Asymptotia

One of the things I am very happy with from my recent explorations in Vienna was my proper discovery of Egon Schiele. Somehow he’d not been on my radar before, and while I enjoyed looking at lots of rock-star famous excellent work by Gustav Klimt, it was Schiele who, out of the two, really captivated me on this trip. (More on another artist later.) So as to not startle you while eating your morning wheaties, I’ll spare you one or two of my favourite drawings/paintings of his that spring most immediately to mind, and instead show you the one on the right, which is very striking (Kneeling female in orange-red dress, 1910). He seems to have had a thing for orange/red, I’ve noticed. Or maybe it is I who notice it a lot in his work. I mostly love that many of his paintings are very much like line drawings with colour added, and since his line drawing work is Continue reading ‘Schiele Surprise’

Back in Los Angeles, things at home started on a rather pleasant note. I went out into the garden and picked four nice ripe figs off one of the trees, still warm from the sunlight. (Hmmmm… My nemesis, Fluffy, must be napping. Or planning something very subtle.) You can see three of them in my hand to the left. A fourth did not survive the wait period while I got my camera out of my luggage.

Sunday in Vienna was as interesting as Saturday, with more outdoor components than indoors since it was a lovely day, weather-wise. I wandered the city streets a lot, and spent a fair amount of time getting a feel for them, occasionally hopping on the subway (U-bahn) or a tram to nip over large distances, or to rest my feet. Other rest stops involved cafes for a beer, or a cup of tea, and a bit of people watching, reading, or other pleasant sitting activity.

Like Saturday, I saw a lot of art on Sunday, focusing again on Austrian artists primarily, and learning about the Secession movement in particular, and several of the characters associated with it. Fascinating.

I’ll do a post or two more on Vienna later on, I hope.

I left the city in the evening, heading for a brief stop in London before setting my sights on Los Angeles on Monday. Found myself in the amusing position of watching Continue reading ‘New Bounty, and Homeward Bound’

I gave my seminar at the workshop yesterday and said goodbye to friends old and new, colleagues, staff, and so on. Today is a hello to tourist mode, with me exploring aspects of Vienna. It is raining today, so it is a good thing that I’d planned to spend a lot of time looking at art indoors.

I’m resting in the cafe at MUMOK (Museum Moderner Kunst), between bouts of exploration of the exhibits. There’s a modern art and modern science (together, and of course modern means early 20th Century) exhibit on the upper floors. They have the usual chatter Continue reading ‘Outshine’

As I’ve mentioned before, I listen online to Radio 4, one of the BBC radio stations I love for its variety, breadth and depth of programming. Between it and NPR affiliate KPCC, my day is usually rather full of (spoken-word) radio of a wide variety. I’ve noticed that Radio 4 has been doing a programme called “A History of the World in 100 Objects”. The Director of the British Museum does a 15 minute programme on each of 100 objects and talks about aspects of its historical significance. (If you think you don’t like history (maybe bad experiences in school or something like that) this might be a great way back into the subject for you. Not liking a subject is usually, I find, an issue with how it was presented to you and not with the subject itself.) It’s a lovely way of quickly plugging into aspects of world culture in interesting ways, and rather reminds me of the short series that we had here at USC in the College Commons called The Cultural Life of Objects, organized by my colleagues Anne Porter and Ann Marie Yasin. (See also the Collections event, and my post about it.)

The BBC series is about half way now, and it has been quite wonderful. I strongly recommend it to you. Here’s the marvellous thing: The entire series can be podcast Continue reading ‘A Treasure Trove!’

Some time back I wrote a post concerning E.Coli, and illustrated it with an image that I found on the web. The other day I learned more about the actual source of the image. The painting (click on image to enlarge) was from someone working under the name shardcore, and you can visit their site here. Notably, there are several pieces of work there, and a number of them are of science subjects, and scientists. Shardcore writes interesting notes for some of the work too.

The work is overall quite fascinating, striking, and often very aesthetically engaging. I recommend having a good long look around. To tease you to go there, let me point out a (topical) one for some of us with eyes on the LHC. A painting of Peter Higgs:

Continue reading ‘Art and Science’

The next in the Categorically Not! series the series of events is tomorrow, Sunday 18th April. It is, as usual, held at the Santa Monica Art Studios. It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (At the right is an image of a beautiful sculpture by artist Yossi Govrin, who is on this week’s program.)

