I forgot to mention that (after a lot of delays and internal administrative nonsense that I will spare you the details of) I was finally able to move into my new office, toward the end of November, only several months after the move was first put into motion. In the first week of the holiday period I was able to do some unpacking of some of the books (etc) and setting up various things (like my kettle and coffee pot) essential for the kind of working space I want it to be. It’ll be an interesting space, from some points of view… perhaps unusually combining production of objects and ideas from both the science and the art worlds, and lots in between. As you know, I have several projects that involve both, and they’ll come together in this space.
I updated the drawing (click for larger view) to include some adjustments I made to the layout* (see […] Click to continue reading this post
Wednesday was my last day in Santiago, and so after the morning Plenary talks I checked out of my hotel, stored my bag, and, boarding the subway, melted into the city for a few hours. I was not on the lookout for anything in particular, besides a sense (even a little) of the city’s life and flow. I also had in mind to spend a few hours at some galleries/museums (I’d already seen the Museum of Pre-Columbian Art (Museo Chileno de Arte Precolombino) on Monday night, and had a tour, as that’s where the conference reception was). I wanted to check out the Museum of Contemporary Art (Museo de Contemporaneo Artes) and Museum of Fine Arts (Museo de Bellas Artes), as well as the Museum of National History (Museo de Histórico Nacional), back in Plaza de Armaz, where I’d done that cafe and Post office sketch on Sunday. I also wanted to wander the streets and squares and just look at the people and buildings and goings on. And then I had to get back to the hotel at 6:45pm to grab my bag and jump into the taxi I’d ordered and head to the airport for my flight back to LA.
Well, I did pretty much all of those things, with no hiccups to speak of. I was a little annoyed that 95% of the Museum of Contemporary Art was taken up by a massive David LaChappelle retrospective – not because there isn’t something in his work one can find to like or at least be amused by (I had a good look around since I was there), but because it seemed ridiculous to have flown almost 1/3 the way around the planet to see an American artist’s work when what I wanted to see was work that was more local – but all turned out ok when in the Museum of Fine Art (the adjoining building in fact) I found a great deal of interesting contemporary (and other) art that was locally sourced. The buildings themselves were interesting to look at too, so that was a bonus.
On a nearby street (Monjitas), I found a great spot for lunch and people-watching, and the woman who I took to be the proprietor of the cafe (who took my order) decided to engage me in conversation for while. Since she had little […] Click to continue reading this post
Coming soon next to one of my favourite buildings…
Probably a new favourite building, the Broad Museum for Comtemporary Art. (Click for larger image.) It has been a while since I’ve been down there during the day (mostly been at Disney Concert Hall (on the right) at nights the last few months, for concerts) and so I was happy to pass by it yesterday on a […] Click to continue reading this post
One of the things I want the Los Angeles Institute for the Humanities (LAIH) to do more of is field trips – Exploring the city together! We’re an LA resource (as I’ve said in earlier posts) and so we should visit with and strengthen our relationships with some of those other LA resources, whether they be physical places, or groups of people (like us), etc.
Friday saw us take a wonderful field trip to the William A. Clark Memorial Library. It is another of those classic LA things – an amazing gem hidden away that you pass every day and don’t see. It is not far from USC, and in fact a number of USC faculty I know have used it regularly for research, since it has several important collections of papers and rare books of various sorts (Oscar Wilde, Shakespeare, Edgar Allan Poe, etc).
A lot of these were put out for us to see by Head Librarian (and LAIH Fellow) Victoria Steele and her staff, and they gave us a guided tour. During the tour […] Click to continue reading this post
Yesterday’s graduate class in electromagnetism had a bit of extra fun. We did a particular computation in some detail, and arrived at a pair of results. We thought about the main features of the equations we’d derived and I then asked the class if they could think of an example. An example with those equations essentially written all over it. It was the sky. Not just the blueness of the sky (for which the result supplies a partial answer) but the pattern of blueness on the sky, especially when looking through your polarised sunglasses. (You know how you tilt your head when wearing them and you can darken or lighten the sky a bit? Well, that effect is way more effective if you are looking in a direction at right angles to the sun as opposed to either toward or away from the sun.)
