The Red Shoes…

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Well, this conversation (for the book) takes place in a (famous) railway station, so it would be neglectful of me to not have people scurrying around and so forth. I can’t do too many of these… takes a long time to draw all that detail, then put in shadows, then paint, etc. Drawing directly on screen saves time (cutting out scanning, adjusting the scan, etc), but still…

This is a screen shot (literally, sort of – I just pointed a camera at it) of a detailed large panel in progress. I got bored doing the […] Click to continue reading this post

More Hands…

panel_sample_handsI realized the other day, while on the train constructing more hands, that in this book I’m saddled with drawing lots of hands – almost more than any other single thing. Why? Well, this is a set of ten separate conversations, and most of the conversations take place when the people involved are sitting together. They’re not moving around so much, not flying or fighting as in an adventure or hero comic (sorry if you’re hoping for that) – they’re relatively still. As you might have observed about people, when they are sitting, they mostly adopt the same one or two poses for long stretches. The changes from moment to moment are not so great, and then they mostly cycle from one position to […] Click to continue reading this post

Gestures

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I’m trying to make the characters somewhat expressive, since you, the book’s reader, will be spending a lot of time with them. This means constructing lots of hands doing things. Lots of hands. Hands take time, but are actually rather fun to construct from scratch. I start mine as two or three planes hinged together, and then go from there, subdividing until I’m done.

-cvj Click to continue reading this post

Gut Feeling…

gut_feeling_sampleStill slowly getting back up to speed (literally) on page production. I’ve made some major tweaks in my desktop workflow (I mostly move back and forth between Photoshop and Illustrator at this stage), and finally have started keeping track of my colours in a more efficient way (using global process colours, etc), which will be useful if I have to do big colour changes later on. My workflow improvement also now includes […] Click to continue reading this post

Close Encounter?

…of the physics kind.

rough_panel_11_may_2016

Ok, I’ll share a bit during my lunch break from spending too much time doing detail in a tiny panel few will linger on. (Perils of a detail-freak….) It’s a rough underdrawing I did this morning for a panel I’m now turning into final art (the black stuff is the start of final lines). That’s the character you saw a turnaround for earlier, busy at work in a cafe when… (To be continued…)

-cvj
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Egon, Pablo, Vincent

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Preparing a little montage of Schiele, Picasso, and Van Gogh, made of postcards gathered from museums in Vienna (the Leopold), Madrid (the Reina Sofia), and Amsterdam (the Van Gogh). Sadly, I’m leaving out the one on the far left (a example of Schiele’s excellently angular depiction of the human figure) since this is for my office on campus, and, well… I do my biennial mandatory harassment training, and will err on the side of caution to avoid offense, lawsuits, possibly both.

-cvj Click to continue reading this post

Best Jury Duty Ever!

embrace_of_the_serpent_ceremonyWell, I’m back from the Sundance Film Festival, where (as you’ll recall from previous posts) I was serving on a jury for the Alfred P. Sloan Foundation prize for science in feature film. It involved a lot of sitting and watching movies in theaters all over Park City, discussion and deliberation with fellow jurors (and what a wonderful group to hang out with!), and then a public panel discussion about the importance of science in film (and how to do it “right”) and then announcements, questions, photos, more photos, even more photos, press, etc.

As you may know (it is all over the corner of the press that cares about this sort of thing) we awarded the prize to the film “Embrace of the Serpent” (director/writer: Ciro Guerra*), which happens to also be Colombia’s Oscar-nominated entry in the Foreign Language film category. Here was our citation, read out during a reception on Tuesday:

“for its original and provocative portrait of a scientist and a scientific journey into the unknown, and for its unconventional depiction of how different cultures seek to understand nature.”

I recommend seeing the film because there’s excellent […] Click to continue reading this post