The theme this month is Imagine. Here’s the description from K. C. Cole:

Continue reading ‘Categorically Not! - Imagine’

Over at Wongablog, Andrew points to a post he did over at Humanist Life in which he reviews “Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science”, by Richard Holmes. This is one of my favourite topics, and it is certainly a book I’m planning to read, although I have not done so yet.

Andrew writes thoughtfully on the book and the matter in general, and so I’ll leave you to wander over there and have a read of it. To tempt you, an extended (I hope Andrew does not mind) extract:

Continue reading ‘Wonder’

Gran elefante erguido, by Miquel Barceló. (Click for larger views.)

Sometimes a 7m tall upside down bronze elephant is exactly what one needs to see Continue reading ‘New Views’

A brief report from the road. My wanderings took me to Toledo. The one half an hour on the train from Madrid (Spain), not the one in Ohio. It actually reminds me a lot of Durham, in England, where I lived and worked for three years. I’ll leave you to look a bit at their geography, strategic history, and so forth, to see why. You can start by glancing at the maps I clipped for you for clues.

I enjoyed it quite a bit, although I shall have to go again to explore more thoroughly. Continue reading ‘Road Report’

My Walkabout finds me in Madrid for a little while, and I find myself reporting joyfully on rain, once again. Not because it has been raining an unusual amount here, but because of a production I went to the other night. It was primarily a dance event, celebrating and dramatizing the work of poet Frederico Garcia Lorca during his time in New York in the 1920s. The choreography was by (I’ve forgotten… will find ticket and update shortly) [update: Blanca Li. Title: ¨Poeta en Nueva York¨] with flamenco as the primary form, mixed with several other dance traditions. There was a lot of good and enjoyable work to see, but I’ll admit to being blown away by the theatre’s (and associated production staff’s) ability to suddenly create a rainstorm on the stage, and sustain it for a prolonged period while one of the dances (using the water, as you can see) used it to great and stunning effect. I had to sneak a (no flash and no disturbing of neighbours of course) photo for you. Click for larger view.

A bit like the first time you saw Jurassic Park back when it was first released and utterly groundbreaking visually, I (and maybe you?) spent time thinking, “this is amazing!”, “how did they pull off this illusion?”, before concluding that maybe the Continue reading ‘Waterfall’

So yes, the Categorically Not! series was a bit thin on the ground in the last several months. I think KC was a bit busy travelling to tell people about her Frank Oppenheimer book.

Well, it is back on the calendar, and I probably should have mentioned it earlier, but the next one is tomorrow, so I thought I’d remind you. Remember that the series of events is held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events.

The theme this month is Grand Challenges!. Here’s the description from K. C. Cole:

Continue reading ‘Categorically Not! - Grand Challenges!’

Today I’ve got to give a guest lecture in a class of KC Cole’s at USC’s Annenberg School. I’m supposed to talk on the theme of Art and Science. I’ll cover a number of aspects, I expect (have not written it yet), but it put me in mind of two posts I did a while back on the subject. One was over at Correlations (remember that?) and the other, called Transcendence, was here. I thought I’d reproduce some of the Correlations post, called Essence, here. The back story was that I was working up a contribution to SEED magazine (the December 2007 issue I think) which was doing a cover story on Science and Art, and… well, I’ll let the 2007 me tell you the rest:

While working on the contribution, I was hugely conflicted, for many reasons (variety of themes, variety of pieces, art forms, only 100 words, etc…) and another major theme struggled for dominance - “essence”. How both science and art strive to identify the essential truth about a subject. My original contribution that I submitted to the editors to get their feedback on whether I was on the right track for what they were looking for therefore had a bit more of this in it, and referred to two pieces of art (I eventually chose one and focussed on developing and rewriting around that, using the “transcendence” theme). The piece I used that did I did not use for the final article is perfect for illustrating the “essence” theme, and so to provoke some thoughts in you [...] I include it here, along with some fragments of the paragraphs I was playing with at the time:

Continue reading ‘Essence’

This is exciting! Today I decided to explore the new extension of the Gold line for a little while. There’s something deeply satisfying about seeing a prominent public works project of such obvious value to the community finish the construction phase and begin regular service. I was away in Europe at the opening of it in mid-November and so today was my personal little inauguration ceremony. It runs South and then East from downtown’s Union Station to Boyle Heights and East Los Angeles. Yes, you can take it all the way from Pasadena to East LA without changing trains (and similarly in the other direction) and so there’s an incentive to explore. (I’m hoping this will motivate some of the people I know in Pasadena who rarely leave it to actually get out and explore Los Angeles for real…)

I wandered the streets a little bit at one or two of the stops and of course I also sat on the trains looking out of the window and at the people around me. As with many Continue reading ‘Gone East, Looking West’

“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.”

Do you know who said that? I’ll break the post here to give you a moment to think about it. I’m not going to ask for the answer in the comments since you have Google on your side, but you can, if you like, share in the comments whether you knew or guessed it right before you moved to the rest of the post below to learn the answer. (Image above is an illustration by Walter Crane for ‘Snow White’ (1882).) Continuing…
Continue reading ‘On Art, Fairy Tales, and Creativity’

I spent an astonishing stretch of time in the Prado on Saturday, in an operation that experience and aesthetics have taught me to pace properly. I pick a particular artist or cluster of artists and focus on them for an hour or ninety minutes (visiting the parts of the museum that are relevant to them, not focusing on anything else, more or less), then I find the cafe, get a cup of coffee and a tasty, and relax for a bit, glowing from the experience. Then I plan the next pieces of the museum I will visit next and begin my focus on that part. The temptation with a museum the size and complexity of the Prado, with the remarkable depth it has in its collections, is just to show up and try and see everything in whatever order you find them. This results in confusion, superficiality, and major headache and backache, at least for me. I’m happy to go in and see a subset of what is there really properly and in context rather than just “see stuff”.

So of course I mostly focused on Spanish painters - several of the masters before the 20th Century - and later, other masters who perhaps were creating work in a Spanish context of some kind, and later, particular masters who happen to have examples of some of their great work housed in the Prado, whether there be a Spanish context or not, of which there are several such examples.

The collection is amazing. About 1/3 of my time was spent on Goya, in fact. (I wisely Continue reading ‘So Much To Do…’

I had a lot of time to kill in Philadelphia’s International Airport on Sunday (I was changing planes), and I must say that is not a bad airport in which to be in such a situation. I like the city a lot, and so am not surprised that its main airport is to my liking. First of all, who can not like an airport that supplies you with… (you’re expecting free wireless, and they had that, sure, but no, I mean)… with… Rocking Chairs!!!

I saw some excellent art as well. And lots of displays of various types. I’ll share a couple more in a post or two, but look at some of the pieces I snapped pictures of for you. They are done with packing tape! Yes, packing tape. That brown thin stuff you know well… It was part of a series of scenes from noir films, rendered in this way. Very effective indeed, I felt. The series name is “Tape Noir”.

Continue reading ‘Tape Noir’

As you know (maybe), for environmental (both local and global) and other reasons I’m not a fan of routine unnecessary car trips, and so I walk, bike, and use public transport a lot. My car is mostly only used on the weekend. This sort of declaration usually results in blank stares, subsequent treatment as a leper (or worse, in many LA circles, - poor!!), serious inquiries as to whether I was convicted of DUI, comments that this is impossible in LA, admissions from locals who’ve lived here for umpteen years that they’d no idea that there was a subway (that has changed slightly in the last few years… now at least they know, but typically they’ve no idea where the stops are), and so on and so forth. I will admit to getting annoyed when I see announcements for events and locations that go to lots of trouble to give driving and parking instructions and never mention the subway stop or bus lines that might work for some as well. (Right: Artist Melba Thorn, photo by Diane Meyer for an exhibition on the issue, to be discussed below. Ironically, (at the time of writing) the exhibiting gallery also only gives driving and parking directions on their site. Isn’t that rich?)