So I took the class outside to gaze upon the sky in person, rather than just sit and talk about it. Actually, a little bit of knowledge about the pattern of blue in the sky is useful in a lot of ways. For example it is amusing to me to see how often architects and their artist collaborators get the sky wrong in renderings of […] Click to continue reading this post
You know, I never got around to mentioning here that I am now Director (co-directing with Louise Steinman who runs the ALOUD series) of the Los Angeles Institute for the Humanities (LAIH), a wonderful organisation that I have mentioned here before. It is full of really fascinating people from a range of disciplines: writers, artists, historians, architects, musicians, critics, filmmakers, poets, curators, museum directors, journalists, playwrights, scientists, actors, and much more. These LAIH Fellows are drawn from all over the city, and equally from academic and non-academic sources. The thing is, you’ll find us throughout the city involved in all sorts of aspects of its cultural and intellectual life, and LAIH is the one organisation in the city that tries to fully bring together this diverse range of individuals (all high-acheivers in their respective fields) into a coherent force.
One of the main things we do is simply sit together regularly and talk about whatever’s on our minds, stimulating and shaping ideas, getting updates on works in progress, making suggestions, connections, and so forth. Finding time in one’s schedule to just sit together and exchange ideas with no particular agenda is an important thing to do and we take it very seriously. We do this at […] Click to continue reading this post
I just got back from the Aspen Art Museum‘s new building. They’ve been having a members-only series of nights before the big opening to the public in a few days, and an invitation was sent along to Aspen Center for Physics people to come along, and so (of course) I did. It was a nice thing to do at the end of a day of working on revising drafts of two papers, before settling down to a nice dinner of squash, green beans, tomatoes, and lemon-pepper pasta that I made, all from the Saturday Farmers’ Market. But I digress.
Let me say right at the outset that the building is fantastic. There will no doubt be arguments back and forth about the suitability of the building for the town, and so forth (and there have been), but as a space for both art and community (and to my mind, those should go together in a city’s main art space) it is simply […] Click to continue reading this post
Memorial Day – 26th May 2014. I arrive at downtown Los Angeles to enjoy a few moments of the pure joy of looking. Of seeing something in front of me well enough to make a rough representation of it on a piece of paper in front of me, for the pure hell of it. This is the essence of sketching. It is about seeing. I’m looking for the… something.
My hunt is over. I see the scene I want, just off the Water Court, a few minutes from the top of the (closed) Angel’s Flight rail. The sun is streaming through the portal framed by the two closest buildings. The further ones make sharp geometry against the 4:00pm sky. I’m also curious to try some new coloured pens, and I like that each building suggests a different colour. I’ve got about 15 minutes before I have to leave to pick someone up.
I sit. I start. Immediately I see the guard see me from across the way, and within a minute or two he is by my side, standing in front of me. He has the “You’re not allowed to do X” look on his face, but he’s trying to start out well. I’ve had this before, right in this public space, when a guard decided that I should not take photos of the buildings. Despite all the other tourists who do so. He begins:
You know, usually we… Are you an architecture student?
Are you an architecture student?
Well, what are you asking me, really?
