New Style…

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Style change. For a story-within-a-story in the book, I’m changing styles, going to a looser, more cartoony style, which sort of fits tonally with the subject matter in the story. The other day on the subway I designed the characters in that style, and I share them with you here. It’s lots of fun to draw in this looser […] Click to continue reading this post

All Aboard…!

The other day, quite recently, I clicked “place your order” on… a toy New York MTA bus. I can’t pretend it was for the youngster of the house, it was for me. No, it is not a mid-life crisis (heh… I’m sure others might differ on this point), and I will happily declare that it is not out of nostalgia for my time in the city, especially back in the 90s.

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It’s for the book. I’ve an entire story set on a bus in Manhattan and I neglected to location scout a bus when I was last there. I figured I could work from tourist photos and so forth. Turns out that you don’t get many good tourist photos of MTA bus interiors, and not the angles I want. Then I discovered various online bus-loving subcultures that go through all the details of every model of NYC bus, with endless shots of the buses in different parts of the city… but still not many good interiors and no good overheads and so forth. (See Transittalk, for example – I now know way more about buses in New york than I ever thought I’d want to know.) Then I accidentally had an Amazon link show up in my […] Click to continue reading this post

But Does That Really Happen…?

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Sorry I’ve been quiet for a long stretch recently. I’ve been tied up with travel, physics research, numerous meetings of various sorts (from the standard bean-counting variety to the “here’s three awesome science-y things to put into your movie/TVshow” variety*), and other things, like helping my garden survive this heatwave.

I’ve lost some time on the book, but I’m back on it for a while, and have […] Click to continue reading this post

Kill Your Darlings…

dialogues_process_share_7-7-16(Apparently I spent a lot of time cross-hatching, back in 2010-2012? More on this below. click for larger view.)

I’ve changed locations, have several physics research tasks to work on, and so my usual work flow is not going to be appropriate for the next couple of weeks, so I thought I’d work on a different aspect of the book project. I’m well into the “one full page per day for the rest of the year to stay on target” part of the calendar and there’s good news and bad news. On the good news side, I’ve refined my workflow a lot, and devised new ways of achieving various technical tasks too numerous (and probably boring) to mention, and so I’ve actually got […] Click to continue reading this post

The Red Shoes…

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Well, this conversation (for the book) takes place in a (famous) railway station, so it would be neglectful of me to not have people scurrying around and so forth. I can’t do too many of these… takes a long time to draw all that detail, then put in shadows, then paint, etc. Drawing directly on screen saves time (cutting out scanning, adjusting the scan, etc), but still…

This is a screen shot (literally, sort of – I just pointed a camera at it) of a detailed large panel in progress. I got bored doing the […] Click to continue reading this post

More Hands…

panel_sample_handsI realized the other day, while on the train constructing more hands, that in this book I’m saddled with drawing lots of hands – almost more than any other single thing. Why? Well, this is a set of ten separate conversations, and most of the conversations take place when the people involved are sitting together. They’re not moving around so much, not flying or fighting as in an adventure or hero comic (sorry if you’re hoping for that) – they’re relatively still. As you might have observed about people, when they are sitting, they mostly adopt the same one or two poses for long stretches. The changes from moment to moment are not so great, and then they mostly cycle from one position to […] Click to continue reading this post

Gestures

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I’m trying to make the characters somewhat expressive, since you, the book’s reader, will be spending a lot of time with them. This means constructing lots of hands doing things. Lots of hands. Hands take time, but are actually rather fun to construct from scratch. I start mine as two or three planes hinged together, and then go from there, subdividing until I’m done.

-cvj Click to continue reading this post

Gut Feeling…

gut_feeling_sampleStill slowly getting back up to speed (literally) on page production. I’ve made some major tweaks in my desktop workflow (I mostly move back and forth between Photoshop and Illustrator at this stage), and finally have started keeping track of my colours in a more efficient way (using global process colours, etc), which will be useful if I have to do big colour changes later on. My workflow improvement also now includes […] Click to continue reading this post

Close Encounter?

…of the physics kind.

rough_panel_11_may_2016

Ok, I’ll share a bit during my lunch break from spending too much time doing detail in a tiny panel few will linger on. (Perils of a detail-freak….) It’s a rough underdrawing I did this morning for a panel I’m now turning into final art (the black stuff is the start of final lines). That’s the character you saw a turnaround for earlier, busy at work in a cafe when… (To be continued…)

-cvj
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