Anyway…. you know all this from reading the blog. Check the archives for posts and discussions on a variety of aspects. Here’s part of the executive summary of my main point, and then information about a new exhibit follows after:

Continue reading ‘They Couldn’t Car Less’

You might remember a post I did back in January from Cambridge (the one in England), mentioning what I was up to on that quick trip.

It was a board meeting of the Institute for Complex Adaptive Matter (ICAM), and I said, among other things:

ICAM has a great deal of interest in outreach -communicating science to the general public- and education, and this is one of the reasons I’ve been added to the board, since I’ve some experience and ideas to share in an advisory role. I’ll be giving a talk about some of these things using some projects of mine as examples (ASTI, blogging, etc). They’ve already been doing wonderful things in education and outreach, and have made it a priority to make it a major part of future activity. [...]

I mentioned that one of the projects under development was their site called Emergent Universe, which promised to be rather fantastic to explore. It was under development at the time, and we (the board) spent some time at the meeting commenting on and making suggestions for its improvement. Well, it is finished, and boy it looks great! Suzi Tucker and her team should be immensely proud of their accomplishment.

There’s so much material there, beautifully presented (a still taken from it is Continue reading ‘Emergence’

Well that was fun! I’m sitting on the bus on the way home [editorial note: I wrote most of this on Thursday afternoon], with the memory of the College Commons event that I just went to still fresh in my mind. (That and the tasty food at the end of the event.)

This event (”Discovering the World: Collections, Curiosity and Evolution”) was all about collecting and collections, from the institutional collections we have in our society today such as museums and libraries, through the “cabinets of curiosity” of earlier centuries, to the sort of obsessive collections of random stuff that sort of becomes a disease (I mentally glance over at the shelves, piles, and boxes of old New Yorkers in my house; I’ve not been able to throw away a single one since I started subscribing in the early 90s. Yes, I know, I know… I know.)

So many of these types of collections (and the resulting books and compendia which they themselves become the objects of collections and subjects of books and so on and so forth) formed the foundations of the culture, the raw material for scientific study, the inspiration for more collections and for more study, and so on…. So the event used that as a basis and dug out some wonderful articles for us to look and marvel at. The digging was done at USC’s own splendid Doheny library (original Audubon volumes, Cook’s journals, etc) the Huntington library (several illustrated tomes of natural history and an actual plate used long ago for printing Audubon illustrations which were then later hand-coloured by artists) and the Los Angeles Natural History Museum across the street. A number of my colleagues who are scholars in areas that these objects pertain to gave short, informative and Continue reading ‘Collections!’

The next Categorically Not! is this coming Sunday September 13th. The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (Image above right is from the inside of the jacket of KC Cole’s book on Frank Oppenheimer, who will be celebrated in this month’s Cat Not! as you’ll read below. I talked a bit about the book here.)

The theme this month is The Worlds We Make Up. Here’s the description from K. C. Cole:

Continue reading ‘Categorically Not! - The Worlds We Make Up’

(Click for larger view.) Spotted down at LACMA. It is huge, maybe 15 feet in height? Continue reading ‘Perforated Colours’

Well, inexplicably I’m up at 6:00am again after getting to sleep at 1:00am. Might as well have a cup of tea and blog a bit. I’ve a treat for you!

As you know, I love some of the interviews that show up on Daily Mayo. So many interesting guests, and Simon Mayo is such an excellent interviewer as well, gently steering the conversation along. Well, he had the excellent director Guillermo del Toro on, a couple of days ago. (Who? Oh, he’s the director of the stunning Pan’s Labyrinth, or as I love to say out loud in a corny accent: El Laberinto del Fauno.) He seems to have been busy, what with co-writing a new book (for those of you into vampire-lit, here’s a new series for you, perhaps a nice contrast to the Twilight series), developing a lot of screenplays, moving to New Zealand, and… yes… you know… working on the Hobbit!

After a while, he does indeed get around to talking about the Hobbit films, and although I much prefer to know nothing at all about these banner projects before I walk into the theatre (as I did with Peter Jackson’s The Lord of the Rings), I listened to the whole thing. (Even though I thought that the latter half of Hellboy II was a mess, I still trust him to do a good job on the Hobbit movies. Or, as he joked, the Hobbitses. (He said “Hobbitses” to pluralize… he gets it!))