Are you an architecture student? […] Click to continue reading this post
At my meeting in San Antonio, I just saw a nice article by Brian Jacobsmeyer on APS’ Physics Central with an interesting take on art mixing with physics. (A subject you know is close to my heart, given The (graphic novel) Project) (The article was the subject of part of the meeting, ao I was paying attention!) It is actually about fluid dynamics and Rayleigh-Taylor mixing, if you want to be specific, and you’ll recognize it in other images in astronomy, and elsewhere. There’s an interesting film associated with it too, which is linked in the article. Here’s an extract to get you started (link at the end): […] Click to continue reading this post
I’m supposed to be writing a talk, but it’s too early to start on it. I’ve been woken up early (5:00am) and kept awake by ideas swirling around in my head, and a mockingbird’s singing – it is nesting in a tree near the house, and I think I may be doomed to listen to it every night until the Fall…
Tuesday of last week saw me hiding and working on The Project. This time, it involved a bit of stalking. Last year I wrote a story which mostly takes place in a family home, between a brother and sister. I had a very particular shape for the house in my mind. They move from room to room, and spend a bit of time on a patio at the front. This time, I decided to build the entire house and populate it with all that I needed so that I can use it as reference to design the backgrounds for the story. Some weeks before I’d started looking a bit more closely at some houses I’d seen in the area as models. It is almost like the house which existed in my head was out there somewhere in the city, and I just had to find it. Somehow it was intended to be a typical smaller Los Angeles single family home, and if I looked for it, there it would be. I saw a number of houses on my walks that looked suitable enough, and was going to choose one of them and make modifications… and then one day I found it.
I’d been walking past it every day for several weeks, and had not really been in the right mode of thought when doing so, and so had not looked at it in the right way. Also, I’d been distracted by a rather larger and grander (too grand) house almost across the street from it. As soon as I thought about what I’d designed last year, and so rejected the house across the street, I realized that this one was the house I’d been looking for all along. So I took a couple of hurried surreptitious reference photos (while walking past pretending to be fiddling with my phone), and went home and laid out some of the dimensions I’d guessed for it.
I worked up some made up floor plans (based on my story’s needs and my memory of the interior of houses like this that I remember, and then I decided to build it […] Click to continue reading this post
I’ve been working when I can on the layouts of the first several pages of one of the stories I wrote in the Summer for The Project, and today I finally decided to do some inking on page one, sitting in the lovely sunshine we’ve been having. I am way behind, but struggle on. Lots of different things I’ve been experimenting with […] Click to continue reading this post
New acquisitions. I’ve been a fan of the work of Marcel Breuer for many years now, going back to my first postdoc in the early 90s, at the Institute for Advanced Study in Princeton. There, I lived (over three years) in some lovely 1957 apartments designed by him, with furniture of his design in them too. (It’s a bit different now, I understand.) The Wassily (or, Model B3) chair is one of my favourites of his, and two days ago, when I got an email from a friend I’d not heard from in a while that she was getting rid of a leather-finished pair of them, I went to see them as soon as I could (especially when I heard of their colour, which I’d decided would match my floors rather well). I came back from the visit with (after some negotiations and handing over of payment) the pair and set them up.
Yes, they are just as wonderful as I recall (and this set is particularly well made – very good reproductions), beautiful, very comfortable, and a good fit for my living room… […] Click to continue reading this post
Oh, I finished the painting of the page that, perhaps annoyingly, I’m showing you only a corner of. Now you’ve seen three stages of development in the production process, from pencils to inks to painting. See the other two pages (here and here) for comparison.
I digitally paint for this work, using a variety of techniques. This is a big silent single-panel splash page early on in the story, and I’m using it to root the reader in reality, the location, and the principal character, and so I’ve broken out the special effects a touch. Yes, I am a traditionalist, as I’ve explained before, with most of the final look of my work not being so different from what could be done in the pre-digital era, but I am not pig-headedly so, and from time to time I use (lightly, […] Click to continue reading this post
Ok, I have inked the pencils I constructed earlier, showing parts of two real buildings that form the background to the opening pages of one of my stories.
In the end I did the curves freehand instead of fiddling with French curves*. Now for these objects, the inking (done freehand with ink drawing pens – I sometimes use brushes or brush pens too) is actually pretty much just networks of black lines since they are background details and, moreover, very simple skyscrapers. There are some others in this page that are more […] Click to continue reading this post
Another shot of one of the Yácatas at Tzintzuntzan. (See the previous post for background information.) Bizarrely, my Summer is all of a sudden threatening to transform from one of withdrawal into hiding to work on my Project to a much more travelled mode than I intended. The Morelia trip … Click to continue reading this post