When calling to mind the Los Angeles Philharmonic, everyone’s (and all the posters’) focus is on Gustavo Dudamel, (or, the Dude, as I call him), all unruly hair and visible enthusiasm and so forth, and that’s great. He’s an excellent conductor. However, one of the unsung (as far as I know*) visibly spectacular performers of the LA Philharmonic is the excellent principal viola player whose name I do not know [update: see below*] who puts on the most remarkable physical performance every time I go (and presumably those other times too). Actually, the violist who sits next to her is also remarkable, since she manages without being distracted by her neighbour to maintain a very upright and solid, firmly planted, legs wide stance, in part providing a canvas upon which the viola player I first mentioned can splash bright splashes of movement all over the place! She rocks, sways, jerks, and contorts (sometimes even during quiet slow bits)- doing the craziest things with her legs, head, and bow arm, and so much of the time looks like she is about to spectacularly fall off her chair and wipe out at least half the viola section! This is why her colleague right next to her is also remarkable, as she acts as this wonderful un-distractable “straight man” to the physical pyrotechnics helping make them all the more remarkable by contrast. Last night I tried to capture some of the energy of the hyper-energetic viola player in a quick sketch (during Tchaikovsky’s 5th Symphony), and it turned out ok (hard to do since she is hardly ever still), but I do not think I came even close to capturing it. I shall have to try again next time, keeping a lot more looseness in my wrist and just throwing the lines down much faster and with less care than I did this time around.
*Ok, a bit of googling found some information in an article here. She’s called Carrie Dennis, and I’m certainly not the only person to notice her motions!