There are several reassuring things. Several. One is that they seem to have Continue reading ‘Guillermo del Toro on Mayo’

The cover of the June 1st edition of the New Yorker (see right) was done by artist Jorge Columbo on an iPhone, using an application called Brushes. (Story here and here*.) This all smacks of (more) free iPhone advertising, on the surface, but there’s something impressive here.

The New Yorker’s website displays a video of the layering of paint brush strokes that he did, showing the process of constructing the art. I’m impressed. Not by the iPhone aspect of it so much as the painting technique and approach itself, especially in such a small space, and that he did it while standing there looking at the subject for the scene in question. It is fascinating to see his strokes. Have a look:

Continue reading ‘iMpressed’

The next Categorically Not! is tomorrow, Sunday April 19th. The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (Image above right is discussed in an earlier post here. The last paragraph of the description below made me think of it.)

The theme this month is Doing Darwin Differently. Here’s the description from K C Cole:

Continue reading ‘Categorically Not! - Doing Darwin Differently’

Gosh, it has been two weeks since I planned to point you to this. Doesn’t time fly…

It is a series of re-workings of certain classic paintings, but featuring Star Wars themes and characters*.

Some of them are actually quite brilliant.

It’s here. Enjoy!

-cvj

(*Thanks T!)

Given all the gardening I’ve been doing over the last week or so (there’s some seed-sowing action going on to the right - more later), it may be fitting to go and sit and participate in the event coming up today. It is another of the College Commons events I’ve been mentioning here.

It’ll be a round table discussion and workshop to kick off a series, and here’s the summary:

“The Spiritual Life of Plants” series, arranged by Natania Meeker and Antónia Szabari of French and comparative literature, aims to reunite urgent contemporary conversations around ecology and the built environment with an early modern past — a past in which plants existed both at the limits of being and at the frontier of new forms of knowledge. What might these animated plants have to tell us about the ways in which humans experience, regulate, and are transformed by the non-human beings that surround them? How can we carry these conversations forward into the present and the future?

Today’s round table: Continue reading ‘The Spiritual Life of Plants’

Well, strangely, I was able to walk right into the Vista (one of my favourite movie palaces) and go to my favourite seat on Friday evening to see Watchmen, without even waiting in line. So I’m able to report on this rather sooner than I thought. (Or at least I was, but Friday night saw me busy, and Saturday night I was all prepared to do so after my long hike in the San Gabriels, but I feel asleep on the sofa still in my hiking gear and did not wake up until 6:00am.) So here we are. I’m happy to report that the owner or manager guy at the Vista, who wears a costume whenever a film of this genre shows, did not disappoint. There he is on the right in his Rorschach outfit. (Click for larger view.) Quite splendid.

This film is, on the surface, partly about my people (My people? Take your pick about what you think I mean here: (a) Physicists? (b) Superheroes? (c) Physicists who like to wear capes? (d) Physicists who like to go around in the nude and are sometimes blue?) and so of course I had to go along and see and report, but more urgently I have to report because I am quite sure that most film reviewers will not be able to see past the capes and tights. Having seen a few reviews since I’ve gone, I’m not wrong so far. I get to use the above title for the post, as I did last year for The Dark Knight, because the capes and tights are a red herring.

I’ll fold the rest of this away for those who don’t want to read about the film before seeing it first, so click to read on if on the front page or on a feed.

Continue reading ‘It’s Not A Superhero Movie, II’

Well, today (depending upon how you count*) is a big day. Major day. Are you as excited and worried as I am?

Continue reading ‘The Big Day!’

Follow my friend Casey Rentz for her stringy project! Last November, she walked the 6.4 miles from the Machine Project in Echo Park to LACMA (Los Angeles County Museum of Art) leaving a trail of a single string behind her….

I asked her for a few reflections on it all:
Continue reading ‘Other String Activity in Los Angeles’

I almost forgot to mention that tonight marks the launch of the series of events called the College Commons here at USC. Here’s a news story about the programme. This academic year, I’ve been working on the committee working on shaping the ideas that have come up from the faculty (I had promised to tell you more about this), and we’ve announced the short Spring programme, which you can see here.

