it here.
Feel free to visit this blog for updates on how the book progresses, and of course lots of other topics and conversations too (which you are welcome to join).
-cvj Click to continue reading this post
Love this picture posted by USC’s Facebook page*. (I really hope that we did not go over the heads of our – very patient** – audience during the Festival of Books panel…)
*They don’t give a photo credit, so I’m pointing you back to the posting here until I work it out.
[…] Click to continue reading this post
Don’t forget that this weekend is the fantastic LA Times Festival of Books! See my earlier post. Actually, I’ll be on a panel at 3:00pm in Wallis Annenberg Hall entitled “Grasping the Ineffable: On Science and Health”, with Pat Levitt and Elyn Saks, chaired by the Science writer KC Cole. I’ve no idea where the conversation is going to go, but I hope it’ll be fun and interesting! (See the whole schedule here.)
Maybe see you there!
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(Click for larger view of 2010 Festival “What are you reading?” wall.)
So the Festival of Books is 18-19th April this year. If you’re in or near LA, I hope you’re going! It’s free, it’s huge (the largest book festival in the USA) and also huge fun! They’ve announced the schedule of events and the dates on which you can snag (free) tickets for various indoor panels and appearances since they are very popular, as usual. So check out the panels, appearances, and performances here. (Check out several of my past posts on the Festival here. Note also that the festival is on the USC campus which is easy to get to using great public transport links if you don’t want to deal with traffic and parking.)
Note also that the shortlist for the 2014 LA Times Book Prizes was announced (a while back – I forgot to post about it) and it is here. I always find it interesting… for a start, it is a great list of reading suggestions!
By the way, apparently I’m officially an author – not just a guy who writes from time to time – an author. Why? Well, I’m listed as one on the schedule site. I’ll be on one of the author panels! It is moderated by KC Cole, and I’ll be joining […] Click to continue reading this post
(Click for larger view.)
On Friday 6th March the Los Angeles Institute for the Humanities (LAIH) was delighted to have our luncheon talk given by LAIH Fellow Jack Miles. He told us some of the story behind (and the making of) the Norton Anthology of World Religions – he is the main editor of this massive work – and lots of the ins and outs of how you go about undertaking such an enterprise. It was fascinating to hear how the various religions were chosen, for example, and how he selected and recruited specialist editors for each of the religions. It was an excellent talk, made all the more enjoyable by having Jack’s quiet and […] Click to continue reading this post
Rough layout design. Text suppressed because… spoilers. Feel free to supply your own dialogue… share it here if you like!
(Click image for larger view.) In case you’re wondering, I’m trying here and there to find a bit of time to do a bit of rough (but less rough than last pass) layout design for the book. Sample above. This helps me check that all the flow, layout, pace, and transitions are […] Click to continue reading this post
(In which I talk about script work on the graphic book, and a useful writer’s tool for you writers out there of all kinds.)
I’ve been easing my brain back into thinking regularly about the book project and getting momentum on it again. [As you recall, I’ve been distracted by family things, and before that, focussed on finding a publisher for it.) The momentum part is not easy because… newborn. (I’ve been saying that a lot: “because …newborn.” I am tempted to make a (drool-covered) t-shirt with that as a slogan, but the trouble with that idea is that I do not wear t-shirts with things written on them if I can help it. Uh-huh, I’m weird.] My plan is to finish writing the scripts for the book, including storyboarding/thumbnailing the whole thing out to get the page designs right. In essence, flesh out the book with enough of the main stuff of it so that I can then work on tinkering with structure, etc. This involves not just moving words around as you would a prose book, but planning how the words work on the page in concert with the drawings. I’ve often done this by just scribbling in a notebook, but ultimately one wants to be able to have everything in a form one can refer to easily, revise, cut and paste, etc. That’s where this marvellous tool called a computer comes in. A lot of writers in comics use the same sorts of software that is used for plays or screenplays (Final Draft and the like). People have even written comics script templates for such programs. They allow for page descriptions, panel descriptions, etc.
(At this point I should acknowledge that the typical reader probably did not know that comics and graphic books had scripts. Well, they do. There’s a lot more to say about that, but I won’t do that here. Google it.)
Over the years I’ve been slowly putting my scribblings into a piece of software […] Click to continue reading this post