There is a featured part celebrating 1859:

Where do ideas come from, and how far do they travel? One hundred and fifty years ago, the astonishing year of 1859 saw not only the publication of Charles Darwin’s The Origin of Species, but such pioneering works as John Stuart Mill’s On Liberty, Charles Dickens’s A Tale of Two Cities, Karl Marx’s Critique of Political Economy, and Richard Wagner’s first version of Tristan and Isolde. This year also marked amazing advances in travel and communications, the first battles prefiguring the Civil War and the first trapeze act performed in Paris. Can we imagine the world 150 years from now, and imagine the place our ideas will have in it? Scholars from biology, anthropology, physics, literature, history, and gender studies, as well as poets and artists, will explore these questions together this spring.

I hope there’ll be a lot of participation in the events (I’ll say more on this later). Tonight has a free movie, Master and Commander (so there’s a reason to go, right Continue reading ‘Uncommon Conversations’

I’m back home in Los Angeles now, after four days in Cambridge (UK) trying to pay attention to several interesting talks and meetings while being eight hours out of sync with my sleep. It has been interesting, but it is good to be back and getting on with the business of starting the new semester. I gave my first class of the season yesterday (upper division electromagnetism), and it looks to be a good group of students. I expect we’ll have fun! Additionally, two research meetings with graduate students meant for a nicely balanced first day back.

It’s (of course) 5:18am, and so while I sit here, wide awake, I’ll tell you about something I saw earlier in the week. While wandering around for a bit in Cambridge on Monday, I stumbled across the Corpus Clock and the Chronophage. It’d been mentioned to me about half an hour before by a friend, and I made a mental note to ask about it, but did not realize I’d stumble upon it so easily. Did you hear about it last year? I must confess that all the fuss about it totally passed me by. There’s been a lot of silly stuff said about it, including the usual sensational things about time and so forth, but at the core, the whole thing is quite marvellous. I’ve an old-fashioned streak to me, as you know by now, and so that it is essentially a traditional mechanical clock (despite the presence of LEDs to show the time - they are not controlled electronically, but are on all the time and the mechanical works moves slits to make them appear to go on and off) appeals to me immensely. The whole effect of using modern technology to Continue reading ‘The Chronophage’

On this NPR segment from Morning Edition last week, Elizabeth Blair talks with Steve Inskeep about Obama’s unusually (for a president-elect or president) vocal support for the idea of increased support for the arts.

This is very encouraging indeed. With all the of the urgent things to be done by the administration, I do hope this turns into reality.

-cvj

The next Categorically Not! is on Sunday December 7th. The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events.

The theme this month is Improv!. Here’s the description from K C Cole:

Continue reading ‘Categorically Not! - Improv!’

The next Categorically Not! is on Sunday October 19th (tomorrow!). The Categorically Not! series of events that are held at the Santa Monica Art Studios, (with occasional exceptions). It’s a series - started and run by science writer K. C. Cole - of fun and informative conversations deliberately ignoring the traditional boundaries between art, science, humanities, and other subjects. I strongly encourage you to come to them if you’re in the area. Here is the website that describes past ones, and upcoming ones. See also the links at the end of the post for some announcements and descriptions (and even video) of previous events. (Image on left is of bubble master Stirling Johnson, in action during the September 14th 2008 event on Bubbles.)

The theme this month is Entanglement. Here’s the description from K C Cole:

Continue reading ‘Categorically Not! - Entanglement’

You may have noticed some of Chris Jordan’s work before, maybe not realizing what he’s up to. His work often looks like one thing (a rather beautiful abstract textured painting or photo), only to become something else entirely upon closer examination (the tiny elements making up the texture are paper cups, or mobile phones, for example), depicting some aspect of the vast quantities of some item or substance that we discard. His idea is to try to make Continue reading ‘Chris Jordon on Our Cultural Anesthesia’

Well, it was quite a fascinating and fun Sunday afternoon, all in the spirit of art and community. And the story has a twist or two before the end.

Where do I start? Well, it was the second LA area Monster Drawing Rally (organized on LA by the Outpost for Contemporary Art), held over in Altadena. A friend of mine, artist and playwright Nancy Keystone, told me about it. Over four hours, many artists (Nancy included) would draw, in hour-long shifts, and then the results would be sold at $75 each. There’d be people looking on, general fun, food, beer, wine, and so forth. Of course I’d go! (As a bonus, there was even belly-dancing at one point. Go figure.)

It was rather excellent. There were artists of all sorts, doing a wide variety of things under the banner “drawing”, and lots of people to chat with and things to chat about. Nancy drew faces in brushed ink on pages of the phone book, which I thought was a lovely idea (unfortunately, I missed getting a shot of her in action), and there were people cutting up bits of paper and gluing, blowing things, measuring and calculating things. More on that latter later. (Click for larger views.)

It was another great community event, and I recognized faces of friends and strangers from other things I go to around the city, such as the farmer’s market, Categorically Not! events like this recent one, and the wonderful Urban Homestead Speakeasy organized by Christine Louise Berry that I reported on not long ago. My friends Marc Kamionkowski (Caltech) and Robert Caldwell (Dartmouth) (cosmologists/astrophysicists) showed up at some point, and it was great to see them and catch up a bit.

Every hour the artists changed over, finishing their work and another set of artists seat themselves and get to work. So it was quite a dynamic event. As the 5:00pm session Continue reading ‘Monsters, Etc’

There were three excellent presentations under the theme Bubbles at the most recent Categorically Not! at the Santa Monica Art Studios. See here. The final one was a visual treat which got everyone on their feet applauding at the end. It was Sterling Johnson, lawyer by day, bubble superhero by night, showing us some of his superpowers. I captured some clips of it, and edited them together for you. (Sorry about my laughing into the microphone at one point. I couldn’t help it.)

My two favourite moments are at 5:28 when he does his “Invisible Bubble Trick” -it is Continue reading ‘Bubbles Galore!’

I won’t have time today to blog about yesterday’s events (nor the several fun activities Continue reading ‘Bubble Magic!’

Of course, being back in the city means getting back into the routine of enjoying all the fantastic things to do here during a hot Summer. There are too many things to choose from, but one of my favourites is the Downtown Art Walk. (Previous post on it here.) It’s the second Thursday of every month. Strangely, it is still not very well known, even though it is one of the best activities I can think of to do to blow off steam at the end of the day. Or for the whole day. The art is all over the place, in that there is good stuff mixed in with a lot of, uh, other stuff, and so it is fun to hunt for it. Two reliable highlights for me, and maybe the most fun of all, are (1) the fact that these galleries are housed in lots of fantastic old and decayed spaces in old buildings in the core of Los Angeles’ centre. In fact, I often find myself looking at and enjoying the spaces more than the art. (2) The people. Representatives of every Los Angeles archetype, and several more besides, can be found wandering the streets of downtown during the Art Walk… and squeezing into the galleries and sampling the free (or cheap) wine, and generally rubbing shoulders with everyone else. How often do you get a wider cross section of Angelenos out of their cars and, horror, walking and, horror of horrors, mingling with others? Worth going just for that. There’s a brief history of it here, written by Bert Green, (hey, I did not know that I’ve been coming to it almost since it started) and the website for the Art Walk is here.

I wandered around some of my favourite galleries and studios, looking at the art, people, buildings, and spaces. Everything changes so much between monthly events and so it is always a pleasant surprise to learn which gallery will interest me most on Continue reading ‘Art Walk’

This is a piece by Robert Reynolds, currently on display at the Bert Green Fine Art Gallery in downtown LA. It is called Faith Machine. You’ll have to ask him what he’s trying to depict (Bert, the gallery owner, gave me a bit of a run down, but I don’t want to garble it), but I loved it simply because it’s a working, moving machine, and those bellows are just wonderful, with a motor turning at the back driving a piston that pumps the bellows, blowing smoke (or something) up through the seats (which are actually old school seats). There are some interesting messages in there, evidently, and I’ll leave you to work out your own angles.

I found the sound of the pumping bellows and turning wheel to be very biological in its effect, and quite hypnotic. I made a short video and you can view it below. (I hope that Continue reading ‘Breathing’